Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Published on the occasion of the artist's eightieth birthday and accompanying a major retrospective exhibition, this book brings together 120 of Thiebaud's most important paintings, watercolors, and pastels. Essays by Steven A. Nash and Adam Gopnik trace the course of his career from the 1950s, when he first began to emerge as a significant national artist. They assess Thiebaud's role in the history of American modernism and his place in the tradition of realism, and examine the surprisingly wide variety of art historical sources to which his paintings refer, including Chardin, Sargent, Hopper, Mondrian, Morandi, and Diebenkorn."--BOOK JACKET.

Thiebaud, Wayne --- Exhibitions --- painters [artists] --- painting [image-making] --- Exhibitions.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Painting --- Manet, Edouard --- painters [artists] --- Portrait painting, French --- Human beings in art --- Manet, Édouard,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

By uniquely treating Gerhard Richter’s entire oeuvre as a single subject, Darryn Ansted combines research into Richter’s first art career as a socialist realist with study of his subsequent decisions as a significant contemporary artist. Analysis of Richter’s East German murals, early work, lesser known paintings, and destroyed and unfinished pieces buttress this major re-evaluation of Richter’s other well known but little understood paintings. By placing the reader in the artist’s studio and examining not only the paintings but the fraught and surprising decisions behind their production, Richter’s methodology is deftly revealed here as one of profound yet troubled reflection on the shifting identity, culture and ideology of his period. This rethinking of Richter’s oeuvre is informed by salient analyses of influential theorists, ranging from Theodor Adorno to Slavoj Žižek, as throughout, meticulous visual analysis of Richter’s changing aesthetic strategies shows how he persistently attempts to retrace the border between an objective reality structured by ideology and his subjective experience as a contemporary painter in the studio. Its innovative combination of historical accuracy, philosophical depth and astute visual analysis will make this an indispensible guide for both new audiences and established scholars of Richter’s painting

painters [artists] --- Capitalist Realism --- Richter, Gerhard --- Richter, Gerhard, --- Criticism and interpretation. --- Aesthetics. --- Painting, German

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Painting, American --- Exhibitions. --- Sillman, Amy --- Criticism and interpretation. --- Painting --- Contemporary [style of art] --- painters [artists]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Louis, Morris --- Expressionnisme abstrait --- Peinture américaine --- Louis, Morris, --- Color-field --- painters [artists] --- Peinture américaine --- Abstract expressionism --- Painting, American --- Exhibitions. --- Exhibitions --- Expositions --- Criticism and interpretation --- Criticism and interpretation.