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Chamfort, Sébastien Roch Nicolas --- Chamfort, Sébastien-Roch-Nicolas, --- Criticism and interpretation. --- Académie française --- History. --- France --- History --- Histoire --- Chamfort, Sébastien-Roch-Nicolas, --- Criticism and interpretation --- Literature and the revolution --- Académie française --- Chamfort, Nicolas --- Chamfort, Sébastien --- Literature and the revolution. --- Chamfort, Sébastien-Roch Nicolas --- Chamfort, Sébastien-Roch-Nicolas de --- Revolution, 1789-1799 --- de Chamfort, Sébastien Roch Nicolas --- Sébastien-Roch, Nicolas --- Chamfort, Sébastien-Roch-Nicolas, - 1740?-1794 - Criticism and interpretation --- France - History - Revolution, 1789-1799 - Literature and the revolution --- Chamfort, Sébastien-Roch-Nicolas, - 1740?-1794
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Ni simple guide aux Liaisons dangereuses, ni thèse sur Laclos, David McCallam révèle la modernité éclatante de l’univers laclosien. A partir de notions ou motifs dont l’importance n’a suffisamment retenu l’attention, il relit le chef-d’oeuvre de Laclos et revient sur la vie de son auteur. Il est question ici du secret, de la promesse, du voile et du danger ainsi que de la construction des personnages romanesques. L’étude littéraire est complétée par la considération de l’activité de l’auteur en tant que secrétaire révolutionnaire et général bonapartiste, apprenant comment le secrétaire commande tandis que le général abdique. L’Art de l’équivoque montre comment les actes du discours en apparence les plus simples – garder un secret, promettre – se révèlent être fondamentaux et paradoxaux et pourquoi les personnages des Liaisons ne sont plus constitués de façon morale mais de façon «modale». Enfin, l’étude démontre que, déchue d’une quelconque nature métaphysique (le péché chrétien) et dénuée de nature médico-légale (la pathologie criminelle), la dangerosité des libertins est assimilée à la spéculation financière à haut risque et réside précisément dans les relations sociales, dans les « liaisons ».
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This study explores the explosive history of volcanoes and volcanic thought in eighteenth-century Europe, arguing that the topic of the volcano informed almost all areas of human enquiry and endeavour at the time. Encountered on the Grand Tour, sought out by scientific explorers or endured by local populations in southern Italy and Iceland, erupting volcanoes were a physical reality for many Europeans in the eighteenth-century. For many others, they represented the very image of overwhelming natural power, whether this was ultimately attributed to spiritual or material causes. As such, the volcano proved an effective and versatile ‘tool for thinking’ in a century which ushered in modernity on several fronts: continental tourism, new earth sciences, the sublime and picturesque in art, industrial and political revolution, the conception of the modern nation-state, and early intimations of environmental and climate change. But the volcano also gives us, in the twenty-first century, a privileged site (as both topography and topos) at which we can reconnect disparate and divided fields of research across the sciences and the humanities. Drawing on a rich variety of multi-lingual primary sources and the latest critical thinking, this study combines material and symbolic readings of eighteenth-century volcanism, constantly shifting frameworks, so as to consider this topical object through different disciplinary perspectives. The volcano is clearly transnational; this research also demonstrates how it is fundamentally transdisciplinary.
Geology. Earth sciences --- History of civilization --- anno 1700-1799 --- Europe --- Volcanoes --- Volcanic eruptions --- Volcanology --- Philosophy of nature --- History --- Volcanic geology --- Volcanics --- Vulcanology --- Geology --- Volcanism --- Eruptions, Volcanic --- Natural disasters --- Volcanos --- Landforms --- Eruptions
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This study explores the explosive history of volcanoes and volcanic thought in eighteenth-century Europe, arguing that the topic of the volcano informed almost all areas of human enquiry and endeavour at the time. Encountered on the Grand Tour, sought out by scientific explores or endured by local populations in southern Italy and Iceland, erupting volcanoes were a physical reality for many Europeans in the eighteenth century. For many others, they represented the very image of overwhelming natural power, whether this was ultimately attributed to spiritual or material causes. As such, the volcano proved an effective and versatile 'tool for thinking' in a century which ushered in modernity on several fronts: continental tourism, new earth sciences, the sublime and picturesque in art, industrial and political revolution, the conception of the modern nation-state, and early intimations of environmental and climate change. But the volcano also gives us, in the twenty-first century, a privileged site (as both topography and topos) at which we can reconnect disparate and divided fields of research across the sciences and the humanities. Drawing on a rich variety of multilingual primary sources and the latest critical thinking, this study combines material and symbolic readings of eighteenth-century volcanism, constantly shifting frameworks, so as to consider this topical object through different disciplinary perspectives. The volcano is clearly transnational; this research also demonstrates how it is fundamentally transdisciplinary.
Volcanoes --- Volcanic eruptions --- Volcanology --- History
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WILLIAMS (DAVID) --- SIECLE DES LUMIERES --- LITTERATURE FRANCAISE --- FRANCE --- HISTOIRE ET CRITIQUE --- 18E SIECLE --- DISCOURS, ESSAIS, CONFERENCES
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