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Painting, American --- Art, Abstract --- Neo-geo (Art) --- Halley, Peter.

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Bleckner, Ross ; Cemin, Saint Clair ; Ebner, Tim ; Finley, Karen ; Gober, Robert ; Halley, Peter ; Hatch, Connie ; Hsu, Tishan ; De Jong, Constance ; Kelley, Mike ; Koons, Jeff ; Labat, Tony ; Lemieux, Annette ; Oursler, Tony ; Prina, Stephen ; Prince, Richard ; Rollins, Tim & K.O.S. ; Simpson, Lorna ; Starn, Doug & Mike ; Steinbach, Haim ; Taaffe, Philip ; Vaisman, Meyer ; Webster, Meg ; Welling, James ; Wool, Christopher

History --- Art --- art history --- art [fine art] --- Starn Twins --- Halley, Peter --- Gober, Robert --- Cemin, Saint Clair --- Kelley, Mike --- Bleckner, Ross --- Steinbach, Haim --- Hsu, Tishan --- Simpson, Lorna --- Taaffe, Philip --- Prina, Stephen --- Prince, Richard --- Finley, Karen --- De Jong, Constance --- Webster, Meg --- Vaisman, Meyer --- Hatch, Connie --- Lemieux, Annette --- Wool, Christopher --- Oursler, Tony --- Labat, Tony --- Ebner, Tim --- Welling, James --- McGough, Peter --- Rollins, Tim --- Koons, Jeff --- McDermott, David --- anno 1900-1999 --- anno 1980-1989 --- United States --- Art, American --- Art américain --- Exhibitions. --- Expositions --- jaren 80 --- Amerika --- Duitsland --- Art, Modern --- Kunst --- twintigste eeuw --- Verenigde Staten --- Bleckner Ross --- Cemin Saint Clair --- DeJong Constance --- Ebner Tim --- Finley Karen --- Gober Robert --- Halley Peter --- Hatch Connie --- Hsu Tishan --- Kelley Mike --- Koons Jeff --- Labat Tony --- Lemieux Annette --- McDermott David --- McGough Peter --- Oursler Tony --- Prina Stephen --- Prince Richard --- Tollins Tim --- Simpson Lorna --- Starn Doug --- Starn Mike --- Steinbach Haim --- Taaffe Philip --- Vaisman Meyer --- Webster Meg --- Welling James --- Wool Christopher --- 7.038 --- Art américain --- Jong, de, Constance --- art [discipline] --- United States of America

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Art criticism --- Art, American --- Structuralism --- Poststructuralism --- Critique d'art --- Art américain --- Structuralisme --- Poststructuralisme --- French influences --- Influence française --- 7.01 --- 7.038(7/8) --- Kunsttheorie ; 21ste eeuw --- Amerikaanse kunst ; o.i.v. Franse theorie ; 1960-1990 --- Structuralisme ; Poststructuralisme --- Sartre, Jean-Paul --- Minimalisme --- Bochner, Mel --- Graham, Dan --- Lyotard, Jean-François --- Kunst en feminisme ; Verenigde Staten --- Baudrillard, Jean --- kunst --- kunsttheorie --- filosofie --- Frankrijk --- Verenigde Staten --- twintigste eeuw --- eenentwintigste eeuw --- structuralisme --- poststructuralisme --- existentialisme --- Sartre Jean-Paul --- Bochner Mel --- Graham Dan --- minimalisme --- minimal art --- October --- schilderkunst --- Lyotard Jean-François --- postmodernisme --- Lacoue-Labarthe Philippe --- feminisme --- postfeminisme --- Cixious Hélène --- Blanchot Maurice --- Tel quel --- Acconci Vito --- Rosler Martha --- Rainer Yvonne --- Baudrillard Jean --- Halley Peter --- 7.038/039 --- Kunst ; theorie, filosofie, esthetica --- Kunstgeschiedenis ; 1950 - 2000 ; Amerika --- Art américain --- Influence française --- Art criticism. --- Art, American. --- Geisteswissenschaften. --- Kunst. --- Poststrukturalismus. --- Rezeption. --- Strukturalismus. --- Ästhetik. --- 1900-1999. --- France. --- Frankreich. --- USA. --- Art criticism - France --- Art, American - 20th century

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Important documents and appraisals of appropriation art from Duchamp's readymades to feminist and postcolonial critique. Scavenging, replicating, or remixing, many influential artists today reinvent a legacy of “stealing” images and forms from other makers. Among the diverse, often contestatory strategies included under the heading “appropriation” are the readymade, détournement, pastiche, rephotography, recombination, simulation and parody. Although appropropriation is often associated with the 1980s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation's significance for art is not limited by that cultural and political moment. In an expanded art-historical frame, this book recontextualizes avant-garde photomontage, the Duchampian readymade, and the Pop image among such alternative precursors as Francis Picabia, Bertolt Brecht, Guy Debord, Akasegawa Genpei, Dan Graham, Cildo Meireles, and Martha Rosler. In the recent work of many artists, including Mike Kelley, Glenn Ligon, Pierre Huyghe, and Aleksandra Mir, among others, appropriation is central to their critique of the contemporary world and vision for alternative futures. Artists surveyed include Akasegawa Genpei, Santiago Álvarez, Art Workers Coalition, Ross Bleckner, Marcel Broodthaers, Victor Burgin, Maurizio Cattelan, Hans-Peter Feldmann, Douglas Gordon, Johan Grimonprez, Peter Halley, Hank Herron, Pierre Huyghe, Mike Kelley, Idris Khan, Barbara Kruger, Sherrie Levine, Glenn Ligon, Steve McQueen, Alexandra Mir, Keith Piper, Richard Prince, Jorma Puranen, Cindy Sherman, John Stezaker, Retort, Martha Rosler, Philip Taaffe. Writers include Malek Alloula, Jean Baudrillard, Walter Benjamin, Nicolas Bourriaud, Benjamin H. D. Buchloh, Johanna Burton, Douglas Crimp, Thomas Crow, Guy Debord, Georges Didi-Huberman, Marcel Duchamp, Okwui Enwezor, Jean-Luc Godard, Isabelle Graw, Boris Groys, Raoul Hausmann, Sven Lütticken, Cildo Meireles, Kobena Mercer, Slobodan Mijuskovic, Laura Mulvey, Jo Spence, Elisabeth Sussman, Lisa Tickner, Reiko Tomii, Andy Warhol.

Appropriation (Art) --- Art, Modern --- kunst --- appropriation art --- appropriation --- eenentwintigste eeuw --- twintigste eeuw --- Alvarez Santiago --- Genpei Akasegawa --- Art Workers Coalition --- Broodthaers Marcel --- Burgin Victor --- Cattelan Maurizio --- Gordon Douglas --- Grimonprez Johan --- Halley Peter --- Huyghe Pierre --- Kelley Mike --- Khan Idris --- Kruger Barbara --- Levine Sherrie --- Ligon Glenn --- McQueen Steve --- Mir Aleksandra --- Piper Keith --- Prince Richard --- Puranen Jorma --- Retort --- Rosler Martha --- Sherman Cindy --- Stezaker John --- Taaffe Philip --- Alloula Malek --- Baudrillard Jean --- Benjamin Walter --- Bourriaud Nicolas --- Buchloh Benjamin H.D. --- Burton Johanna --- Crimp Douglas --- Crow Thomas --- Debord Guy --- Didi-Huberman Georges --- Duchamp Marcel --- Enwezor Okui --- Godard Jean-Luc --- Graw Isabelle --- Groys Boris --- Hausmann Raoul --- Lüttiken Sven --- Meireles Cildo --- Mercer Kobena --- Mijuskovic Slobodan --- Mulvey laura --- Spence Jo --- Sussman Elisabeth --- Tickner Lisa --- Tomii Reiko --- Warhol Andy --- Welchman John C. --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; 21ste eeuw --- Appropriaton Art --- hedendaagse kunst --- Contemporary [style of art] --- Art --- appropriation [imagery] --- anno 1900-1999 --- Appropriation (Art). --- Buchloh Benjamin H.D --- Welchman John C --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Appropriated imagery --- Appropriated images --- Appropriationism (Art) --- Postmodernism --- Imitation in art --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Objet de récupération --- Ready made --- Dadaïsme --- Situationnisme --- Kunst --- pastiche [ontlening] --- Appropriation (art) --- Simulationnisme. --- Art, Modern - 20th century

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Cette publication a été réalisée conjointement à l'exposition de même titre au musée d'art moderne de New York. Elle se présente comme un panorama de l'art graphique du XXème siècle reprenant le graffiti, la caricature, la bande dessinée, l'affiche publicitaire, le tout en relation avec les démarches artistiques contemporaines.

posters --- typography --- caricatures --- graffiti --- Iconography --- Graphic arts --- Art --- art history --- History --- Graphics industry --- Bickerton, Ashley --- Spiegelman, Art --- Johns, Jasper --- Man Ray --- Rotella, Mimmo --- Halley, Peter --- Vasarely, Victor --- Sachs, Bernhard --- Kruger, Barbara --- Holzer, Jenny --- Léger, Fernand --- Puvis de Chavannes, Pierre --- Saul, Peter --- Dubosc, René --- Philipon, Charles --- Tad --- Davis, Stuart --- Scott Brown, Denise --- Kutzman, Harvey --- Corcos, Vittorio --- Seurat, Georges --- Hains, Raymond --- Bonnard, Pierre --- Hamilton, Richard --- Balla, Giacomo --- Abbott, Berenice --- McCay, Winsor --- Burkey, Bryan --- Gulbransson, Olaf --- Cornell, Joseph --- Pollock, Jackson --- Bourdet, Jules-Joseph-Guillaume --- Oppenheim, Meret --- Golden, William --- Boucher, Lucien --- Morris, George --- Murphy, Gerald --- Shuster, Joe --- Wolverton, Basil --- Crumb, Robert --- O'Sullivan, Timothy --- Picasso, Pablo --- Novick, Irv --- Hausmann, Raoul --- Smithson, Robert --- Grandinetti, Jerry --- Höch, Hannah --- Toulouse-Lautrec, de, Henri --- Marinetti, Filippo Tommaso --- Brown, Roger --- Lee & Fred --- Atget, Eugène --- Wood, Wally --- David, Jacques Louis --- Braque, Georges --- Delaunay, Robert --- Venturi, Robert --- Lucas, E.V. --- Guston, Philippe --- Sherman, Cindy --- Haacke, Hans --- Craig, Johnny --- Duchamp, Marcel --- Kane, Robert --- Jess --- Dart, Harry Grant --- NOC --- Brancusi, Constantin --- Steinberg, Saul --- Salle, David --- Baudelaire, Charles --- Rosenquist, James --- Paolozzi, Eduardo --- O'Galop --- Jorn, Asger --- Murray, Elisabeth --- Grandville, Jean J. --- Rauschenberg, Robert --- Gris, Juan --- Outcault, Richard Felton --- Gottfredson, Floyd --- Picabia, Francis --- Brassaï --- Tàpies, Antonio --- Covarrubias, Miguel --- Hallgren, Gary --- Feininger, Lyonel --- Poulbot, Francisque --- Izenour, Steven --- Luks, George Benjamin --- Teniel, John --- Rodtschenko, Alexander Michajlowitsch --- Miró, Joan --- Dongen, van, Kees --- Villeglé, Jacques --- Carrà, Carlo --- Siskind, Aaron --- Iwerks, Ub --- Chéret, Jules --- Ruscha, Ed --- Nauman, Bruce --- Herriman, George --- Gogh, van, Vincent --- Vernet, Horace --- Juez --- Dubuffet, Jean --- Warhol, Andy --- Daumier, Honoré --- Fahlstrom, Öyvind --- Moser, Koloman --- Oldenburg, Claes --- Hamlin, V.T. --- Basquiat, Jean-Michel --- Levine, Sherrie --- Munch, Edvard --- Walker, Mort --- McHale, John --- Ernst, Max --- Grosz, Georg --- Lissitzky, Eliezer --- Magritte, René --- Fisher, Bud --- Busch, Wilhelm --- Elder, Will --- Klee, Paul --- Ensor, James --- Riou, Edouard --- Malevitsj, Kasimir --- Traviès de Viller, Charles-Joseph --- Dantan, Jean-Pierre --- Schwitters, Kurt --- Twombly, Cy --- Scharf, Kenny --- Koons, Jeff --- Heath, Russ --- Haring, Keith --- Du Maurier, George --- anno 1900-1999 --- beeldverhalen --- Caricatures et dessins humoristiques --- Art graphique --- Bande dessinée --- Beeldende kunst en populaire cultuur ; 20ste eeuw --- Tentoonstellingscatalogi ; New York ; MOMA --- Kunstgeschiedenis ; 1950 - 2000 --- Art, Modern --- Popular culture --- Caricatures and cartoons --- Graffiti --- Advertising --- Comic books, strips, etc. --- Pop art --- Culture populaire --- Publicité --- Bandes dessinées --- Pop'art --- Themes, motives --- Exhibitions. --- Exhibitions --- Thèmes, motifs --- Expositions --- Murray, Elizabeth --- advertising --- karikaturen --- Modern [style or period] --- comics [documents] --- reclamevormgeving --- moderne kunst --- Caricature --- Affiche --- Art [Modern ] --- 20th century --- 19th century --- David, Jacques-Louis --- 7.038 --- (069) --- (Musea. Collecties) --- Lissitzky, El --- Noc 167 --- Traviès de Villers, Charles-Joseph --- kunstsociologie --- graffiti [casual notations] --- Tàpies, Antoni --- communication design