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Book
Melvillean Parasites
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Year: 2022 Publisher: Oslo Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)

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Abstract

Melvillean Parasites addresses an aspect of Herman Melville’s authorship largely overlooked by previous scholars: the abundance of narrators and characters in his writings in search of food—an aim they typically pursue through sponging off the people they encounter.Deploying the conceptual figure of the parasite as its primary analytical tool, the book interprets how the dream of a free meal plays out and is given literary form in Typee (1846), “Bartleby, the Scrivener” (1853), “Jimmy Rose” (1855), and The Confidence-Man (1857). In so doing, Melvillean Parasites aims to explain how Melville’s engagement with ethico-political issues concerning nourishment, dependency upon others, hospitality, and responsibility toward strangers, evolved and changed over time. Compared to the tendency of dehumanizing the parasite found in many of his contemporaries, the book claims that what sets him apart, is his insight into the unavoidable parasitic tendencies of us all: Herman Melville—patron saint of the parasite.Melvillean Parasites is intended for scholars, students, and general readers with an interest in the concept of the parasite, as well as Herman Melville’s authorship, American literature, and 19th century studies in general.Anders M. Gullestad is Associate Professor at the Department of Linguistic, Literary and Aesthetic Studies at the University of Bergen.


Book
Sea-changes : Melville - Forster - Britten : the story of Billy Budd and its operatic adaptation
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Year: 2012 Publisher: Universitätsverlag Göttingen

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E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville's novella for the opera stage. The libretto they produced poignantly reaffirms the Forsterian creed of salvation through personal relationships. This study presents an extensive exploration of Forster's involvement in the interpretation, transformation and re-creation of Melville's text. It situates the story of the Handsome Sailor in the wider context of Forster's literary oeuvre, his life, and his life writings. In detailed readings, Billy Budd becomes a lens through which the themes, patterns and leitmotifs of Forsterian thought and creative imagination are brought into focus. A close re-examination of the libretto sketches serves to shed new light on the collaborative process in which Melville's story was changed to fit an archetypal array of plot and character types that is central to Forster's own storytelling.


Book
Kreditfiktionen : Der literarische Realismus und die Kunst, Schulden zu erzählen
Authors: ---
ISBN: 3846765015 Year: 2020 Publisher: Paderborn Brill | Fink

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Blick ins BuchDer Kredit gilt gemeinhin als neutrale Transaktion, die dazu dient, ökonomische Akteure möglichst effizient und profitabel miteinander zu vernetzen. In der realistischen Erzählliteratur des 19. Jahrhunderts zeichnet sich jedoch ein ganz anderes Bild ab: Kreditfiktionen von Autorinnen und Autoren wie Honoré de Balzac, Gustave Flaubert, George Eliot, Gottfried Keller oder Herman Melville präsentieren den Kredit als volatile und ruinöse Fiktion, die soziale Reibungen und Konflikte erzeugt und die Realität selbst in ein verkäufliches Gut ummünzt. So kristallisiert sich in Texten des Realismus ein wildes Wissen über die ontologischen, epistemologischen und gesellschaftlichen Verwerfungen der Schuldenwirtschaft heraus.

Kulturelle Einflussangst : Inszenierungen der Grenze in der Reiseliteratur des 19. Jahrhunderts
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ISBN: 3839405351 3899425359 Year: 2015 Publisher: Bielefeld transcript Verlag

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Neben verschiedenen Repräsentationen des Anderen Europas hat die koloniale Reiseliteratur auch das Fremdbild des enteuropäisierten Europäers hervorgebracht. Dieser Typus gibt Aufschluss über ein bisher noch kaum erfasstes Phänomen, das als kulturelle Einflussangst beschrieben werden kann. Insbesondere im 19. Jahrhundert lässt sich eine intensive Auseinandersetzung mit den möglichen Folgen von Akkulturation, 'Rassenmischung' und Klimaeinflüssen für weiße Reisende und Kolonisten in den Tropen beobachten. Literarische Texte inszenieren den kolonialen Raum als ein Feld interkultureller Begegnungen, das von einer klaren Grenze durchzogen ist - die zu überschreiten tabu bleibt. »Die ›mangelnde Anpassungswilligkeit‹ des Westens ist heute nach wie vor ein relevantes Thema, und dass dieses Phänomen rückblickend auf eine entscheidende Phase der europäischen Konfrontation mit anderen Kulturen untersucht wurde, ist somit sehr begrüßenswert.« Liselotte Dinges, ww.literaturkritik.de, 2 (2008) »Gerade die innovative Form, Theoriediskurs und Analyseteil zu verbinden, macht diese Studie auch für ein nicht wissenschaftliches Publikum zu einer spannenden und informativen Lektüre.« Katja Barthel, KULT_online, 19 (2009) Besprochen in: Anthropological Abstracts, 6 (2007) Germanisch-Romanische Monatsschrift, 58/3 (2008), Birgit Neumann 01.04.2008, Lucas Marco Gisi, IASLonline Jahrbuch für Europäische Überseegeschichte, 10 (2010), Hermann Wellenreuther


Book
Embodiments of Cultural Encounters
Authors: ---
ISBN: 3830975481 3830925484 Year: 2011 Publisher: Münster Waxmann

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The meeting of members of different cultures, frequently conceptualized in abstract terms, always involves the meeting of human bodies. This volume brings together contributions by scholars of various disciplines that address physical aspects and effects of cultural encounters in historical and present-day settings. Bodies were and are not only markers of cultural identity and difference, endlessly inscribed and represented as the 'body politic' or 'the exotic other'; as battlegrounds of cross-cultural signification and identification bodies are also potential agents of change. While some essays address the elusiveness of the 'real' or material body, forever lost behind a veil of textual and visual representation, others analyze the performative effect of such representations - their function of disciplining colonized bodies and subjects by integrating them into Western systems of cultural signification and scientific classification. Yet, as the volume also shows, formerly colonized people, far from subjecting themselves completely to Western discourses of physical discipline, retain traditional body practices - whether in food culture, religious ritual, or musical performances. Such local reinscriptions escape the grip of Western culture and transform the global semantics of the body. This impressive publication [...] is part of a valuable series of intellectual explorations in negotiating the intercultural journey. - Bruce Harding in: Jahrbuch für Europäische Überseegeschichte, 13/2013

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