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Gesamtkunstwerk (Arts) --- Arts, German --- Arts, German --- Arts, German --- Senses and sensation in art. --- Philosophy.
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In Monumental Sounds , Matthew G. Shoaf examines interactions between sight and hearing in spectacular church decoration in Italy between 1260 and 1320. In this "age of vision," authorities' concerns about whether and how worshipers listened to sacred speech spurred Giotto and other artists to reconfigure sacred stories to activate listening and ultimately bypass phenomenal experience for attitudes of inner receptivity. New naturalistic styles served that work, prompting viewers to give voice to depicted speech and guiding them toward spiritually fruitful auditory discipline. This study reimagines narrative pictures as site-specific extensions of a cultural system that made listening a meaningful practice. Close reading of religious texts, poetry, and art historiography augments Shoaf's novel approach to pictorial naturalism and art's multisensorial dimensions. This book has received the Weiss-Brown Publication Subvention Award from the Newberry Library. The award supports the publication of outstanding works of scholarship that cover European civilization before 1700 in the areas of music, theater, French or Italian literature, or cultural studies.
Senses and sensation in art. --- Christian art and symbolism --- Art, Gothic --- Narrative art, Italian --- Senses and sensation --- Themes, motives. --- Religious aspects --- Christianity. --- Senses and sensation in art --- Themes, motives --- Gothic art --- Art, Medieval
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"La première modernité catalyse la genèse de ce nouveau champ d'expériences publiques que sont les loisirs et les divertissements : théâtres, musées, expositions temporaires, promenades, cafés, foires, danses, jardins, auxquelles peut s'adonner la population européenne. La pratique de ces activités instaure au quotidien chez les particuliers un cadre physique et social stimulant, les plaçant ainsi au cœur d'une action qui excite chacun de leurs sens, de leurs sensations et de leurs émotions. En s'inscrivant dans le domaine de l'histoire des sensibilités, la question de ce corps sensoriel qui prend forme demeure encore largement inexplorée. Cette publication s'attache donc à retracer et analyser les tenants et les aboutissants de ce qui a permis de façonner cette entité singulière durant le long XVIIIe siècle (1660-1830)."--Page 4 of cover.
Entertaining --- Senses and sensation --- Senses and sensation in art --- Senses and sensation in the theater --- History --- Senses and sensation.
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"La première modernité catalyse la genèse de ce nouveau champ d'expériences publiques que sont les loisirs et les divertissements : théâtres, musées, expositions temporaires, promenades, cafés, foires, danses, jardins, auxquelles peut s'adonner la population européenne. La pratique de ces activités instaure au quotidien chez les particuliers un cadre physique et social stimulant, les plaçant ainsi au cœur d'une action qui excite chacun de leurs sens, de leurs sensations et de leurs émotions. En s'inscrivant dans le domaine de l'histoire des sensibilités, la question de ce corps sensoriel qui prend forme demeure encore largement inexplorée. Cette publication s'attache donc à retracer et analyser les tenants et les aboutissants de ce qui a permis de façonner cette entité singulière durant le long XVIIIe siècle (1660-1830)."--Page 4 of cover.
Loisirs --- Sociologie --- divertissement --- loisirs --- sociologie --- Entertaining --- Senses and sensation --- Senses and sensation in art --- Senses and sensation in the theater --- Empfindsamkeit --- Körper --- Unterhaltung --- Freizeit --- Kulturleben --- Sinne --- History --- Frankreich --- Entertaining / France / History / 18th century / Congresses --- Senses and sensation / France / History / 18th century / Congresses --- Senses and sensation in art / History / 18th century / Congresses --- Senses and sensation in the theater / History / 18th century / Congresses --- Sens et sensations
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Tout au long du Moyen Âge, l'homme est pensé comme un microcosme entrant en relation, par l'intermédiaire du système hiérarchisé des cinq sens, avec le monde macrocosme. Les sens ont généré abondance de productions artistiques et d'écrits à visée scientifique, spirituelle, morale aussi bien que littéraire. Tous manifestent comment l'homme peut jouir d'une présence sensible au monde ou comment il peut s'exercer à contrôler et dépasser ses sens. Ce volume explore les cinq sens en tant que système organisé. L'approche pluridisciplinaire (littérature, histoire de l'art, musicologie, philosophie et théologie, histoire des sciences) permet de comprendre en quoi les cinq sens engagent tout à la fois une poétique, une esthétique et une éthique.
Middle Ages --- Senses and sensation --- Moyen Age --- Sens et sensations --- Historiography --- Congresses. --- History --- Congresses --- Historiographie --- Congrès --- Histoire --- History of civilization --- anno 500-1499 --- Sense (Philosophy) --- Senses and sensation in art --- Senses and sensation in literature --- Civilization, Medieval
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Senses and sensation in art --- Painting, European --- Painting, Modern --- Art, European --- Art, Modern --- Sens et sensation dans l'art --- Peinture européenne --- Peinture moderne --- Art européen --- Art moderne --- Exhibitions --- Exhibitions. --- Exhibitions --- Expositions --- Expositions --- Expositions --- Expositions --- Expositions
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Sensation is the subject of a burgeoning field in the humanities. This volume examines its role in the religious changes and transformations of early modern Europe. Sensation was not only central to the doctrinal disputes of the Reformation, but also critical in shaping new or reformed devotional practices. From this vantage point the book explores the intersections between the world of religion and the spheres of art, music, and literature; food and smell; sacred things and spaces; ritual and community; science and medicine. Deployed in varying, often contested ways, the senses were essential pathways to the sacred. They permitted knowledge of the divine and the universe, triggered affective responses, shaped holy environments, and served to heal, guide, or discipline body and soul. Contributors include Alfred Acres, Barbara Baert, Andrew R. Casper, Wietse de Boer, Sven Dupré, Iain Fenlon, Laura Giannetti, Christine Göttler, Jennifer R. Hammerschmidt, Joseph Imorde, Rachel King, Jennifer Rae McDermott, Walter S. Melion, Matthew Milner, Sarah Joan Moran, Yvonne Petry, and Klaus Pietschmann.
Christian church history --- emotion --- Art --- anno 1600-1699 --- anno 1500-1599 --- Europe --- Senses and sensation --- Senses and sensation in art --- Sens et sensations --- Sens et sensations dans l'art --- Religious aspects --- Christianity --- History. --- Aspect religieux --- Christianisme --- Histoire --- History --- Sensation --- Sensory biology --- Sensory systems --- Knowledge, Theory of --- Neurophysiology --- Psychophysiology --- Perception --- Religious aspects&delete& --- Christianity&delete& --- Senses and sensation - Religious aspects - Christianity - History --- Senses and sensation in art - History --- Senses and sensation - Europe - History --- religious experience
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"The late medieval world was marked by a culture of refinement and sophistication. The period's media of choice--paintings, manuscripts, prints, tapestries, embroideries, ivory sculpture, metalwork, and enamels--speak volumes about the pleasures of sensory engagement. This sumptuous new book brings together sacred and secular art to reveal the shared intellectual culture that governed perception in Europe in the 13th through the 16th centuries. The essays explore these themes through representations of religious practices, royal rituals, feasts and celebrations, music, and literature"--
illuminated manuscripts --- drawings [visual works] --- sculpture [visual work] --- reliquaries --- Late Medieval --- Art --- easel paintings [paintings by form] --- anno 1400-1499 --- anno 1300-1399 --- anno 1500-1599 --- Europe --- Art, Medieval --- Senses and sensation in art --- Themes, motives --- Medieval art --- sculpture [visual works] --- History of Europe --- History of civilization --- ART / History / Medieval. --- ART / Criticism & Theory. --- ART / European. --- Art, Medieval - Themes, motives - Exhibitions --- Senses and sensation in art - Exhibitions --- Christelijke kunst
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Ce volume propose l'analyse de la place qu'occupent les cinq sens dans cette période de transition qui conduit du Moyen Âge à la Renaissance, soit les XVe et XVIe siècles. L'approche en est résolument interdisciplinaire et confronte la théologie, la littérature, les arts figurés et les sciences. Il s'agit d'apprécier les sens dans les modes de pensée et les représentations, ainsi que leurs balances : la vue, l'ouïe et les sens réputés moins nobles, comme le goût, l'odorat et le toucher, qui entretiennent des relations complexes et variables. Comment, en d'autres termes, s'opère le partage du sensible ? La pensée analogique, héritée de la tradition patristique, montre à l'aube de le Renaissance des signes de faiblesse : sources du plaisir, du bonheur, voire de la béatitude, ouverture sur le monde et la beauté, les sens ne sont plus simplement des occasions de pécher, ils sont aussi l'objet d'enjeux esthétiques et jouent un rôle actif dans la création artistique grâce aux liens qui les unissent à l'imaginaire.
Senses and sensation --- Senses and sensation in literature --- Senses and sensation in art --- Civilization, Medieval --- Renaissance --- Sens et sensations --- Sens et sensations dans la littérature --- Sens et sensation dans l'art --- Civilisation médiévale --- History --- Congresses --- Histoire --- Congrès --- Sens et sensation --- Dans la littérature --- Sens et sensations dans la littérature --- Civilisation médiévale --- Congrès --- Sensuality --- Perception (Philosophy) --- Dans la littérature --- Senses and sensation - History - To 1500 - Congresses. --- Senses and sensation - History - 15th century - Congresses. --- Senses and sensation - History - 16th century - Congresses. --- Senses and sensation in literature - Congresses. --- Senses and sensation in art - Congresses.
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Senses and sensation in art --- Art, European --- Sens et sensations dans l'art --- Art européen --- Themes, motives. --- Thèmes, motifs --- Senses and sensation --- Senses and sensation in literature --- Arts, Renaissance --- Arts, Baroque --- Social aspects --- History --- Europe --- Civilization --- Art européen --- Thèmes, motifs --- Senses and sensation - Social aspects - Europe - History --- Europe - Civilization
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