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"We Are Coming Home is the story of the highly complex process of repatriation as described by those intimately involved in the work, notably the Piikuni, Siksika, and Kainai elders who provided essential oversight and guidance. We also hear from the Glenbow Museum's president and CEO at the time and from an archaeologist then employed at the Provincial Museum of Alberta who provides an insider's view of the drafting of FNSCORA. These accounts are framed by Conaty's reflections on the impact of museums on First Nations, on the history and culture of the Niitsitapi, or Blackfoot, and on the path forward. With Conaty's passing in August of 2013, this book is also a tribute to his enduring relationships with the Blackfoot, to his rich and exemplary career, and to his commitment to innovation and mindful museum practice"--
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Repatriation --- Repatriation --- Repatriation --- Rapatriement --- Rapatriement --- Rapatriement --- Congo (Democratic Republic) --- Congo (République démocratique) --- History --- Histoire
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Refugees --- Réfugiés --- Réfugiés --- Africa --- Repatriation
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Pieds-Noirs --- Pieds-Noirs. --- Repatriation --- French
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"A major new history of how, between 1965 and 1985, African nations sought the restitution of works of art stolen during the colonial period, written by the most important and influential figure in the field"-- For decades, African nations have fought for the return of countless works of art stolen during the colonial era and placed in Western museums. In Africa’s Struggle for Its Art, Bénédicte Savoy brings to light this largely unknown but deeply important history. One of the world’s foremost experts on restitution and cultural heritage, Savoy investigates extensive, previously unpublished sources to reveal that the roots of the struggle extend much further back than prominent recent debates indicate, and that these efforts were covered up by myriad opponents.Shortly after 1960, when eighteen former colonies in Africa gained independence, a movement to pursue repatriation was spearheaded by African intellectual and political classes. Savoy looks at pivotal events, including the watershed speech delivered at the UN General Assembly by Zaire’s president, Mobutu Sese Seko, which started the debate regarding restitution of colonial-era assets and resulted in the first UN resolution on the subject. She examines how German museums tried to withhold information about their inventory and how the British Parliament failed to pass a proposed amendment to the British Museum Act, which protected the country’s collections. Savoy concludes in the mid-1980s, when African nations enacted the first laws focusing on the protection of their cultural heritage.Making the case for why restitution is essential to any future relationship between African countries and the West, Africa’s Struggle for Its Art will shape conversations around these crucial issues for years to come.
Art, African. --- Cultural property --- Museums --- Protection --- History --- Protection. --- Repatriation --- Repatriation. --- Acquisitions --- Acquisitions. --- 1900-1999. --- Africa. --- Europe.
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Repatriation --- Repatriation --- Rapatriement --- Rapatriement --- Archival resources --- Catalogs. --- History --- Sources. --- Fonds d'archives --- Catalogues --- Histoire --- Sources
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A cannon belonging to the King of Kandy, power figures from the Democratic Republic of Congo, the Benin bronzes, statues from javanese temples : these are just a few of the many, mostly stolen, objects that have come into the possession of museums and private collections in the Netherlands and Belgium. Dominating the discussions about colonial collections and restitution are Great Britain, Germany and France. But the Netherlands and Belgium, two former colonial powers, must now also respond to the former colonies asking for the return of their collections. How and when did these collections get here, and where are they now ? Are they all looted art ? How does restitution work ? Are there any successful examples ? Who decides where an object's importance lies ? "Inconvenient heritage : colonial collections and restitution in the Netherlands and Belgium" is the first book to address these questions from the dutch and belgian perspectives. As in other european countries, the answers are far from straightforward.
Cultural property --- Patrimoine culturel --- Repatriation --- Restitution. --- Museums --- Collection management
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Derrière les objets issus des guerres coloniales que nous admirons dans les musées se trouve une histoire violente, il est temps de l’écouter. 1890 : un colonel français entre dans Ségou, ville d’Afrique de l’Ouest, et s’empare d’un trésor. Parmi les objets du butin, des bijoux et un sabre. Alors que le Sénégal réclame la restitution du sabre depuis des décennies, symbole de sa mémoire collective, la France peine à répondre, prise dans un carcan idéologique et juridique. Ironie du sort, les bijoux ont, eux, été perdus, oubliés ou volés. Partie sur les traces de ce trésor, T. Tervonen découvre une histoire coloniale violente dont les objets sont les témoins silencieux, une histoire dont nous resterons prisonniers tant qu’elle ne sera pas racontée.
Cultural property --- Cultural property --- Art, African. --- Colonies --- Repatriation
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