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Among the more striking developments in contemporary North American music theory is the centrality that questions of musical form (Formenlehre) have enjoyed in recent decades. Formal Functions in Perspective presents thirteen studies that engage with musical form in a variety of ways. The essays, written by established and emerging scholars from the United States, the United Kingdom, Canada, and the European continent, run the chronological gamut from Haydn and Clementi to Leibowitz and Adorno; they discuss Lieder, arias, and choral music as well as symphonies, concerti, and chamber works; they treat Haydn's humor and Saint-Saëns's politics, while discussions of particular pieces range from Mozart's arias to Schoenberg's Verklärte Nacht. Running through all of these essays and connecting them thematically is the central notion of formal function. CONTRIBUTORS: Brian Black, L. Poundie Burstein, Andrew Deruchie, Julian Horton, Steven Huebner, Harald Krebs, Henry Klumpenhouwer, Nathan John Martin, François de Médicis, Christoph Neidhöfer, Julie Pedneault-Deslauriers, Giorgio Sanguinetti, Janet Schmalfeldt, Peter Schubert, Steven Vande Moortele Steven Vande Moortele is assistant professor of music at the University of Toronto. Julie Pedneault-Deslauriers is assistant professor of music at the University of Ottawa. Nathan John Martin is assistant professor of music at the University of Michigan.
Musical form. --- Formes musicales --- Form, Musical --- Music --- Adorno. --- Contemporary Music. --- Essays. --- Formal Analysis. --- Formal Functions. --- Haydn. --- Music Theory. --- Musical Form.
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Music --- Musique --- History and criticism --- Philosophy and aesthetics --- Histoire et critique --- Philosophie et esthétique --- Philosophie et esthétique --- Composition (Music) --- Composition (musique) --- Contemporary music
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Cette collection consacrée aux musiques nouvelles rassemble les contributions de théoriciens et d'esthéticiens de la musique et de musiciens dans des ouvrages de réflexion et d'entretiens. Avec un portfolio de dessins de Sarkis, « Sculpture musicale dans la forêt de Grünewald à Berlin ». Ce premier ouvrage concerne les thèmes suivants : penser les nouveaux mondes sonores et mutations électrosonores. Table des matières : « Penser les nouveaux mondes sonores » (Philippe Franck > Introduction, Jean-Paul Dessy > Orphénix, Bernard Stiegler > Le train, Henri Van Lier > Un nouveau paradigme : les formes aminoïdes, François Delalande > De Schaeffer au Djing). « Mutations électrosoniques » (Philippe Franck > Flux sonores et nomadisme électronique, Paul D. Miller > Des palimpsestes et de la parataxe ou comment faire un mix ?, David Toop > Sonic Boom, David Shea > Passages, Leo Kupper > Musiques imaginaires, musiques méta-réelles, musiques matérielles, Robin Rimbaud > Futur antérieur, Kim Cascone > Anemic Cinema, visuels live à l'âge de la musique portable, Sarkis > Le geste et le son). « Portfolio » (Sarkis > Sculpture musicale dans la forêt de Grünewald à Berlin). Audio (Jean Paul Dessy > Fable ineffable, David Shea > Intriguantes, Scanner > Anti – Clockwise, Dj Spooky > Heterotopian trace, David Toop > Air-con function, Kim Cascone > Black theorem, Leo Kupper > Paroles sur lèvre, Sarkis > Tak.
Histoire de la musique --- Son --- Théorie de l'art --- Sound. --- Music --- Electronic music. --- Musique électroacoustique. --- Son. --- Musique --- Musique électronique. --- electronic music. --- sound (acoustics) --- Neue Musik --- Philosophy and aesthetics. --- Philosophie et esthétique. --- Contemporary Music
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Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic.
MUSIC / History & Criticism. --- 20th Century. --- Asia. --- China. --- Cultural History. --- Cultural Studies. --- Entangled Histories. --- Globalization. --- Interculturalism. --- Japan. --- Korea. --- Music. --- Musicology. --- Transnationalism. --- Contemporary Music; 20th Century; Globalization; Transnationalism; Entangled Histories; Asia; China; Japan; Korea; Music; Musicology; Interculturalism; Cultural Studies; Cultural History
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Wallace Stevens’s musicality is so profound that scholars have only begun to grasp his ties to the art of music or the music of his own poetry. In this study, two long-time specialists present a polyphonic composition in which they pursue various interlocking perspectives. Their case studies demonstrate how music as a temporal art form may affect a poetic of ephemerality, sensuous experience, and affective intensification. Such a poetic, they argue, invites flexible interpretations that respond to poetry as an art of textual performance. How did Stevens enact the relation between music and memory? How can we hear his verse as a form of melody-making? What was specific to his ways of recording birdsong? Have we been missing the latent music of Richard Strauss, Gustav Mahler, and Claude Debussy in particular poems? What were the musical poetics he shared with Igor Stravinsky? And how is our experience of the late poetry transformed when we listen to a musical setting by Ned Rorem? The Poetic Music of Wallace Stevens will appeal to experts in the poet’s work, students of Modernism in the arts, and a wider audience fascinated by the dynamics of exchange between music and poetry. Bart Eeckhout is Professor of English and American Literature at the University of Antwerp, Belgium, and has been Editor of The Wallace Stevens Journal since 2011. His books include Wallace Stevens and the Limits of Reading and Writing (2002), five co-edited volumes on Stevens, and twelve co-edited thematic issues of The Wallace Stevens Journal. Most recently he co-edited The New Wallace Stevens Studies (2021). Eeckhout is a Member of the Royal Flemish Academy of Belgium for Science and the Arts. Lisa Goldfarb is Professor at New York University’s Gallatin School, USA, President of The Wallace Stevens Society, and Associate Editor of The Wallace Stevens Journal. She is the author of The Figure Concealed: Wallace Stevens, Music, and Valéryan Echoes (2011) and Unexpected Affinities: Modern American Poetry and Symbolist Poetics (2018), as well as co-editor of several edited collections on Stevens and special issues of The Wallace Stevens Journal. She has recently contributed a chapter, “Music of the Sea: Elizabeth Bishop and Symbolist Poetics,” to Elizabeth Bishop and the Music of Literature (Palgrave 2019).
Music and literature. --- Stevens, Wallace, --- Criticism and interpretation. --- Literature and music --- Literature --- Poetry. --- Literature, Modern --- Music --- Music theory. --- Poetry and Poetics. --- Twentieth-Century Literature. --- Contemporary Music. --- Theory of Music. --- 20th century. --- History and criticism.
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This book brings together a range of hip hop scholars, artists and activists working on Hip Hop in the Global North and South with the goal of advancing Hiphopographic research as a critical methodology with critical fieldwork methods that can provide a critical perspective of our world. The authors’ focus in this volume is to present an anthology of essays that expand the remit of Hiphopography as an approach to the study of Hip Hop that is not only sensitive to the social, economic, political and cultural lives of Hip Hop Culture participants as interpreters and theorists, but one that continues to humanize the “whole person” behind the decks, on the mic, rocking on the linoleum floor, painting in front of a wall, and seeking that Knowledge of Self. This book will be relevant to Hip Hop scholars in fields such as cultural studies and history, sociolinguistics, linguistic anthropology and ethnography, and race studies, while Hip Hop heads themselves will find parts of this book that represent their culture in ethical and informative ways. Jaspal Naveel Singh is a hip hop head, knowledge producer and soul searcher. He currently works as a Lectuer in Applied Linguistics and English Language at the Open University, UK. His first monograph Transcultural Voices: Narrating Hip Hop Culture in Complex Delhi (2022) develops a hiphopographic approach called global hip hop linguistics to study breakers, graffiti artists, musicians and rappers in the emergent scenes in urban India. Originally from Germany, he has lived and worked in India, Hong Kong and Wales. Quentin Williams is Director of the Centre for Multilingualism and Diversities Research and an Associate Professor of Sociolinguistics in the Linguistics Department at the University of the Western Cape, South Africa. His most recent books are Struggles for Multilingualism and Linguistic Citizenship with Tommaso Milani and Ana Deumert (2022) and Neva Again: Hip Hop Art, Activism and Education in post-apartheid South Africa with Adam Haupt, H Samy Alim and Emile YX? (2019). .
Ethnology. Cultural anthropology --- Sociolinguistics --- Linguistics --- History of civilization --- cultuurgeschiedenis --- linguïstiek --- antropologie --- sociolinguïstiek --- Sociolinguistics. --- Anthropological linguistics. --- Music --- Civilization --- Race. --- Linguistic Anthropology. --- Contemporary Music. --- Cultural History. --- Race and Ethnicity Studies. --- History and criticism. --- History. --- Music—History and criticism. --- Civilization—History.
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When listeners talk about their listening experiences, they often refer to music as if it were a narrative. But can music actually tell a story? Can music be narrative? Traditionally, narrativity is associated with verbal and visual texts, and the mere possibility of musical narrativity is highly debated. In this study, Vincent Meelberg demonstrates that music can indeed be narrative, and that the study of musical narrativity can be very productive. Moreover, Meelberg even makes a stronger claim by contending that contemporary music, too, can be narrative. More specifically, Meelberg suggests considering contemporary musical narratives as metanarratives, i.e. narratives that tell the story of the process of narrativization.
Music --- Discourse analysis, Narrative. --- Analysis, appreciation. --- intermediality --- musical story --- musical narrative --- music --- contemporary music --- muziek --- musical tense --- musical comprehension --- narratology --- musical text --- narrativizering --- atonality --- fabula --- linearity --- metaverhalen --- atonal music --- metanarrative --- musical narrativity --- Concert --- Timbre
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Music and society --- Music and youth --- Music in education --- Musique dans l'éducation --- Musique et jeunesse --- Musique et société --- Muziek en jeugd --- Muziek en maatschappij --- Muziek in de opvoeding --- Music --- Youth --- Musique --- Jeunesse --- History and criticism. --- Social aspects --- Attitudes --- Histoire et critique --- Aspect social --- Contemporary music --- Sociological study --- Psychology
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It is well known that Theodor W. Adorno’s aesthetic theory is grounded in his profound musical knowledge. The importance of music for Jean-François Lyotard, however, has not been adequately recognized until today; neither has the fact that Lyotard was strongly influenced by Adorno. Tracing back the development of Lyotard’s thought from his “pagan” beginnings to his late conception of an informal art, the book intends to initiate an adequate reception of Lyotard’s œuvre from a musicological viewpoint. Moreover, as a first comprehensive comparison of Lyotard‘s and Adorno’s theories on art, the study contributes to the exploration of Critical Theory’s reception in France. Es ist allgemein bekannt, dass Theodor W. Adorno seine ästhetische Theorie auf Basis profunder Musikkenntnisse entwickelte. Dass die Musik auch für Jean-François Lyotard von besonderer Wichtigkeit war und er stark von Adorno beeinflusst wurde, wurde bis heute allerdings kaum entsprechend wahrgenommen. Durch den Vergleich mit der Musikphilosophie Adornos intendiert dieses Buch eine adäquate Rezeption des Werkes von Lyotard aus musikwissenschaftlicher Sicht zu initiieren, wobei es dessen Entwicklung von den "heidnischen" Anfängen bis zur späten Konzeption einer "informellen" Kunst nachzeichnet. Als erster umfassender Vergleich der Ästhetik beider Denker leistet es auch einen Beitrag zur Erforschung der Rezeption der Kritischen Theorie in Frankreich.
Aesthetics, German --- Philosophy & Religion --- Philosophy --- Adorno, Theodor W., --- Lyotard, Jean-François, --- Aesthetics (as a topic) --- Aesthetics. --- Adorno, Theodor W. --- Wiesengrund, Theodor, --- Wiesengrund-Adorno, Theodor, --- Adorno, Teodor V., --- Adorŭno, --- אדורנו, תאודור --- אדורנו, ת. ו. --- Adorno, Th. W. --- Adorno --- Lyotard --- Aesthetics --- Postmodernism --- Modernism --- Contemporary Music --- Ästhetik --- Postmoderne --- Moderne --- zeitgenössische Musik --- Immanuel Kant --- Jean-François Lyotard --- München --- Philosophie --- Theodor W. Adorno --- Verlag Herder
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In diesem Open-Access-Buch widmet sich Anna Maria Olivari der Forschungslücke der Vertonung von Thomas Manns Doktor Faustus. Sie untersucht ein Korpus von 13 unterschiedlichen Kompositionen aus dem Bereich der Neuen Musik (Opern, Monodramen, instrumentale Werke), die zwischen 1952 und 2011 entstanden sind und bisher wenig bis gar nicht rezipiert wurden. Thomas Manns Doktor Faustus ist in vielerlei Hinsicht ein breit erforschtes Werk, jedoch nicht in Bezug auf seine Vertonungen. Der Vergleich zwischen Roman und Komposition ist im Forschungsparadigma der Intermedialität angesiedelt und ermöglicht die Rekonstruktion der kompositorischen Rezeptionsgeschichte von Doktor Faustus. Die Rückkopplungseffekte zwischen Text und Musik lassen Thomas Manns Roman neu lesen. Die Autorin, Dr. Anna Maria Olivari ist Akademische Rätin auf Zeit am Lehrstuhl für neuere und neueste deutsche Literatur mit dem Schwerpunkt Gender und Diversität der Technischen Universität Dortmund. Ihre wissenschaftlichen Schwerpunkte liegen in der Musikliteraturforschung sowie in der Intersektionalitäts- und Diversitätsforschung. .
Music. --- Literature. --- Literature, general. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Music --- Literature, general --- Contemporary Music --- Literary Interpretation --- Doktor Faustus --- Thomas Mann --- Intermedialität --- Musikliteraturforschung --- Neue Musik --- Vertonung --- Open Access --- Biography, Literature & Literary studies
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