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The historical avant-gardes defined themselves largely in terms of their relationship to various versions of realism. At first glance modernism primarily seems to take a counter-position against realism, yet a closer investigation reveals that these relations are more complex. This book is dedicated to the links between realism, modernism and the avant-garde in their international context from the late 19th century up to the present day.
Realism in art. --- Realism in literature. --- Avant-garde (Aesthetics) --- Modernism (Art) --- Modernism (Literature) --- Realism in art --- Realism in literature --- Crepuscolarismo --- Literary movements --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Aesthetics --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- Realism (Art) --- Idealism in art --- Naturalism in art --- Romanticism in art
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As a result of global warming, extreme events, such as firestorms and flash floods, pose increasingly unpredictable and uncertain existential threats, taking lives, destroying communities, and wreaking havoc on habitats. Current aesthetic, technological and scientific frameworks struggle to imagine, visualise and rehearse human interactions with these events, hampering the development of proactive foresight, readiness and response. This open access book demonstrates how the latest advances in creative arts, intelligent systems and climate science can be integrated and leveraged to transform the visualisation of extreme event scenarios. It reframes current practice from passive perception of pre-scripted illustrations to active immersion in evolving life-like interactive scenarios that are geo-located. Drawing on the multidisciplinary expertise of leaders in the creative arts, climate sciences, environmental engineering, and intelligent systems, this book examines the ways in which climate disaster preparedness can be reformulated through practices that address dynamic and unforeseen interactions between climate and human life worlds. Grouped into four sections (picturing, narrating, rehearsing, and communicating), this book maps this approach by exploring the emerging strengths and current limitations of each discipline in addressing the challenge of envisioning the unpredictable interaction of extreme events with human populations and environments. This book provides a timely intervention into the global discourse on how art, culture and technology can address climate disaster resilience. It appeals to readers from multiple fields, offering academic, industry and community audiences novel insights into a profound gap in the current knowledge, policy and action landscape.
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kunst --- nieuwe media --- kunst en technologie --- 7.038/039 --- 069 --- 7.01 --- conservatie --- databanken --- Douglas Stan --- Graham Dan --- museologie --- video-installaties --- video --- mediatheorie --- mediakunde --- Art publicity --- Multimedia (Art) --- Multi media (Art) --- Arts --- Art --- Publicity
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