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Mäzene : die Rolle des Auftraggebers in der Kunst
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Year: 1968 Volume: 40 Publisher: [München] : Deutscher Kunstverlag,

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Art patronage --- Mécénat


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Le parrainage : sponsoring et mécénat.
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ISBN: 9782100549399 Year: 2010 Publisher: Paris Dunod

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Une approche synthétique du parrainage des entreprises. Après une définition des notions, les auteurs montrent comment le parrainage originellement destiné aux publics externes de l'entreprise devient un outil de communication interne, voire de management.

Mäzenatentum in Vergangenheit und Gegenwart : Hommage für Kurt Bösch
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ISBN: 3925355030 Year: 1988 Volume: 36 Publisher: München : E. Vögel,

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Patronage of the arts by foundations and nongovernment organizations in Europe : conference in Berlin, 28th/29th November 1991 : conference report
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ISBN: 9783929010152 3929010151 Year: 1992 Publisher: Berlin : MAAS,

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Contemporary perspectives on art and international development
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ISBN: 9781138024700 Year: 2017 Publisher: London : Routledge,

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Art patronage --- Art, Modern --- Mécénat --- Art


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Guide pratique du mécénat d'entreprise
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ISBN: 9782804440404 Year: 2015 Volume: *1 Publisher: Bruxelles : Larcier,

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Une présentation du mécénat, des opérations les plus simples aux plus abouties. Avec des modèles de statuts, de contrats et les principaux documents fiscaux essentiels pour ces opérations. ©Electre 2015


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Economic history and the arts
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ISBN: 3412118958 Year: 1996 Volume: 5 Publisher: Köln : Böhlau,

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Sponsoring : le parrainage publicitaire
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ISSN: 07503431 ISBN: 2225811202 9782225811203 Year: 1987 Publisher: Paris : Masson,

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Cloth, dress and art patronage in Africa
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ISBN: 1859732909 185973295X Year: 1999 Publisher: Oxford Berg

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Music patronage in Italy
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ISBN: 9782503595443 2503595448 Year: 2021 Publisher: Turnhout : Brepols,

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This book focuses on the various aspects of music patronage in Italy from the fifteenth to the eighteenth century. During the Renaissance and throughout the Baroque and Classical periods, musical production was linked to patronage. There are essentially two types of patronage. The first relates to political institutions, to public life, and aims to promote musical events that highlight the wealth and power of the patron in the eyes of rival courts and subjects – hence the birth of the court chapels. The second type belongs to the private sphere, in which the patron, of noble birth and as such in possession of high moral and intellectual virtues, has a discriminating artistic sensibility — hence the promotion of chamber music activities, the collecting of rare and valuable musical instruments, and the compilation and collection of musical manuscripts, possibly in deluxe or personalized copies. This musical production system lasted until the middle of the nineteenth century, when the advent of capitalism and the rise of the bourgeois class caused the decline of patronage. This book focuses on the various aspects of music patronage in Italy from the fifteenth to the eighteenth century.

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