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Coleman, James ; Dean, Tacita ; Douglas, Stan ; Gordon, Douglas ; McQueen, Steve ; Nauman, Bruce ; Trockel, Rosemarie ; Viola, Bill

Video art --- Art, Modern --- Art vidéo --- Art --- Exhibitions. --- Expositions --- -Video art --- Electronic art --- Experimental television --- Performance art --- Television --- Experimental films --- Modern art --- Art vidéo

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In 2014, New York-based artist Lois Conner gifted one of pioneering Chinese artist Zhang Peili’s last paintings to The Australian National University’s newly opened Australian Centre on China in the World. Never exhibited and thought lost, the reemergence of Flying Machine (1994) prompts an exploration of the relation between painting and video in the oeuvre of Zhang Peili. Given Zhang’s significance as a leading conceptual painter in the 1980s, then as a media art pioneer and educator in the 1990s and 2000s, Zhang Peili: From Painting to Video is also a nuanced study of broader developments in Chinese contemporary art’s history. Featuring contributions by historian Geremie R. Barmé, photographer Lois Conner, art historians John Clark, Katie Grube, and Olivier Krischer, and curator Kim Machan, these essays together challenge the narrative of Zhang as ‘the father of Chinese video art’, highlighting instead the conceptual consistency, rigour, and formal experimentation in his work, which transcends a specific medium. By equal measure, the book embraces longstanding connections as integral to its meaning, connections between artists, curators and researchers, collaborators, colleagues and friends through China and Australia.

Zhang, Peili, --- Peili, Zhang, --- 张培力, --- Video art --- 1957 --- -Zhang, Peili, --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- -Video art --- Time-based art --- -Art --- paintings --- graphic art --- China --- Art

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Art numérique --- Art video --- Digital art --- Digitale kunst --- Video art --- Videokunst --- Video art. --- Digital art. --- Art vidéo --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- Art, Computer --- Computer craft --- New media art --- Computer art --- Art par ordinateur --- Art électronique --- Vidéo expérimentale --- Vidéo formelle --- Vidéo-art --- Art vidéo

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Photography, Artistic --- Video art --- Installations (Art) --- Photographie artistique --- Art vidéo --- Doherty, Willie. --- kunst --- twintigste eeuw --- Doherty Willie --- 7.071 DOHERTY --- Derry --- fotografie --- videokunst --- video-installaties --- installaties --- Ierland --- Groot-Brittannië --- Noord-Ierland --- Exhibitions --- Art vidéo --- Photography --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Installation art --- Environment (Art) --- Aesthetics --- Time-based art

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Cet ouvrage est composé de cinq couvertures recto-verso de différents magazines conçu par Marie José Burki Marie José Burki ontwikkelt een videografisch oeuvre, waarin onze natuurlijke of stedelijke omgeving wordt opgevangen met eenvoud en met kleine verschillen, dit alles binnen het ontroerende verloop van de tegenwoordigheid. Hierbij neemt de kusntenares steeds een afstand in acht tegenover het spectaculaire beeld. zelfs wanneer deze beelden monumentaal blijken te zijn, zoals in New York en Londen (Time after, time along, the river, 2000-2001), houden deze projecties, die soms worden gecombineerd met klassieke of alledaagse stukken tekst, zich steeds aan sobere en strenge opstellingen, waarbij de toeschouwer de indruk krijgt dat de camera "de wereld laat verlopen". Het zijn mannen en vrouwen die ter beschikking staan van hun bezigheden, dieren die zich ontwikkelen in hun ondoordringbare universum, wolken die voorbijtrekken aan de hemel, en die onophoudelijk eeen gedaanteverwisseling doormaken - net zoals zovele gedaantes uit een biologische en een metafysische tijd. Direct aansluitend bij de werkelijkheid, die ze nooit proberen te sublimeren, situeren deze werken zich op een raakvlak van het filosofische, het poëtische en het politieke.

commissaire de l'exposition Lautent Busine Daniel Kurjakovic --- kunst --- twintigste eeuw --- video --- videokunst --- video-installaties --- Zwitserland --- Burki Marie José --- België --- 791.45 BURKI --- 7.071 BURKI --- Exhibitions --- Burki, Marie José --- Burki, Marie José, --- Burki, Marie José, --- Video art --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- Art vidéo --- Exhibitions. --- Expositions --- Interviews --- Time-based art --- Hedendaagse kunst