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El recorrido al que nos invita Dino Pancani abarca, los escritos que difundió en el diario digital El Mostrador y los más recientes en la sección de columnas de la radio Cooperativa que editaba la periodista Manola Robles, quien nos dejó hace unos meses. La selección de los artículos no es cronológica, tampoco es al azar, sino que tiene una lógica que los lectores vamos comprendiendo en la medida que pasamos las páginas, con la ayuda memoria de los títulos de los diferentes capítulos o secciones. Se trata de una división por grandes temas a los que el autor les dedicó en su momento especial tiempo y atención, por lo que estaba observando con su mirada crítica e inquisitiva o por las reminiscencias que le trajeron. Algunos los vivió como protagonista o testigo. Otros los estudió o sobre ellos se ha detenido a reflexionar hasta hoy. Pero hay algo muy especial en estos escritos. Una interesante mezcla de estilos, casi un híbrido entre la expresión de su pensamiento comprometido y desafiante y el relato rico en descripciones. Entre la columna y la crónica. Entre un periodismo de opinión claro, nítido y fuerte que con argumentos trata de demostrar al lector la validez de su juicio sobre un determinado tema y una crónica atractiva abundante en sustantivos y sobre todo en adjetivos que dan color y vida a lo que expone (del Prólogo de María Olivia Mönckeberg)

Anthropology --- journalism --- national contingency --- social criticism --- political situation --- periodismo --- contingencia nacional --- situación política --- crítica social --- Journalism

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To what extent have developments in global politics, artworld institutions, and local cultures reshaped the critical directions of feminist art historians? The significant new research gathered here engages with the rich inheritance of feminist historiography since around 1970, and considers how to maintain the forcefulness of its critique while addressing contemporary political struggles. Taking on subjects that reflect the museological, global and materialist trajectories of twenty-first-century art historical scholarship, the chapters address the themes of Invisibility, Temporality, Spatiality and Storytelling. They present new research on a diversity of topics that span political movements in Italy, urban gentrification in New York, community art projects in Scotland and Canada's contemporary indigenous culture. Individual chapter analyses focus on the art of Lee Krasner, The Emily Davison Lodge, Zoe Leonard, Martha Rosler, Carla Lonzi and Womanhouse. Together with a synthesising introductory essay, these studies provide readers with a view of feminist art histories of the past, present and future.

Feminism and art --- Art --- Art and feminism --- Historiography --- Sociology of the family. Sociology of sexuality --- art history --- feminism --- art criticism --- feminisme --- Feminist art criticism --- social criticism

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This publication on the French-Bosnian artist Maja Bajevic (b. 1967, Sarajevo, Bosnia-Herzegovina) accompanies her overview exhibition at the Migros Museum für Gegenwartskunst and focuses on her most recent bodies of works. Since the mid-1990s she has explored a wide variety of issues related to globalization and migration, inclusion and exclusion, exploitation, neoliberalism, and the interactions between these notions. Bajevic also consistently investigates her own identity, and the meaning of?home? and what this constitutes. Her oeuvre is part of a tradition in art that deals with social and educational issues, and that wants to shake up the prevailing social consciousness. In this respect, Bajevic's approach is all-encompassing; for example, when she compiles an archive of political slogans, she focuses on the entire political spectrum. By bringing together the core of Bajevic?s oeuvre with specially commissioned essays by art historians and curators, this publication reflects on her main artistic strategies and themes, standing as a reference monograph covering the last ten years of her work. Exhibition: Migros Museum, Zurich, Switzerland (20.05.-13.08.2017).

installations [visual works] --- art [fine art] --- migration [function] --- politics --- feminism --- video art --- performance art --- cloth --- identity --- texts [documents] --- interactive art --- power --- Bajević, Maja --- Artists --- Artists. --- Bajevic, Maja, --- Bosnia and Herzegovina. --- artists' statements --- political art --- art [discipline] --- mensenrechten (kunst) --- social criticism

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This open access book offers unique insight into how and where ideas and instruments of quantification have been adopted, and how they have come to matter. Rather than asking what quantification is, New Politics of Numbers explores what quantification does, its manifold consequences in multiple domains. It scrutinizes the power of numbers in terms of the changing relations between numbers and democracy, the politics of evidence, and dreams and schemes of bettering society. The book engages Foucault inspired studies of quantification and the economics of convention in a critical dialogue. In so doing, it provides a rich account of the plurality of possible ways in which numbers have come to govern, highlighting not only their disciplinary effects, but also the collective mobilization capacities quantification can offer. This book will be invaluable reading for academics and graduate students in a wide variety of disciplines, as well as policymakers interested in the opportunities and pitfalls of governance by numbers.

Political structure & processes --- Public administration --- Open Access --- quantification --- quantification practices --- Executive Politics --- Governance --- Numbers --- Evidence --- Democracy --- politics of evidence --- Foucault --- administrative capacity --- policy sectors --- economics of convention --- utopia --- new public management --- convention theory --- social criticism

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Acconci, Vito ; Allyn, Jerri ; Alonso, Luis ; Amos, Emma ; Andrews, Benny ; Applebroog, Ida ; Arai, Tomie ; Arneson, Robert ; Avery, Eric ; Azaceta, Luis Cruz ; Balassanian, Sonia ; Baranik, Rudolf ; Bearden, Romare ; Becker, Nan ; Begay, Rudy ; Bender, Leslie ; Borofsky, Jonathan ; Bourgeois, Louise ; Browne, Vivian ; Burden, Chris ; Camnitzer, Luis ; Carvalho, Josely ; Catlett, Elizabeth ; Chicago, Judy ; Cockcroft, Eva ; Coe, Sue ; Corris, Michael ; Cortez, Carlos ; van Dalen, Anton ; Dickson, Jane ; Dine, Jim ; Dong, James ; Edelson, Mary Beth ; Edwards, Melvin ; Elliot, Marguerite ; Fekner, John ; Frank, Mary ; Frasconi, Antonio ; Garcia, Rupert ; Gilbert, Sharon ; Gleeson, Day ; Glier, Mike ; Golub, Leon ; Gourfain, Peter ; Granet, Ilona ; Group Material ; Guerrero-Cruz, Dolores ; Guerrilla Art Action Group (GAAG) ; Gutiérrez, Marina ; Haacke, Hans ; Hammons, David ; Haring, Keith ; Heap-of-Birds, Edgar ; Heresies Collective ; Holzer, Jenny ; Howland, Rebecca ; Huang, Arlan ; Indiana, Robert ; Irizarry, Carlos ; Jaar, Alfredo ; Jimenez, Luis ; Johns, Jasper ; Kearns, Jerry ; Kienholz, Edward ; Klayman, Leon ; Koenig, Janet ; Kramer, Margia ; Kruger, Barbara ; Lacy, Suzanne ; LaMarr, Jean ; Lawrence, Jacob ; Lebrón, Michael ; Lee, Colin ; Levine, Jack ; Levine, Les ; Longo, Robert ; Marcus, Paul ; Marisol ; McAdams, Dona Ann ; Mock, Richard ; Moore, Sabra ; Morris, Robert ; Nauman, Bruce ; Nechvatal, Joseph ; Oldenburg, Claes ; Paschke, Ed ; Piper, Adrian ; Pyzow, Susan ; Rauschenberg, Robert ; Ringgold, Faith ; Rivers, Larry ; Rodriguez, Elizabeth ; Rollins, Tim & K.O.S. ; Romero, Rachel ; Rosenquist, James ; Rosler, Martha ; Rothenberg, Erika ; Rupp, Christy ; Sances, Jos ; Sanchez, Juan ; Saul, Peter ; Schapiro, Miriam ; Shahn, Ben ; etc.

prentkunst --- sociale problemen --- Graphic arts --- politieke kunst --- United States --- Prints, American --- Social problems in art --- Politics in art --- Estampe américaine --- Problèmes sociaux dans l'art --- Politique dans l'art --- Exhibitions. --- Expositions --- Estampe américaine --- Problèmes sociaux dans l'art --- prints [visual works] --- posters --- social issues --- racial discrimination --- political cartoons --- social movements --- political art --- printed materials [object genre] --- sociale ongelijkheid --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- social criticism --- United States of America