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This book examines the links between the unprecedented visual inventiveness of the Romantic period in Britain and eighteenth-century theories of the sublime. Edmund Burke's Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful (1757), in particular, is shown to have directly or indirectly challenged visual artists to explore not just new themes, but also new compositional strategies and visual media such as panoramas and book illustrations, by arguing that the sublime was beyond the reach of painting. More significantly, it began to call into question mimetic representational models, causing artists to reflect about the presentation of the unpresentable and drawing attention to the process of artistic production itself, rather than the finished artwork.
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This interdisciplinary collection of essays, in keeping with recent historiographic approaches to East-West cultural relations, focuses on the material and spatial conditions of cultural encounters between Britain and the Middle East, from the late Middle Ages to the dawn of the twentieth century. By exploring a diversity of contexts and sites of encounter (from cosmopolitan cities to private collections), and by underlining the manifold nature of cultural exchanges connected with them, the essays outline the dynamic and complex interplay which contributed to the circulation of knowledge between these regions. They also bring together a variety of practices (diplomatic, geographical, aesthetic, archaeological, literary or commercial) in order to highlight the multi-layered dimension of these cultural transfers and exchanges.
History --- archéologie --- représentation --- cartographie --- culture matérielle --- Moyen-Orient --- Grande-Bretagne --- archaelogy --- representation --- cartography --- Great Britain --- Middle East --- archaeology
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