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Originally published in 1984. The Sage in Harlem establishes H. L. Mencken as a catalyst for the blossoming of black literary culture in the 1920s and chronicles the intensely productive exchange of ideas between Mencken and two generations of black writers: the Old Guard who pioneered the Harlem Renaissance and the Young Wits who sought to reshape it a decade later. From his readings of unpublished letters and articles from black publications of the time, Charles Scruggs argues that black writers saw usefulness in Mencken's critique of American culture, his advocacy of literary realism, and his satire of America. They understood that realism could free them from the pernicious stereotypes that had hounded past efforts at honest portraiture, and that satire could be the means whereby the white man might be paid back in his own coin. Scruggs contends that the content of Mencken's observations, whether ludicrously narrow or dazzlingly astute, was of secondary importance to the Harlem intellectuals. It was the honesty, precision, and fearlessness of his expression that proved irresistible to a generation of artists desperate to be taken seriously. The writers of the Harlem Renaissance turned to Mencken as an uncompromising-and uncondescending-commentator whose criticisms were informed by deep interest in African American life but guided by the same standards he applied to all literature, whatever its source. The Sage in Harlem demonstrates how Mencken, through the example of his own work, his power as editor of the American Mercury, and his dedication to literary quality, was able to nurture the developing talents of black authors from James Weldon Johnson to Richard Wright.
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"In Moving Home, Sandra Gunning examines nineteenth-century African diasporic travel writing to expand and complicate understandings of the Black Atlantic. Gunning draws on the writing of missionaries, abolitionists, entrepreneurs, and explorers whose work challenges the assumptions that travel writing is primarily associated with leisure or scientific research. For instance, Yoruba ex-slave turned Anglican bishop Samuel Ajayi Crowther played a role in the Christianization of colonial Nigeria. Sarah Forbes Bonetta, a formerly enslaved girl gifted to Queen Victoria, traveled the African colonies as the wife of a prominent colonial figure and at the protection of her benefactress. Alongside Nancy Gardiner Prince, Martin R. Delany, Robert Campbell, and others, these writers used their mobility as African diasporic and colonial subjects to explore the Atlantic world and beyond while they negotiated the complex intersections between nation and empire. Rather than categorizing them as merely precursors of Pan-Africanist traditions, Gunning traces their successes and frustrations to capture a sense of the historical and geographical specificities that shaped their careers"
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The Underground Railroad, Colson Whitehead's Pulitzer-Prize-winning 2016 novel, was widely praised for articulating the violence of chattel slavery and its aftermath. In contrast, his earlier novels were repeatedly criticized for not taking »race« seriously enough. Marlon Lieber argues that critics have often relied on a substantialist understanding of »race« and treated it as a cause rather than an effect of social relations of domination. Drawing on the relational sociology of Pierre Bourdieu, he provides readings of Whitehead's first six novels and their sophisticated understanding of the relation between late capitalist social structures and processes of racial classification which durably affect the disposition of individuals to act and think.
LITERARY CRITICISM / American / General. --- African American Literature. --- America. --- Colson Whitehead. --- Literary Studies. --- Literature. --- Pierre Bourdieu. --- Postcolonialism. --- Race and Racism. --- Racism. --- Sociology. --- Social theory --- Social sciences
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According to relational sociology, power imbalances are at the root of human conflicts and consequently shape the physical and symbolic struggles between interdependent groups or individuals. This volume highlights the role of power relations in the African American experience by applying key concepts of Pierre Bourdieu and Norbert Elias to black literature and culture. The authors offer new readings of power asymmetries as represented in works of canonical and contemporary black writers (Richard Wright, Ralph Ellison, Gwendolyn Brooks, Toni Morrison, Percival Everett, Colson Whitehead), rap music (e.g., Jay Z), images of black homelessness, and figurations of political activism (civil rights activist Bayard Rustin Besprochen in: Begegnungszentrum für aktive Gewaltlosigkeit, Rundbrief, 1 (2018)
American literature --- African American authors. --- African American literature (English) --- Black literature (American) --- Negro literature --- Afro-American authors --- Negro authors --- African American Literature. --- America. --- American Studies. --- Black Culture. --- Capital. --- Cultural Sociology. --- Cultural Studies. --- Established-Outsider Relationships. --- Field. --- Habitus. --- Literary Studies. --- Norbert Elias. --- Pierre Bourdieu. --- Political Activism. --- Power Asymmetries. --- Power Imbalances. --- Power Relations. --- Racism. --- Rap Music. --- Social Relations. --- Sociological Theory. --- Sociology of Literature. --- Symbolic Violence. --- Relational Sociology; Pierre Bourdieu; Norbert Elias; Sociology of Literature; Cultural Sociology; Power Relations; Racism; African American Literature; Black Culture; Rap Music; Political Activism; Habitus; Field; Capital; Symbolic Violence; Established-Outsider Relationships; Power Asymmetries; Power Imbalances; America; Social Relations; American Studies; Sociological Theory; Cultural Studies; Literary Studies --- Racism in literature. --- African Americans --- Politics and government. --- History and criticism --- Bourdieu, Pierre, --- Elias, Norbert, --- Elías, N. --- Burdʹe, Pʹer, --- Burdʹe, P. --- Bourdieu, P. --- Pūrtiyu, Piyar, --- Music --- History and criticism.
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American literature --- Littérature américaine --- African American authors --- History and criticism --- Auteurs noirs américains --- Histoire et critique --- African American authors. --- African American literature (English) --- Black literature (American) --- Negro literature --- English literature --- Afro-American authors --- Negro authors --- Agrarians (Group of writers) --- American Literature --- Literatura nord-americana. --- Escriptors afro-nord-americans.
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African Americans --- American literature --- African American authors --- Books and reading --- African Americans. --- Books and reading. --- African American authors. --- English literature --- African American literature (English) --- Black literature (American) --- Negro literature --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Afro-American authors --- Negro authors --- Agrarians (Group of writers) --- Africans --- Ethnology --- Blacks --- American Literature --- Black people
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This book tests the limits of fugitivity as a concept in recent Black feminist and Afro-pessimist thought. It follows the conceptual travels of confinement and flight through three major Black writing traditions in North America from the 1840s to the early 21st century. Cultural analysis is the basic methodological approach and recent concepts of captivity and fugitivity in Afro-pessimist and Black feminist theory form the theoretical framework.
American literature --- Captivity in literature. --- Fugitive slaves in literature. --- African American authors --- History and criticism. --- Black American Literature, Fugitive Narration, Borders. --- African Americans in literature. --- American literature. --- African American authors. --- African American literature (English) --- Black literature (American) --- Negro literature --- English literature --- Agrarians (Group of writers) --- Afro-Americans in literature --- Negroes in literature --- Afro-American authors --- Negro authors --- Black American Literature --- Fugitive Narration --- Borders
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Arts and Humanities --- General and Others --- Music --- African Americans --- Arts, Black --- American literature --- Noirs américains --- Arts noirs --- Littérature américaine --- African Americans. --- Arts, Black. --- Muziek. --- Negers. --- African American authors --- Musique --- Auteurs noirs américains --- African American authors. --- Zwarten. --- Black arts --- African American literature (English) --- Black literature (American) --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Negro arts --- Afro-American authors --- Negro authors --- Afroamerykanie --- Afroamerykanie. --- Black people --- Música. --- Arts visuals. --- Afro-nord-americans.
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American literature --- African American arts --- Littérature américaine --- Arts noirs américains --- African American arts. --- Letterkunde. --- Amerikaans. --- Negers. --- Literatur. --- Zeitschrift. --- African American authors --- History and criticism --- Auteurs noirs américains --- African American authors. --- USA. --- Schwarze. --- African American literature (English) --- Black literature (American) --- Negro literature --- Afro-American arts --- Arts, African American --- Negro arts --- English literature --- Afro-American authors --- Negro authors --- Ethnic arts --- Agrarians (Group of writers) --- Literatur --- Zeitschrift --- Periodikum --- Zeitschriften --- Presse --- Fortlaufendes Sammelwerk --- Belletristik --- Dichtung --- Schöne Literatur --- Sprachkunst --- Wortkunst --- Buch --- Schriftsteller --- American. --- Blacks. --- Literature. --- Afroamerykanie --- Literaturoznawstwo --- American Literature --- Schöne Literatur --- Afroamerykanie. --- Literatura nord-americana. --- Escriptors afro-nord-americans. --- Art afroamericà. --- Littérature américaine --- Arts noirs américains --- Auteurs noirs américains --- Art afroamericà.
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As the official publication of the Division on Black American Literature and Culture of the Modern Language Association, the quarterly journal African American Review promotes a lively exchange among writers and scholars in the arts, humanities, and social sciences who hold diverse perspectives on African American literature and culture. Between 1967 and 1976, the journal appeared under the title Negro American Literature Forum and for the next fifteen years was titled Black American Literature Forum. In 1992, African American Review changed its name for a third time and expanded its mission to include the study of a broader array of cultural formations. Currently, the journal prints essays on African American literature, theatre, film, the visual arts, and culture generally; interviews; poetry; fiction; and book reviews. AAR has received three American Literary Magazine Awards for Editorial Content in the 1990s.
American literature --- African American arts --- African American arts. --- African American authors --- History and criticism --- African American authors. --- Afro-American arts --- Arts, African American --- Negro arts --- English literature --- African American literature (English) --- Black literature (American) --- Negro literature --- Afro-American authors --- Negro authors --- Ethnic arts --- Agrarians (Group of writers) --- Creative Writing --- Writing (Authorship) --- Authorship --- Creation (Literary, artistic, etc.) --- Littérature américaine --- Arts noirs américains --- Black studies. --- Letterkunde. --- Amerikaans. --- Culture afro-américaine. --- Littérature afro-américaine. --- Afro-amerikaner. --- Auteurs noirs américains --- Literature --- Arts and Humanities --- General and Others --- History --- Society and Culture
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