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« La grande histoire a longtemps oublié l’alun, parce qu’il était un personnage discret, comme elle a longtemps négligé de s’intéresser au blé, à l’huile, et en général à tout ce qui est indispensable à la vie quotidienne » déclarait Jean Delumeau au début de la conclusion de son ouvrage L’alun de Rome, paru en 1962. C’est qu’une fois identifiée la place centrale de cette substance pour l’industrie textile, et dans une moindre mesure pour la mégisserie, voire la métallurgie, il était relativement aisé, grâce à une abondante documentation archivistique, d’en retracer les fluctuations économiques et politiques durant les périodes médiévales et modernes.
Alum industry --- Alun --- Chemical industry --- Nonmetallic minerals industry --- History --- Mediterranean Region --- Circum-Mediterranean countries --- Mediterranean Area --- Mediterranean countries --- Mediterranean Sea Region --- Economic conditions --- Business & Economics --- Industries --- Congresses --- Industrie --- Histoire --- Congrès --- Méditerranée, Région de la --- Congresses. --- Conditions économiques --- Economic conditions. --- Alum industry - Mediterranean Region - History - To 1500 - Congresses --- Mediterranean Region - Economic conditions - Congresses --- histoire industrielle --- alun --- Méditerranée --- minéral --- commerce --- archéologie
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Cars, Conduits and Kampongs offers a wide panorama of the modernization of the cities in Indonesia between 1920 and 1960. The contributions present a case for asserting that Indonesian cities were not merely the backdrop to processes of modernization and rising nationalism, but formed a causal factor. Modernization, urbanization, and decolonization were intrinsically linked. The various chapters deal with such innovations as the provision of medical treatments, fresh water and sanitation, the implementation of town planning and housing designs, and policies for coping with increased motorized traffic and industrialization. The contributors share a broad critique of the economic and political dimensions of colonialism, but remain alert to the agency of colonial subjects who respond, often critically, to a European modernity. Contributors include: Freek Colombijn, Joost Coté, Saki Murakami, Michelle Kooy, Karen Bakker, Pauline K.M. van Roosmalen, Hans Versnel, Farabi Fakih, Radjimo Sastro Wijono, Gustaaf Reerink, Arjan Veering, Johny A. Khusyairi, Purnawan Basundoro, Ida Liana Tanjung, and Sarkawi B. Husain A full text Open Access version is also available.
Cities and towns --- Decolonization --- Urbanization --- Nationalism --- History --- Consciousness, National --- Identity, National --- National consciousness --- National identity --- International relations --- Patriotism --- Political science --- Autonomy and independence movements --- Internationalism --- Political messianism --- Cities and towns, Movement to --- Urban development --- Urban systems --- Social history --- Sociology, Rural --- Sociology, Urban --- Urban policy --- Rural-urban migration --- Sovereignty --- Colonization --- Postcolonialism --- Global cities --- Municipalities --- Towns --- Urban areas --- Human settlements --- Cities and towns. --- Decolonization. --- Nationalism. --- Urbanization. --- 1900 - 1999 --- Indonesia. --- Dutch East Indies --- Endonèsie --- Indanezii͡ --- Indoneshia --- Indoneshia Kyōwakoku --- Indonesi --- Indonesya --- Indonezia --- Indonezii͡ --- Indonezija --- İndoneziya --- İndoneziya Respublikası --- Indūnīsīy --- Induonezėj --- Jumhūrīyah Indūnīsīy --- PDRI --- Pemerintah Darurat Republik Indonesia --- R.I. --- Republic of Indonesia --- Republic of the United States of Indonesia --- Republica d'Indonesia --- Republiek van Indonesi --- Republik Indonesia --- Republik Indonesia Serikat --- Republika Indonezii͡ --- Republika Indonezija --- Rėspublika Indanezii͡ --- RI --- United States of Indonesia --- Yinni --- indonesia --- Alun-alun --- Jakarta --- Malang --- Surabaya --- Urban planning
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Catalogue réunissant les œuvres d'artistes de toutes générations et de toutes origines. Illustrant les relations qui existent depuis la fin du XXe siècle entre les arts contemporains et les arts africains anciens, l'exposition vise à en finir avec la notion de primitivisme telle qu'énoncée dans l'exposition présentée au Moma en 1984.
kunst --- twintigste eeuw --- eenentwintigste eeuw --- Vergier Françoise --- Tshindele Pathy --- Tayou Pascale Marthine --- Scurti Franck --- Sarkis --- Pouyandeh Nazanin --- ORLAN --- Mihindou Myriam --- Messager Annette --- Mercier Théo --- De Medeiros Emo --- Mabunda Gonçalo --- Lebel jean-Jacques --- Lavier Bertrand --- Hazoumè Romuald --- Hammons David --- 7.039 --- Friedmann Gloria --- Edmonds john --- Dossou Kifouli --- Di Rosa Hervé --- Dakpogan Calixte --- Clavé Antoni --- Chéri Samba --- Chapman Jake and Dinos --- Camara Seyni Awa --- Brown James --- Basquiat Jean-Michel --- Bandoma Steve --- Alun Be --- Alberola Jean-Michel --- Agbodjelou Leonce Raphael --- Penck A.R. --- postkolonialisme --- kolonialisme --- Afrika --- Exhibitions --- Art --- Influence. --- Penck, A. R. --- Agbodjelou, Leonce Raphael --- Be, Alun --- Alberola, Jean-Michel --- Bandoma, Steve --- Basquiat, Jean-Michel --- Brown, James --- Attia, Kader --- Camara, Seyni Awa. --- Lebel, Jean-Jacques --- Samba, Chéri --- Clavé, Antoni --- Chapman, Jake --- Chapman, Dinos --- Dakpogan, Calixte --- Di Rosa, Hervé --- Dossou, Kifouli --- Edmonds, John --- Medeiros de, Emo --- Friedmann, Gloria --- Hammons, David --- Hazoumé, Romuald --- Lavier, Bertrand --- Mabunda, Gonçalo --- Mercier, Théo --- Messager, Annette --- Mihindou, Myriam --- Orlan --- Pouyandeh, Nazanin --- Scurti, Franck --- Tayou, Pascale Marthine --- Tshindele, Pathy --- Vergier, Françoise --- Penck A.R --- Art, African --- Art africain --- Primitivisme (art) --- Arts premiers
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