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Women artists --- Conceptual art --- Femmes artistes --- Art conceptuel --- History --- Exhibitions --- History --- Exhibitions. --- Histoire --- Expositons --- Histoire --- Expositions --- Levine, Sherrie --- Levine, Sherrie --- Exhibitions. --- Interviews.
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Art, Modern --- Introspection in art --- Art --- Introspection dans l'art --- Exhibitions. --- Exhibitions --- Expositions --- Schütte, Thomas, --- Levine, Sherrie --- Dumas, Marlene, --- Locher, Thomas, --- Bloom, Barbara --- Daniels, René --- De Cordier, Thierry --- Dujourie, Lili --- Dumas, Marlene --- Graham, Rodney --- Kemps, NIek --- Lawler, Louise --- Lemieux, Annette --- Locher, Thomas --- McCollum, Allan --- Mucha, Reinhard --- Odenbach, Marcel --- Schütte, Thomas --- Vercruysse, Jan --- Zaugg, Rémy --- kunst --- twintigste eeuw --- Bloom Barbara --- Zaugg Rémy --- Vercruysse Jan --- Schütte Thomas --- Odenbach Marcel --- Mucha Reinhard --- McCollum Allan --- Locher Thomas --- Levine Sherrie --- Lemieux Annette --- Lawler Louise --- Kemps Niek --- Graham Rodney --- Dumas Marlene --- Dujourie Lili --- De Cordier Thierry --- Daniels René --- 7.038 --- Schütte, Thomas, --- Levine, Sherrie.
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L'Écart et l'Accolade rassemble vingt-trois textes de natures différentes et consacrés à divers artistes contemporains, aux pratiques artistiques, à la critique d'art, aux expositions et aux activités curatoriales. Que te dire ? Il y a toujours de la prétention, de l'orgueil dans un livre. Comme dans les œuvres, souvent. Elles trônent. Elles s'exhibent. Peut-être qu'il y a aussi, parfois, dans les livres, comme dans les œuvres, de la timidité. Il y a donc ici réuni une vingtaine de textes. Ils concernent des artistes d'aujourd'hui. Alors vite : j'ai appris qu'un objet, qu'une œuvre n'était, parfois, qu'un moment, qu'une ponctuation, d'une phrase, d'un mouvement plus vaste. C'est sans doute évident, encore faut-il en produire l'éclat. Chaque œuvre est un échec. J'ai finalement appris qu'il pouvait y avoir de la grâce dans l'échec. Ce livre n'est ni savant ni universitaire. Les œuvres ne sont pas là pour être expliquées, commentées, elles sont là pour tenir debout. Pertes inespérées (apportées par le vent). Encore autre chose, peut-être.
Aesthetics --- Artists --- Esthétique --- Artistes --- Sculpture --- Création artistique --- Traitement de l'objet --- Musique --- Analyse de l'art --- Art criticism --- Art --- Philosophy --- Vermeiren, Didier --- Lohaus, Bernd --- Asher, Michael --- Convert, Pascal --- Anselmo, Giovanni --- Murphy, John --- Levine, Sherrie --- Esthétique --- Art - Philosophy
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Iconography --- repetition (process) --- Art --- Mangold, Robert Peter --- Zaugg, Remy --- Johns, Jasper --- Pistoletto, Michelangelo --- Tàpies, Antonio --- Richter, Gerhard --- McCollum, Allan --- Warhol, Andy --- Rauschenberg, Robert --- Levine, Sherrie --- Martin, Agnes --- Art & Language --- anno 1900-1999 --- Art, Modern --- Repetition (Aesthetics) --- Répétition (Esthétique) --- Exhibitions. --- Expositions --- repetition [process] --- Répétition (Esthétique) --- Tàpies, Antoni
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Roth, Dieter ; Spoerri, Daniel ; Manzoni, Piero ; Duchamp, Marcel ; Charlton, Alan ; Clairet, ALain ; Mc Collum, Allan ; Richter, Gerhard ; Dimitrijevic, Braco ; Levine, Sherrie ; Linke, Simon ; Prina, Stephen ; Durand-Ruel, Christophe ; etc.
Iconography --- artifacts [object genre] --- Levine, Sherrie --- Long, Richard --- McCollum, Allan --- Smithson, Robert --- Prina, Stephen --- Beuys, Joseph --- readymades belong to everyone --- Salomon, Jacques --- Klein, Yves --- Morris, Robert --- Manzoni, Piero --- Broodthaers, Marcel --- Spoerri, Daniel --- Locher, Thomas --- Durand-Ruel, Christophe --- Haacke, Hans --- Dimitrijević, Braco --- Duchamp, Marcel --- Richter, Gerhard --- Wilson, Ian --- Linke, Simon --- Dibbets, Jan --- Charlton, Alan --- Blondeau, Marc --- Roth, Dieter --- anno 1900-1999 --- Art --- Art, Modern --- Found objects (Art) --- Objets trouvés (Art) --- Exhibitions. --- Expositions --- Objets trouvés (Art) --- Les ready-made appartiennent à tout le monde --- Readymades belong to everyone
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During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Allen looks at the most important of these magazines in their heyday and compiles an illustrated directory of hundreds of others.
Journalism --- artists' books [books] --- Conceptual --- Art --- art theory --- Fluxus --- Minimal --- kunstenaarsboeken --- Nauman, Bruce --- Burden, Chris --- Kosuth, Joseph --- Andre, Carl --- Warhol, Andy --- Ruscha, Ed --- Weiner, Lawrence --- Levine, Sherrie --- Sherman, Cindy --- Graham, Dan --- Buren, Daniel --- Lozano, Lee --- Smithson, Robert --- Baldessari, John --- Beuys, Joseph --- Matta-Clark, Gordon --- Mullican, Matt --- Acconci, Vito --- Morris, Robert --- Buchloh, Benjamin --- Vree, De, Paul --- Durant, Rudo --- Oppenheim, Dennis --- Judd, Donald --- Haacke, Hans --- Bochner, Mel --- LeWitt, Sol --- anno 1900-1999 --- Art, Modern --- Historiography --- 050 <73> --- 655.534 --- 655.4 --- 655.262 --- Tijdschriften. Periodieken. Serials--(werken over)--Verenigde Staten van Amerika. VSA. USA --- Stofomslag. Cover. Boekomslag --- Uitgeverij. Boekhandel--algemeen --- Boekdesign--algemeen --- Historiography. --- 050 <73> Tijdschriften. Periodieken. Serials--(werken over)--Verenigde Staten van Amerika. VSA. USA --- kunst --- concept art --- conceptuele kunst --- 7.038 --- artists' books --- artists' magazines --- kunstenaarstijdschriften --- tijdschriften --- Verenigde Staten --- twintigste eeuw --- Modern art --- Conceptual art --- Nieuwe Ploeg (Group of artists) --- artists' periodicals --- Art, Modern - 20th century - Periodicals --- Art, Modern - 20th century - Historiography
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Armaly, Fareed ; Becher, Bernd & Hilla ; Beuys, Joseph ; Broodthaers, Marcel ; Buren, Daniel ; Byars, James Lee ; Chin, Mel ; Eliasson, Olafur ; Fisher, Morgan ; Fritsch, Katharina ; Förg, Gunther ; Gala Committee ; General Idea ; Gillick, Liam ; Gober, Robert ; Goldstein, Jack ; Goldstein, Zvi ; Graham, Dan ; Gursky, Andreas ; Hamilton, Richard ; Hawkins, Richard ; Herold, Georg ; Honert, Martin ; Huws, Bethan ; Höfer, Candida ; Kabakov, Ilya ; Kawara, On ; Kelley, Mike ; Kim, Soo-Ja ; Kippenberger, Martin ; Knoebel, Imi ; Korine, Harmony ; Kounellis, Jannis ; Leonard, Zoe ; Levine, Sherrie ; Mason, T. Kelly ; McCarthy, Paul ; Metzel, Olaf ; Miller, John ; Morley, Ivan ; Mucha, Reinhard ; Mueck, Ron ; Muñoz, Juan ; Oursler, Tony ; Paik, Nam June ; Pardo, Jorge ; Pettibon, Raymond ; Pfeiffer, Paul ; Pistoletto, Michelangelo ; Plessen, Magnus ; Polke, Sigmar ; Popp, Markus ; Rhoades, Jason ; Ruff, Thomas ; Schneider, Gregor ; Schütte, Thomas ; Slominski, Andreas ; Stockhausen, Karlheinz ; Struth, Thomas ; Tompkins, Hayley ; Trockel, Rosemarie ; Tuymans, Luc ; Viola, Bill ; Wall, Jeff ; Weiner, Lawrence ; Welling, James ; West, Franz
Art, Modern --- Art --- Exhibitions. --- Expositions --- Kunstsammlung Nordrhein-Westfalen (Germany) --- Ständehaus (Düsseldorf, Germany) --- Düsseldorf (Germany) --- Düsseldorf (Allemagne) --- Buildings, structures, etc. --- Constructions --- Düsseldorf --- video art --- Film --- Painting --- Museology --- Sculpture --- collection development --- painting [image-making] --- sculpting --- museology --- Becher, Bernd und Hilla --- Goldstein, Jack --- Gober, Robert --- Struth, Thomas --- Slominski, Andreas --- Kelley, Mike --- Kawara, On --- Levine, Sherrie --- Byars, James L. --- Ruff, Thomas --- Leonard, Zoe --- von Plessen, Magnus --- Muñoz, Juan --- Kabakov, Ilija Iosefovich --- Viola, Bill --- Gursky, Andreas --- Paik, Nam June --- Tuymans, Luc --- Herold, Georg --- Broodthaers, Marcel --- Polke, Sigmar --- Chin, Mel --- Popp, Markus --- Knoebel, Imi --- Oursler, Tony --- Mucha, Reinhard --- Schütte, Thomas --- Wall, Jeff --- Fritsch, Katharina --- West, Franz --- Trockel, Rosemarie --- Kippenberger, Martin --- Huws, Bethan --- K21 Ständehaus [Düsseldorf] --- Ständehaus (Düsseldorf, Germany) --- Düsseldorf (Germany) --- Düsseldorf (Allemagne) --- Plessen, Von, Magnus
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Goldin, Nan ; Frank, Robert ; Man Ray ; Warhol, Andy ; Duchamp, Marcel ; Kelley, Mike ; Wall, Jeff ; Trockel, Rosemarie ; Sherman, Cindy ; Gober, Robert ; Clark, Larry ; Levine, Sherrie ; Orozco, Gabriel ; Boltanski, Christian ; Burgin, Victor ; Prince, Richard ; Leonard, Zoe ; Tillmans, Wolfgang ; Kruger, Barbara ; Clark, Larry ; Calle, Sophie ; Antoni, Janine ; Hatoum, Mona ; Sugimoto Hiroshi ; Matta-Clark, Gordon ; Beuys, Joseph ; Baldessari, John ; Samore, Sam ; Ruff, Thomas ; Becher, Bernd & Hilla ; Fischli & Weiss ; Polke, Sigmar ; Gursky, Andreas ; Richter, Gerhard ; Wearing, Gillian ; Smith, Kiki ; McCarthy, Paul ; Messager, Annette ; Antoni, Janine ; Schütte, Thomas ; Barney, Matthew ; Gilbert & George ; Lucas, Sarah ; Serrano, Andres ; Lawler, Louise ; McCollum, Allan ; Broodthaers, Marcel ; Ray, Charles ; Araki, Nobuyoshi ; Taylor-Wood, Sam ; Horsfield, Craigie ; Dunning, Jeanne ; Fulton, Hamish ; Beecroft, Vanessa ; Lucas, Sarah ; Struth, Thomas ; Gursky, Andreas ; Opie, Catherine ; Armstrong, David ; Clark, Larry ; Wall, Jeff ; Simmons, Laurie ; Förg, Gunther ; Mylaine, Jean-Luc ; Wool, Christopher
Conceptual --- photography [process] --- Iconography --- Art --- portraits --- feminism --- Photography --- art [fine art] --- Art styles --- Man Ray --- Sugimoto, Hiroshi --- Trockel, Rosemarie --- Fulton, Hamish --- Boltanski, Christian --- Gober, Robert --- Orozco, Gabriel --- Lucas, Sarah --- Warhol, Andy --- Smith, Kiki --- Kelley, Mike --- Gursky, Andreas --- Burgin, Victor --- Taylor-Wood, Sam --- Kruger, Barbara --- Becher, Bernd und Hilla --- Araki, Nobuyoshi --- Simmons, Laurie --- Lawler, Louise --- Sherman, Cindy --- Horsfield, Craigie --- McCarthy, Paul --- Ruff, Thomas --- Ray, Charles --- Leonard, Zoe --- Hatoum, Mona --- McCollum, Allan --- Baldessari, John --- Levine, Sherrie --- Förg, Günther --- Mylayne, Jean-Luc --- Prince, Richard --- Antoni, Janine --- Goldin, Nan --- Gilbert and George --- Frank, Robert --- Opie, Catherine --- Beecroft, Vanessa --- Serrano, Andres --- Broodthaers, Marcel --- Polke, Sigmar --- Beuys, Joseph --- Barney, Matthew --- Tillmans, Wolfgang --- Samore, Sam --- Wool, Christopher --- Armstrong, David Malet --- Fischli, Peter --- Clark, Larry --- Crewdson, Gregory --- Duchamp, Marcel --- Schütte, Thomas --- Wearing, Gillian --- Wall, Jeff --- Calle, Sophie --- Weiss, David --- Struth, Thomas --- Richter, Gerhard --- Hirst, Damien --- Dunning, Jeanne --- Messager, Annette --- Matta-Clark, Gordon --- anno 1900-1999 --- Photography, Artistic --- Photographie artistique --- 77.01 --- Fotografie ; theorie --- Fotografie--Semiotiek van de fotografie. Theorie --- Fotografie ; theorie, filosofie, esthetica --- Contemporary Perspectives on Photography / ed. Elizabeth Janus ; ed. with Marion Lambert --- fotografie --- kunst --- kunst en fotografie --- feminisme --- gender studies --- concept art --- conceptuele kunst --- documentaire fotografie --- reportagefotografie --- film --- filmstills --- stills --- musea --- fotografiemusea --- fotografische theorie --- Antoni Janine --- Araki Nobuyoshi --- Armstrong David --- Baldessari john --- Barney Matthew --- Becher Bernd & Hilla --- Becher Bernd --- Becher Hilla --- Beecroft Vanessa --- Beuys Joseph --- Boltanski Christian --- Broodthaers Marcel --- Burgin victor --- Calle Sophie --- Clark Larry --- Cohen Lynne --- Crewdson Gregory --- Dunning Jeanne --- Fischli Peter --- Weiss David --- Förg Günther --- Frank Robert --- Fulton Hamish --- Gilbert & George --- Gober Robert --- Goldin Nan --- Gursky Andreas --- Hirst Damien --- Kelley Mike --- Kruger Barbara --- Lawler Louise --- Levine Sherrie --- Leonard Zoe --- Lucas Sarah --- Ray Man --- Matta-Clark Gordon --- McCarthy Paul --- McCollum Allan --- Messager Annette --- Orozco Gabriel --- Polke Sigmar --- Prince Richard --- Ray Charles --- Richter Gerhard --- Ruff Thomas --- Schütte Thomas --- Serrano Andres --- Sherman Cindy --- Simmons Laurie --- Smith Kiki --- Struth Thomas --- Sugimoto Hiroshi --- Taylor-Wood Sam --- Tillmans Wolfgang --- Trockel Rosemarie --- Wall Jeff --- Warhol Andy --- Wegman William --- Wool Christopher --- 77.038 --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- art [discipline]
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"Perspective, trompe-l'oil, anamorphose - l'histoire de l'art abonde en exemples de simulacres - d'ailleurs la peinture n'est-elle pas une grande illusion? Aujourd'hui, à l'heure des nouveaux médias, le bombardement d'images a contribué à l'essor d'un univers virtuel devenu "plus réel que le réel". Les artistes actuels, comme un certain Magritte en 1929, nous mettent en garde contre "la trahison des images"."
Art, Belgian --- Art, French --- Mimesis in art --- Imitation in art --- Realism in art --- Art belge --- Art français --- Mimêsis --- Imitation dans l'art --- Réalisme dans l'art --- Themes, motives --- Exhibitions --- Exhibitions. --- Thèmes, motifs --- Expositions --- Art français --- Mimêsis --- Réalisme dans l'art --- Thèmes, motifs --- Contemporary art --- Catalogs --- kunst --- trompe‑l’oeils --- anamorfosen --- hyperrealisme --- simulacres --- conceptuele kunst --- installaties --- beeldhouwkunst --- België --- kunstenaars --- 20e eeuw (twintigste eeuw) --- 21e eeuw (eenentwintigste eeuw) --- 706.9 --- Bijl, Guillaume --- Carez, Christian --- Charlier, Jacques --- De Broyer, René --- De Gobert, Philippe --- Grimonprez, Johan --- Hucleux, Jean-Olivier --- Lavier, Bertrand --- Van Lennep, Jacques --- Levine, Sherrie --- Ramette, Philippe --- Rousse, Georges --- Art, Modern --- French art --- Ecole de Nice (Group of artists) --- Forces nouvelles (Group of artists) --- Nabis (Group of artists) --- Ne pas plier (Group of artists) --- Belgian art --- Sint-Martens-Latem (Group of artists) --- XX (Group of artists) --- Zwarte Panter (Group of artists) --- kunstgeschiedenis, België, 21e eeuw --- bedriegertjes --- optische illusies --- 705.9 --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- 7.038/039 --- Art, Belgian - 21st century - Themes, motives - Exhibitions --- Art, Belgian - 20th century - Themes, motives - Exhibitions --- Art, French - 21st century - Themes, motives - Exhibitions --- Art, French - 20th century - Themes, motives - Exhibitions --- Mimesis in art - Exhibitions --- Imitation in art - Exhibitions --- Realism in art - Exhibitions
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Important documents and appraisals of appropriation art from Duchamp's readymades to feminist and postcolonial critique. Scavenging, replicating, or remixing, many influential artists today reinvent a legacy of “stealing” images and forms from other makers. Among the diverse, often contestatory strategies included under the heading “appropriation” are the readymade, détournement, pastiche, rephotography, recombination, simulation and parody. Although appropropriation is often associated with the 1980s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation's significance for art is not limited by that cultural and political moment. In an expanded art-historical frame, this book recontextualizes avant-garde photomontage, the Duchampian readymade, and the Pop image among such alternative precursors as Francis Picabia, Bertolt Brecht, Guy Debord, Akasegawa Genpei, Dan Graham, Cildo Meireles, and Martha Rosler. In the recent work of many artists, including Mike Kelley, Glenn Ligon, Pierre Huyghe, and Aleksandra Mir, among others, appropriation is central to their critique of the contemporary world and vision for alternative futures. Artists surveyed include Akasegawa Genpei, Santiago Álvarez, Art Workers Coalition, Ross Bleckner, Marcel Broodthaers, Victor Burgin, Maurizio Cattelan, Hans-Peter Feldmann, Douglas Gordon, Johan Grimonprez, Peter Halley, Hank Herron, Pierre Huyghe, Mike Kelley, Idris Khan, Barbara Kruger, Sherrie Levine, Glenn Ligon, Steve McQueen, Alexandra Mir, Keith Piper, Richard Prince, Jorma Puranen, Cindy Sherman, John Stezaker, Retort, Martha Rosler, Philip Taaffe. Writers include Malek Alloula, Jean Baudrillard, Walter Benjamin, Nicolas Bourriaud, Benjamin H. D. Buchloh, Johanna Burton, Douglas Crimp, Thomas Crow, Guy Debord, Georges Didi-Huberman, Marcel Duchamp, Okwui Enwezor, Jean-Luc Godard, Isabelle Graw, Boris Groys, Raoul Hausmann, Sven Lütticken, Cildo Meireles, Kobena Mercer, Slobodan Mijuskovic, Laura Mulvey, Jo Spence, Elisabeth Sussman, Lisa Tickner, Reiko Tomii, Andy Warhol.
Appropriation (Art) --- Art, Modern --- kunst --- appropriation art --- appropriation --- eenentwintigste eeuw --- twintigste eeuw --- Alvarez Santiago --- Genpei Akasegawa --- Art Workers Coalition --- Broodthaers Marcel --- Burgin Victor --- Cattelan Maurizio --- Gordon Douglas --- Grimonprez Johan --- Halley Peter --- Huyghe Pierre --- Kelley Mike --- Khan Idris --- Kruger Barbara --- Levine Sherrie --- Ligon Glenn --- McQueen Steve --- Mir Aleksandra --- Piper Keith --- Prince Richard --- Puranen Jorma --- Retort --- Rosler Martha --- Sherman Cindy --- Stezaker John --- Taaffe Philip --- Alloula Malek --- Baudrillard Jean --- Benjamin Walter --- Bourriaud Nicolas --- Buchloh Benjamin H.D. --- Burton Johanna --- Crimp Douglas --- Crow Thomas --- Debord Guy --- Didi-Huberman Georges --- Duchamp Marcel --- Enwezor Okui --- Godard Jean-Luc --- Graw Isabelle --- Groys Boris --- Hausmann Raoul --- Lüttiken Sven --- Meireles Cildo --- Mercer Kobena --- Mijuskovic Slobodan --- Mulvey laura --- Spence Jo --- Sussman Elisabeth --- Tickner Lisa --- Tomii Reiko --- Warhol Andy --- Welchman John C. --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; 21ste eeuw --- Appropriaton Art --- hedendaagse kunst --- Contemporary [style of art] --- Art --- appropriation [imagery] --- anno 1900-1999 --- Appropriation (Art). --- Buchloh Benjamin H.D --- Welchman John C --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Appropriated imagery --- Appropriated images --- Appropriationism (Art) --- Postmodernism --- Imitation in art --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Objet de récupération --- Ready made --- Dadaïsme --- Situationnisme --- Kunst --- pastiche [ontlening] --- Appropriation (art) --- Simulationnisme. --- Art, Modern - 20th century
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