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This book brings together scholars from Europe, Latin America and the United States in a shared effort to assess the critical potential of the transnational paradigm for Spanish and Latin American cinema. After an introductory part, including a state of the art discussion of some 50 publications, the book presents a set of strategically chosen case-studies, grouped into three categories: transnational modes of production, transnational directors, and transnational modes of narration. Written by some of the leading scholars in Hispanic film studies, the book includes contributions on individual directors and producers (e.g. Almodóvar, Buñuel and González Iñárritu), as well as on genres (road movie), interstitial subjectivities (children, queer and diasporic personalities) and festivals (e.g. BAFICI). Este libro, que es el fruto de la colaboración de académicos de Europa, América Latina y Estados Unidos, debate y detalla la fecundidad crítica del paradigma transnacional en los cines español y latinoamericano. Después de una parte teórica que ofrece un estado de la cuestión basado en más de 50 publicaciones, analiza casos emblemáticos por diversas razones, distribuidos en tres categorías: modos de producción transnacionales, directores transnacionales, narraciones transnacionales. Escritos por destacados especialistas del cine hispánico, los estudios se centran en importantes directores y productores (Almodóvar, Buñuel, González Iñárritu, et cetera), en géneros (como la road movie), en subjetividades específicas (niños, personalidades queer o marcadas por el exilio) y en festivales (entre otros, el BAFICI).
Motion pictures and transnationalism --- Motion pictures --- Transnationalism and motion pictures --- Transnationalism --- History. --- PERFORMING ARTS --- Motion pictures. --- Motion pictures and transnationalism. --- Film. --- Transnationalisierung --- History --- Reference. --- Latin America. --- Spain. --- Hispanoamerika. --- Spanien. --- Cinéma --- Cinéma et transnationalisme --- Histoire --- Sociology of culture --- Film --- Spain
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A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. At the forefront of the entertainment industries of the late nineteenth and early twentieth centuries were singular actors: Sarah Bernhardt, Gabrielle Réjane, and Mistinguett. Talented and formidable women with global ambitions, these performers forged connections with audiences across the world while pioneering the use of film and theatrics to gain international renown. Transnational Trailblazers of Early Cinema traces how these women emerged from the Parisian periphery to become world-famous stars. Building upon extensive archival research in France, England, and the United States, Victoria Duckett argues that, through intrepid business prowess and the use of early multimedia to cultivate their celebrity image, these three artists strengthened ties between countries, continents, and cultures during pivotal years of change.
Motion pictures and transnationalism --- PERFORMING ARTS / Film & Video / General. --- History --- Transnationalism and motion pictures --- Transnationalism --- Bernhardt, Sarah, --- Réjane, --- Mistinguett, --- Influence. --- Bourgeois, Jeanne, --- Mistenguett, --- Mistinguette, --- Réju, Gabrielle Charlotte, --- Réju, Gabrielle, --- Réjane, Gabrielle Charlotte Réju, --- Bernar, Sara, --- Bernhardt, Rosine Bernard Damala, --- בערנארד, שרה --- ברנאר, שרה --- Beṛnarě, Saṛa, --- Bernard, Henriette-Rosine, --- Divine Sarah
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Rey Chow is arguably one of the most prominent intellectuals working in the humanities today. Characteristically confronting both entrenched and emergent issues in the interlocking fields of literature, film and visual studies, sexuality and gender, postcolonialism, ethnicity, and cross-cultural politics, her works produce surprising connections among divergent topics at the same time as they compel us to think through the ethical and political ramifications of our academic, epistemic, and cultural practices. This anthology - the first to collect key moments in Chow's engaging thought - provides readers with an ideal introduction to some of her most forceful theoretical explorations. Organized into two sections, each of which begins with a brief statement designed to establish linkages among various discursive fields through Chow's writings, the anthology also contains an extensive Editor's Introduction, which situates Chow's work in the context of contemporary critical debates. For all those pursuing transnational cultural theory and cultural studies, this book is an essential resource.
Chow, Rey --- Culture --- Politics and culture --- Social change --- Poststructuralism --- Motion pictures --- Motion pictures and transnationalism --- Motion pictures and globalization --- Culture in motion pictures --- Politique et culture --- Changement social --- Poststructuralisme --- Cinéma --- Cinéma et transnationalisme --- Cinéma et mondialisation --- Culture au cinéma --- 82:3 --- 82:791.43 --- Literatuur en maatschappijwetenschappen --- Literatuur en film --- 82:791.43 Literatuur en film --- 82:3 Literatuur en maatschappijwetenschappen --- Cinéma --- Cinéma et transnationalisme --- Cinéma et mondialisation --- Culture au cinéma --- Culture. --- Change, Social --- Cultural change --- Cultural transformation --- Societal change --- Socio-cultural change --- Social history --- Social evolution --- Post-structuralism --- Philosophy, Modern --- Structuralism --- Culture and politics --- Transnationalism and motion pictures --- Transnationalism --- Globalization and motion pictures --- Globalization --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Political aspects --- Social aspects --- Politics and culture. --- Social change. --- Poststructuralism. --- Motion pictures and transnationalism. --- Motion pictures and globalization. --- Culture in motion pictures.
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Francophone Belgian Cinema offers an original critical analysis of filmmaking in an oft-neglected 'national' and regional cinema. The book draws key distinctions between the local, national, small national, regional and transnational frameworks in both representational and industrial terms.
Motion picture producers and directors --- Motion pictures and transnationalism. --- Lafosse, Joachim, --- Masset-Depasse, Olivier. --- Belvaux, Lucas, --- Lanners, Bouli, --- Dardenne, Luc, --- Dardenne, Jean-Pierre, --- Aesthetics of art --- Film --- French language --- Wallonia --- Motion picture --- Motion pictures and transnationalism --- Bouli, --- Depasse, Olivier Masset --- -Motion picture --- Transnationalism and motion pictures --- Transnationalism --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- 798.42 --- filmgeschiedenis --- België --- film, geschiedenis der filmkunst, België --- #SBIB:309H1312 --- #SBIB:309H1313 --- Filmwezen: bedrijfseconomische aspecten, productie- en distributiestructuren --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- -Motion picture producers and directors --- Persons --- film --- filmregisseurs --- twintigste eeuw --- eenentwintigste eeuw --- Lanners Bouli --- Dardenne Luc --- Dardenne Jean-Pierre --- Belvaux Lucas --- Lafosse Joachim --- Masset-Depasse Olivier --- 791.43 --- -Aesthetics of art --- Motion picture producers and directors. --- -Motion picture producers and directors. --- Belvaux, Lucas
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Addressing representations of Russia and neighbouring Eastern Europe in post-1989 Nordic cinemas, this ground-breaking book investigates their hitherto overlooked transnational dimension.
Motion pictures and transnationalism --- National characteristics, Russian, in motion pictures. --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Transnationalism and motion pictures --- Transnationalism --- History. --- History and criticism --- Europe, Eastern --- Russia (Federation) --- East Europe --- Eastern Europe --- Russian Federation --- Rossiyskaya Federatsiya --- Rossiya (Federation) --- Rossii︠a︡ (Federation) --- Российская Федерация --- Rossiĭskai︠a︡ Federat︠s︡ii︠a︡ --- Російська Федерація --- Rosiĭsʹka Federat︠s︡ii︠a︡ --- Federazione della Russia --- Russische Föderation --- RF --- Federation of Russia --- Urysye Federat︠s︡ie --- Правительство России --- Pravitelʹstvo Rossii --- Правительство Российской Федерации --- Pravitelʹstvo Rossiĭskoĭ Federat︠s︡ii --- Правительство РФ --- Pravitelʹstvo RF --- Rosja (Federation) --- O-lo-ssu (Federation) --- Roshia Renpō --- Federazione russa --- OKhU --- Orosyn Kholboony Uls --- Russian S.F.S.R. --- In motion pictures. --- History and criticism. --- Eluosi (Federation) --- 俄罗斯 (Federation) --- Motion pictures and transnationalism. --- Eastern Europe. --- Scandinavia --- RF (Russian Federation) --- Россия (Federation)
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