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Conceptual art --- Exhibitions --- LeWitt, Sol, --- Art conceptuel --- Expositions --- Conceptual art - Exhibitions --- LeWitt, Sol, - 1928-2007 - Exhibitions. --- LeWitt, Sol, - 1928-2007
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Ouvrage publié à l'occasion de l'exposition "Sol LeWitt. Dessins muraux de 1968 à 2007", présentée au Centre Pompidou de Metz, du 7 mars 2012 au 29 juillet 2013.00Le Centre Pompidou-Metz met à l rtiste conceptuel américain Sol LeWitt (1928-2007) en lui dédiant un projet inédit. En Galerie 2, sur une superficie de 1 200 m2, est présentée une rétrospective des wall drawings (dessins muraux) de Sol LeWitt d rtiste de ses débuts à ses dernières réalisations, l
Wall drawing (Conceptual art) --- Dessin mural (Art conceptuel) --- Exhibitions --- Expositions --- LeWitt, Sol, --- Interviews --- Minimal art --- Conceptual art --- Lewitt, Sol --- Minimal art - Exhibitions --- Conceptual art - Exhibitions --- LeWitt, Sol, - 1928-2007 - Exhibitions --- Exhibitions. --- Interviews. --- LeWitt, Sol, - 1928-2007
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Wall drawing (Conceptual art) --- Art, American --- Dessin mural (Art conceptuel) --- Art américain --- LeWitt, Sol, --- Art américain --- Peinture et décoration murales --- Catalogues d'exposition. --- LeWitt, Sol --- Peinture et décoration murales --- Peinture et décoration murales. --- Lewitt, Sol --- LeWitt, Sol, - 1928-2007 - Exhibitions. --- LeWitt, Sol, - 1928-2007
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Barry, Robert --- Buren, Daniel --- Flavin, Dan --- Kosuth, Joseph --- Lewitt, Sol --- Morellet, François --- Rutault, Claude --- Weiner, Lawrence --- Barry, Robert, --- Flavin, Dan, --- LeWitt, Sol, --- Morellet, François --- Art, Modern --- Art
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"This catalogue is published in conjunction with the exhibition Sol LeWitt: the well-tempered grid, Williams College Museum of Art, Williamstown, Massachusetts, September 15-December 9, 2012."
Grids (Crisscross patterns) --- Grilles (Formes) --- Painting, American --- Peinture américaine --- Sculpture, American --- Sculpture américaine --- LeWitt, Sol,
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sculpting --- Sculpture --- Painting --- art [fine art] --- Conceptual --- Art styles --- painting [image-making] --- Art --- LeWitt, Sol --- anno 1900-1999 --- United States --- LeWitt, Sol, --- Exhibitions. --- Lewitt, Sol --- Sol Lewitt (° 1928, Hartford, Connecticut, VS) --- Kunsttheorie --- Beeldhouwkunst ; 20ste eeuw --- Schilderkunst ; 20ste eeuw ; Minimal Art ; Sol LeWitt --- Muurschilderkunst ; tekeningen ; 20ste eeuw --- 75.07 --- (069) --- 75.01 --- 73.07 --- 75.038 --- 741.07 --- Schilderkunst ; schilders --- (Musea. Collecties) --- Schilderkunst ; theorie, filosofie, esthetica --- Beeldhouwkunst ; beeldhouwers A - Z --- Schilderkunst ; 1950 - 2000 --- Tekenkunst ; tekenkunstenaars A - Z --- Le Witt, Sol, --- Witt, Sol Le, --- Sol, Lewitt --- Exhibitions --- Lewitt, Sol, - 1928- - Exhibitions. --- Lewitt, Sol 1928-2007 (°Hartford, Connecticut, Verenigde Staten) --- LeWitt, Sol, - 1928-2007 - Exhibitions --- LeWitt, Sol, - 1928-2007 --- art [discipline] --- United States of America
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Art, Modern --- Installations (Art) --- Art --- Exhibitions --- Exhibitions. --- Expositions --- Boltanski, Christian, --- Buren, Daniel --- Kounellis, Jannis, --- LeWitt, Sol, --- Long, Richard, --- Merz, Mario --- Gilbert & George --- Bolstanski, Christian --- Kounellis, Jannis --- LeWitt, Sol --- Long, Richard --- Merz, Mario. --- Buren, Daniel,
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Art, American --- Minimal art --- Art minimal --- Expositions --- Andre, Carl, --- Flavin, Dan, --- Judd, Donald, --- LeWitt, Sol, --- Morris, Robert,
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Sol LeWitt (1928–2007), renowned for his role in establishing Conceptualism and Minimalism as dominant art movements in the postwar era, is perhaps best known for his masterful and brilliantly colored wall drawings. Throughout his career, however, LeWitt also created many remarkable three-dimensional works suitable for display in outdoor settings. In this handsome publication, which accompanies the first major career survey of LeWitt's "structures," the artist's modular works are traced from their simplest manifestation in a single large-scale cube through multiple variations, with examples from the 1960s through the 1990s. Works from the 1980s onward explore the three-dimensional possibilities of diverse geometric forms, such as stars, and the introduction of new materials, including concrete block and fiberglass, stimulating experimentation with non-geometric, irregular forms on an increasing scale.The book includes essays by Nicholas Baume and Joe Madura that provide curatorial and critical context for the structures. Additional essays by Rachel Haidu, Anna Lovatt, and Kirsten Swenson offer fresh art-historical commentary, ranging from the problematic of site for LeWitt's initial structures to the relationship between abstract conceptual systems, architecture, and urban space. Also included is a never before published conversation among the artist, Baume, and Jonathan Flatley. Stunning color plates record the works on display in Lower Manhattan's City Hall Park, supplemented by archival and historical documentation.
LeWitt, Sol, --- City Hall Park (New York, N.Y.) --- Kunst; Verenigde Staten; 20ste eeuw --- Beeldhouwkunst --- Kunst; 20ste eeuw --- Kunst; 21ste eeuw --- Conceptuele kunst --- Minimalisme --- Exhibitions --- Public sculpture --- LeWitt, Sol --- Interviews --- New York (State) --- New York (N.Y.) --- Sculpture publique --- Exhibitions. --- Expositions --- Sculpture, Public --- Public art --- Sculpture --- Monuments --- Le Witt, Sol, --- Witt, Sol Le, --- Common, The (New York, N.Y.) --- The Common (New York, N.Y.) --- Lewitt, Sol
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Le concept de la "grille" en tant que structure matérielle, visuelle, formelle et théorique dans les avant-gardes des années 1960-1980, avec une ouverture vers l'art contemporain. 'The Grid' examine les multiples usages de la grille dans l'art contemporain. Trame textile, quadrillage graphique, support matériel, système typologique, cadre spatiotemporel, matrice informatique, dispositif narratif et documentaire : la grille se révèle comme une structure complexe et ambiguë qui évoque l'ordre rationnel de la science tout en ouvrant des espaces insoupçonnés vers l'imagination, l'intuition et la créativité. Cet ouvrage présente des oeuvres de l'art concret, du minimalisme, de l'art optique, de l'art conceptuel, de l'art narratif, de la performance et de l'art numérique et offre un focus spécifique sur l'art contemporain brésilien. Artistes représentés : Carl Andre, Claudia Andujar, Christian Boltanski, Analívia Cordeiro, Michael Ensdorf, Esther Ferrer, Douglas Huebler, On Kawara, Sherrie Levine, Sol LeWitt, Jacques Lizène, Verena Loewensberg, Vera Molnár, François Morellet, Dennis Oppenheim, Gina Pane, Rosemarie Trockel.
Minimal art --- Boltanski, Christian, --- LeWitt, Sol, --- Trockel, Rosemarie, --- Exhibitions. --- Grids (Crisscross patterns) in art --- Art, Modern --- Grilles (Formes) dans l'art --- Art
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