Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Servius Sulpicius Galba was a Roman emperor who overthrew and succeeded Nero during the Year of the Four Emperors, 68-69 AD. In this 'Phoebus Focus' Nils Büttner places the extraordinary emperor portrait that Peter Paul Rubens (1577-1640) painted of him in its context. Büttner does not only whisks the reader off to first-century Rome, he also makes an analysis of Rubens' support medium and painting method, his fascination with Antiquity, his sources of inspiration and many inventions. In addition, Büttner elaborates on the long tradition of painting portraits of rulers and their integration in Baroque interiors.

Rubens, Petrus Paulus, 1577-1640 --- Portretten --- Painting, Flemish --- History and criticism. --- Technique. --- Rubens, Peter Paul, --- Galba, Servius Sulpicius, --- Criticism and interpretation. --- Art.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The first book (and exhibition) ever to present a focused study on Rubens' depictions of women. The exhibition at Dulwich Picture Gallery will run from October 2023 to January 2024 - This will challenge the popular assumption that Rubens only painted one type of woman. Instead it will show the varied and essential role that women played in the artist's life and work - A chance for readers to get to know the real man behind some of his most famous works - we meet not only Rubens the artist, but Rubens the father, husband, lover, diplomat, friend - Includes the latest scholarly developments in subjects such as the identities of Rubens' sitters, 17th century artistic theory and practice, and Rubens' treatment of the human body - Featuring beautiful illustrations of artworks from international and private collections, many of which will be appearing in the UK for the first time in 2023 - Provides a complete catalogue for works in this groundbreaking accompanying exhibition, as well as contextual essays that raise current debates around sexuality, power and feminism The art of Peter Paul Rubens (1577-1640) is synonymous with the female nude, with the term 'Rubenesque' first coined in the 19th century to describe a voluptuous female body. Yet remarkably, there has never been a focused study of Rubens' depictions of women, making this book, and the exhibition that it will accompany, a first. Bringing together a diverse range of paintings and drawings from throughout the artist's career and from a range of international lenders, the exhibition at Dulwich Picture Gallery (October 2023 - January 2024) will challenge the popular assumption that Rubens only painted one type of woman. Instead, it will present a more nuanced view of the varied and essential role that women played in the artist's life and work, uniting and contributing to recent scholarly developments in subjects such as the identities of Rubens' sitters, 17th century artistic theory and practice, and Rubens' treatment of the human body. Rubens evidently enjoyed painting the female figure, especially in its sensual and unclothed form. But his women are never mere bodies trapped by the male gaze, on the contrary; they are proud and complex heroines, full of character and gravitas. No other male artist has created such potent images of female power, assurance, determination, commitment, and beauty. Providing a catalogue for the works in the exhibition and featuring three introductory essays that contextualize Rubens' work, this publication will both contribute to the existing corpus of scholarly literature on Rubens and introduce his masterpieces to new audiences, discussing them in the context of current debates around sexuality, power and feminism.

Women in art --- Rubens, Peter Paul, --- Criticism and interpretation. --- women [female humans] --- Rubens, Peter Paul --- Rubens, Petrus Paulus --- Femmes. --- Catalogues d'exposition. --- Rubens, Petrus Paulus - (1577-1640) - Femmes. --- Drawing --- Painting --- paintings [visual works] --- drawings [visual works] --- Women in art.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Hommage à Pierre-Paul Rubens à l'occasion du quatrième centenaire de sa naissance 1577-1977

Rubens, Peter Paul --- Painters --- Peintres --- Biography. --- Biographies --- Rubens, Peter Paul, --- Dessin --- Histoire de la peinture --- Peintre --- Anvers --- Espagne --- Europe --- Antwerpen --- Rubens, Pierre Paul --- -74/76 RUBENS --- 929 RUBENS, PETER PAUL --- ouvrages de reference --- culture --- 759.94931 --- Artists --- Biography --- naslagwerken --- cultuur --- Arts Painting Belgium Flanders --- Rubens, Peter Paul Sir --- 74/76 RUBENS --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Rubens, Petrus Paulus, --- 790 --- art baroque --- Belgique peinture --- peinture XVIIe siècle --- kunstenaars --- artistes --- Painters - Belgium - Biography --- Rubens, Peter Paul. --- Rubens, Petrus Paulus, - 1577-1640

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

How Rubens obtained the commission is a tale of international politics and diplomacy in which the artist himself played a significant role. The author relates these complex political relationships and missions with great insight and clarity, and in doing so also describes the cultural and social setting in which Rubens found himself while in London. The Flemish artist Peter Paul Rubens is probably the most important foreign artist to have worked in England. The story of how this came to be, of what he did and whom he met when he was there, and what he painted for King Charles I is the story of this book. Charles and his father, the first Stuart monarchs of Great Britain, led and promoted a great wave of interest in the arts, in particular the visual arts that culminated in Rubens painting nine large canvases to decorate the ceiling of Inigo Jones's Banqueting Hall, the ceremonial centre of the Court in Whitehall, a monument that is still in tact today. It is this cycle, an hitherto unappreciated masterpiece of Baroque state art, that is the focus of this book. The illustrations that accompany the text include not only many of Rubens's own paintings and drawings made when he was in London, but also some of the now well-known works by the Italian and North European Renaissance masters that Rubens would have seen in the magnificent art collections of the King and the English aristocracy. Foremost however among the illustrations are the reproductions of the Banqueting Hall ceiling itself: these are mostly in colour, showing each of the three central scenes both complete and with striking details that would be difficult to see in the Hall itself. Also the corner oval paintings as well as the long, celebratory, exuberant processions on either side are reproduced in colour and in detail, so that the reader, guided by the author's full descriptions and interpretations, can experience a unique viewing and understanding of Rubens's masterpiece. --Book Jacket.

Londen, Whitehall, Banqueting House --- diplomacy --- James I [Great Britain] --- Rubens, Peter Paul --- London --- Painting, Flemish --- Peinture flamande --- Rubens, Peter Paul, --- Banqueting House (London, England) --- Great Britain --- Grande-Bretagne --- Intellectual life --- Vie intellectuelle --- diplomaat --- geschiedenis --- politiek --- barok --- Banqueting House (Londen) --- Whitehall Palace (Londen) --- verzamelaars --- Charles I (Koning van Engeland) --- 16de eeuw --- 17de eeuw --- Londen --- Mural painting and decoration --- Ceilings, Painted --- Fresco painting --- Murals --- Painted ceilings --- Painting, Decorative --- Wall decoration --- Wall-painting --- Art --- Decoration and ornament --- Interior decoration --- Painting --- Charles --- Stuart, Charles, --- Rubens, Peter Paul, Sir, --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Criticism and interpretation. --- Art patronage. --- Charles Ier, roi d'Angleterre --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Criticism and interpretation --- Charles I --- Art patronage --- England --- London (England) --- 17th century --- Frescoes --- Frescos --- diplomatie --- Art and state --- Art and society --- History --- Rubens, Petrus Paulus, --- Travel --- Art and state - Great Britain - History - 17th century --- Art and society - England - London - History - 16th Century --- Mural painting and decoration - England - London --- Rubens, Peter Paul, - 1577-1640 - Criticism and interpretation --- Rubens, Peter Paul, - 1577-1640 - Travel - London --- Rubens, Peter Paul, - 1577-1640. - Apotheosis of James I --- Charles - I, - King of England, - 1600-1649 - Art patronage --- Rubens, Petrus Paulus, - 1577-1640 --- Great Britain - Intellectual life - 17th century --- diplomatie. --- geschiedenis. --- politiek. --- barok. --- Banqueting House (Londen). --- Whitehall Palace (Londen). --- verzamelaars. --- Charles I (Koning van Engeland). --- 16de eeuw. --- 17de eeuw. --- Londen. --- Rubens, Peter Paul, - 1577-1640 --- Charles - I, - King of England, - 1600-1649

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

De Rossaert is een middeleeuwse huisje in de Nosestraat, aangevleid tegen de Sint-Pauluskerk aan. Het telt een museaal aanbod van Rubens, Van Dijck en Jordaens. Tegelijkertijd kijkt de vitrine uit op de (ooit) bonte veemarkt en zag het meisjes van lichte zeden en zeebonken stoeien in het Schipperskwartier. Langs de Rossaert passeerden dandy's, gelukzoekers, schrijvers en kunstenaars, van Eugène Delacroix tot William Turner, van Gérard de Nerval tot Baudelaire. Dit boek vertelt de geschiedenis van de buurt, de voorbijgangers en hun impressies.

urban history --- History of Antwerp --- Leys, Henri: Bezoek van Albrecht Durer in Antwerpen in 1520, 1855-1855 (2198). --- Stedelijke geschiedenis. --- Geschiedenis van Antwerpen. --- Dyck, van, Henri: Interieur van het oude museum, 1886-1886 (1141). --- Leys, Henri: Huizen op de Handschoenmarkt, 0000-0000 (1235). --- Mols, Robert: De rede van Antwerpen, 1878-1878 (1108). --- Linnig, Willem II: Antwerpse bruiloft, 0000-0000 (1344). --- Wouters, Rik: Liggend naakt (1915), 1915-1915 (3309/9). --- Rubens, Peter Paul: Aanbidding door de koningen, 0000-0000 (298). --- 71(493) --- Stedenbouw. Ruimtelijke ordening ; België --- 7.049 --- Steden ; Antwerpen ; wijken ; huis de Rossaert en omgeving --- Thema's in de kunst ; huis Rossaert in Antwerpen --- Havensteden ; Antwerpen ; Schipperskwartier --- Iconografie ; verschillende onderwerpen --- Antwerp (Belgium) --- Anvers (Belgique) --- History --- Histoire --- Belgium --- Geschiedenis van Antwerpen --- stedelijke geschiedenis --- België --- cultuurgeschiedenis --- prostitutie --- stadsgezichten --- stadsleven --- Rossaert (familie) --- Antwerpen --- Literatuur, muziek en beeldende kunst/grafiek (kennisdomein) --- Socioculturele geschiedenis na 1830 (kennisdomein) --- cultuurgeschiedenis. --- stadsleven. --- prostitutie. --- stadsgezichten. --- antiquariaat Rossaert (Antwerpen). --- Rossaert (familie). --- Antwerpen. --- Art --- Painting --- Cities --- Book --- antiquariaat Rossaert (Antwerpen) --- Galerie Rossaert (Antwerpen) --- Anvers --- RUBENS Petrus Paulus (1577-1640) --- Ecrivains --- Cosmopolitisme --- Artistes --- Eekhoud, Georges --- Van Mieghem, Eugène --- Braekeleer Henri, de --- Elskamp, Max --- Joostens, Paul --- Panamarenko, --- Rops, Félicien --- Van de Velde, Henry