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Summary: Pieter Lastman war der bedeutendste holländische Historienmaler seiner Generation, hatte in Rom zum Kreis um Adam Elsheimer und Peter Paul Rubens gehört und genoss bei den Zeitgenossen hohes Ansehen. Sein Nachruhm jedoch steht im Schatten seines berühmten Schülers Rembrandt. Die vorliegende Arbeit untersucht Lastmans Leben und Werk im historischen Kontext. Im Mittelpunkt steht Lastman als gebildeter Künstler. Zugleich werden Aspekte seiner künstlerischen Herkunft und Praxis in Lastmans Biographie und seinen Gemälden und Zeichnungen eingehend analysiert. Charakteristisch für sein OEuvre sind seltene, vielfach erstmals in die Malerei eingeführte biblische Stoffe und Themen aus der antiken Mythologie und Historie. Sie zeigen Lastmans ausserordentliche Kenntnis von Texten als Grundlage von Themenwahl und Bildgestaltung. Die Analyse der Bilder zeigt den Künstler im Spannungsfeld von antiker und zeitgenössischer Dichtung, niederländischer und italienischer Kunst und konfessionellem Streit.

Lastman, Pieter --- Painting, Dutch --- Painters --- Art and mythology --- History in art --- Peinture hollandaise --- Peintres --- Art et mythologie --- Histoire dans l'art --- Biography --- Biographies --- Lastman, Pieter, --- mythologie --- iconografie --- italianisanten --- geschiedenis --- klassieke oudheid --- painting [image-making] --- biographies [documents] --- drawing [image-making] --- klassieke oudheid (historisch tijdvak) --- mythologie. --- iconografie. --- italianisanten. --- geschiedenis. --- klassieke oudheid (historisch tijdvak). --- Lastman, Pieter. --- biographies [literary works]

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Painting --- Comparative religion --- Iconography --- Poorter, de, Willem --- Rembrandt --- Poelenburch, van, Cornelis --- Bramer, Leonard --- Salomon, Bernard --- Knüpfer, Nicolaes --- Wet, de, Jacob I --- Lastman, Pieter --- Wtenbrouck, van, Moyses --- anno 1600-1699 --- anno 1500-1599 --- Netherlands --- History of civilization --- mythology [literary genre] --- fables --- Painting, Dutch --- Mythology, Classical, in art --- Peinture hollandaise --- Mythologie ancienne dans l'art --- Themes, motives. --- Thèmes, motifs --- Thèmes, motifs --- Hollandse school

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The art historian after Erwin Panofsky and Ernst Gombrich is not only participating in an activity of great intellectual excitement; he is raising and exploring issues which lie very much at the centre of psychology, of the sciences and of history itself. Svetlana Alpers's study of 17th-century Dutch painting is a splendid example of this excitement and of the centrality of art history among current disciples. Professor Alpers puts forward a vividly argued thesis. There is, she says, a truly fundamental dichotomy between the art of the Italian Renaissance and that of the Dutch masters. . . . Italian art is the primary expression of a 'textual culture,' this is to say of a culture which seeks emblematic, allegorical or philosophical meanings in a serious painting. Alberti, Vasari and the many other theoreticians of the Italian Renaissance teach us to 'read' a painting, and to read it in depth so as to elicit and construe its several levels of significationt. The world of Dutch art, by the contrast, arises from and enacts a truly 'visual culture.' It serves and energises a system of values in which meaning is not 'read' but 'seen,' in which new knowledge is visually recorded."—George Steiner, Sunday Times.

Painting, Dutch --- Visual perception --- Peinture hollandaise --- Perception visuelle --- Visual Perception --- Painting, Dutch - 17th century --- Svetlana Alpers --- Nederland --- schilderkunst --- zeventiende eeuw --- portret --- portretschilderkunst --- stillevens --- landschap --- landschapsschilderkunst --- perspectief --- zeegezichten --- riviergezichten --- stagdsgezichten --- architectuurschilderkunst --- Saenredam Pieter --- Rembrandt --- Rembrandt van Rijn --- van Everdingen Caesar --- van Goyen Jan --- Dou Gerard --- van der Helst Bartholomeus --- Rubens Peter Paul --- Leemans Anthony --- Koninck Philips --- Steen Jan --- Bol Ferdinand --- Cats Jacob --- De Bray Joseph --- Matham Jacob --- Van Rijswick Dirck --- Kalf Willem --- de Gheyn Jacques --- Goltzius Hendrick --- Huyghens Constantijn --- van Beyeren Abraham --- Vermeer Johannes --- Delft --- van Diest Jeronimus --- Metsu Gabriel --- Lastman Pieter --- 75.034 --- Visual perception. --- 7 <492> "16" --- 75 <492> "16" --- 75 <492> "16" Schilderkunst--Nederland--17e eeuw. Periode 1600-1699 --- Schilderkunst--Nederland--17e eeuw. Periode 1600-1699 --- 7 <492> "16" Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland--17e eeuw. Periode 1600-1699 --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland--17e eeuw. Periode 1600-1699