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Yes, it looks like you've been anything but an iconophile in this business, where words stack up as much on one side as pictures on the other.Robert Morris, "Professional Rules"This collection of articles explores the work of Robert Morris through the prism of writing, thus offering a new reading of a central work of the visual arts since the sixties, in turn associated with minimalism, conceptualism or land art again.Although Morris is often called a theorist, his written work involves a wide variety of genres, from art criticism to fiction and autobiography. Apart from this practice of language, the written word inserted in his prints, sculptures, performances and installations weaves a tight network between text and plastic work. This book brings together contributions from art historians, literary scholars, philosophers, but also filmmakers and writers.
Semiotics and art --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Morris, Robert, --- Criticism and interpretation. --- Art and semiotics --- Art --- Morris (Robert) --- visual arts --- philosophy --- aesthetics
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Arts and society --- Minimal art --- Arts et société --- Art minimal --- Morris, Robert, --- Morris, Robert, --- Criticism and interpretation. --- Critique et interprétation
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Art, American --- Minimal art --- Art minimal --- Expositions --- Andre, Carl, --- Flavin, Dan, --- Judd, Donald, --- LeWitt, Sol, --- Morris, Robert,
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Des historiens d'art, des chercheurs en littérature, des philosophes, des cinéastes et des écrivains évoquent l'oeuvre du plasticien et écrivain Robert Morris. Sa pratique artistique, associée au minimalisme, au conceptualisme ou au land art, intègre une pratique de la langue (critique d'art, autobiographie, insertion de texte dans ses estampes, ses sculptures, ses installations, etc.). ©Electre 2015
Semiotics and art --- Writing and art --- Morris, Robert, --- Criticism and interpretation --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Criticism and interpretation. --- Art and semiotics --- Art --- Sculptors --- Sémiotique et art --- Sculpteurs --- Morris, Robert, - 1931- - Criticism and interpretation --- Morris, Robert, - 1931 --- -Semiotics and art
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Minimal art --- Andre, Carl, --- Bladen, Ronald, --- Flavin, Dan, --- Grosvenor, Robert, --- Judd, Donald, --- LeWitt, Sol, --- Morris, Robert, --- Smith, Tony, --- Smithson, Robert, --- Steiner, Michael,
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Cet ouvrage porte sur les rapports qui se tissent entre pratique et théorie artistiques dans le contexte de l'art conceptuel américain (1965-1975), et envisage l'influence exercée sur ces créateurs par divers textes produits en Europe (et en France particulièrement) dans le champ des sciences humaines au cours des années 1960 et 1970. À côté des noms de Norwood Russell Hanson ou de Ludwig Wittgenstein, sont ainsi évoquées des figures telles que Roland Barthes, Michel Foucault, Claude Lévi-Strauss ou Jean Piaget. Parmi les artistes envisagés, citons entre autres Mel Bochner, Douglas Huebler, Robert Morris et Lawrence Weiner.
Conceptual art --- Art --- History --- Philosophy --- Bochner, Mel, --- Huebler, Douglas --- Morris, Robert, --- Weiner, Lawrence --- History. --- Conceptual art. --- Huebler, Douglas. --- Weiner, Lawrence. --- Conceptual art - United States --- Conceptual art - History --- Art - Philosophy - 20th century --- Bochner, Mel, - 1940 --- -Huebler, Douglas --- Morris, Robert, - 1931 --- -Weiner, Lawrence
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An innovative analysis of Simone Forti's interdisciplinary art, viewing her influential 1960s ""dance constructions"" as negotiating the aesthetic strategies of John Cage and Anna Halprin.
Choreographers --- Dancers --- Forti, Simone. --- Morris, Simone --- Whitman, Simone --- ARTS/Art History/General --- ARTS/General --- Danse --- Chorégraphie --- Années 1960 --- Forti, Simone --- Morris, Robert --- Choreographers. --- Dancers. --- Koreografer. --- United States. --- Ballet --- History
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Conceptual --- Art styles --- Kosuth, Joseph --- Morris, Robert --- Barry, Robert --- Darboven, Hanne --- Kawara, On --- Weiner, Lawrence --- Art & Language --- anno 1900-1999 --- Conceptual art --- Art conceptuel --- Exhibitions. --- Expositions --- Artiste --- Art & language --- Anti-form --- An-esthetisme --- Art, American --- Art, Modern --- On Kawara --- 20e siècle --- Exhibitions --- Conceptual art - United States - Exhibitions --- Art, American - 20th century - Exhibitions --- Conceptual art - Exhibitions --- Art, Modern - 20th century - Exhibitions
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In this innovative take on early video art, Ina Blom considers the widespread notion that analog video was endowed with lifelike memory and agency. Reversing standard accounts of artistic uses of video, she follows the reflexive unfolding of a technology that seemed to deploy artists and artistic frameworks in the creation of new technical and social realities. She documents, among other things, video's emergence through the framework of painting, its identification with biological life, its exploration of the outer limits of technical and mental time control, and its construction of new realms of labor and collaboration. Enlisting a distinctly media-archaeological approach, Blom's new book—her second from Sternberg Press—is a brilliant look at the relationship between video memory and social ontology.
kunst --- kunsttheorie --- video --- videokunst --- video-installaties --- Benning Sadie --- Piene Otto --- Tambellini Aldo --- Crutchfield James P --- Gillette Frank --- Ryan Paul --- Campus Peter --- Viola Bill --- Paik Nam June --- Vasulka Woody --- Vasulka Steina --- Sonnier Keith --- Muntadas Antoni --- Graham Dan --- Birnbaum Dana --- vom Bruch Klaus --- Benglis Lynda --- Morris Robert --- 791.5 --- Video art --- Intersubjectivity. --- Art, Modern --- History.
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L'hypothèse sur laquelle repose l'exposition "Comme le rêve le dessin" est que l'esquisse n'est pas le moment inaugural du dessin, mais son terme ; et son principe, une confrontation de dessins contemporains issus de la collection du Musée national d'art moderne et d'études et d'esquisses italiennes des XVIe et XVIIe siècles de la collection du Musée du Louvre. Parce que le moment préparatoire - du moins au sens académique - a disparu du dessin contemporain, celui-ci permet de regarder les dessins anciens sous un jour "définalisé". Lorsque l'on renonce à l'interpréter rétroactivement en termes de préparation, l'esquisse apparaît comme un champ de transformation généralisée et l'inachèvement non pas comme un manque, mais comme le signe d'une ouverture, d'un retour vers un état instable, non fixé de sa représentation. A la lumière des dessins sismographiques de Beuys, des efffacements de Gerhardt Richter, des dessins les yeux fermés de Robert Morris ou des perforations et des griffonnages de Fontana, affleurent dans les esquisses anciennes des phénomènes insolites - déplacements d'accent (Fra Bartolommeo), pertes des relations (Casolani), décentrations (Cigoli, Cecco Bravo), figurations résiduelles (Frederico Zuccaro, Barocci) identiques à ceux qui s'observent dans le travail du rêve. Les deux volets de l'exposition comprennent des dessins anciens et des dessins contemporains. (extrait du dos de la couverture)
Drawing --- Musée du Louvre [Paris] --- Centre Pompidou [Paris] --- anno 1600-1699 --- anno 1900-1999 --- anno 1500-1599 --- Italy --- Drawing, Italian --- Dessin italien --- Dessin --- Exhibitions. --- Exhibitions --- Expositions --- Musée du Louvre --- Centre Georges Pompidou --- tekeningen --- Musée du Louvre (Parijs) --- Musée National d'Art Moderne (Parijs) --- Morris, Robert --- 16de eeuw --- 17de eeuw --- 20ste eeuw --- Italië --- Collection --- Centre national d'art et de culture Georges Pompidou --- Musée du louvre --- 20e siècle --- 16e siècle --- 17e siècle --- Italie --- Musée du Louvre --- Drawing [Italian ] --- 16th century --- 17th century --- Drawing, Italian - 16th century - Exhibitions. --- Drawing, Italian - 17th century - Exhibitions. --- Drawing - France - Paris - Exhibitions. --- Drawing - 20th century - Exhibitions. --- tekeningen. --- Musée du Louvre (Parijs). --- Musée National d'Art Moderne (Parijs). --- Morris, Robert. --- 16de eeuw. --- 17de eeuw. --- 20ste eeuw. --- Italië. --- Louvre Museum [Paris]
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