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Georg Friedrich Haendel
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ISBN: 2213594368 9782213594361 Year: 1995 Publisher: Paris Fayard

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G.F. Händel : een roman uit de barok
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Year: 1943 Publisher: Bruxelles : Meddens & C°,

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Handel.
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ISBN: 9780199737369 0199737363 0190268158 9786613622709 0199781400 1280592877 0199780080 9780199781409 Year: 2012 Publisher: Oxford Oxford University Press, USA

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Handel is one of the most remarkable figures in the history of western music. His compositions form one of the peaks of creative achievement in the Baroque period, and cover a remarkable range: full-scale Italian operas and English oratorios (including Messiah), but also shorter works such as the Water Music and the Coronation Anthem Zadok the Priest. His compositional processes were often complex, but could result in accessible and memorable 'hit tunes', such as the aria that subsequently became famous as 'Handel's Largo'.His life and career were as remarkable as his music. Born in Germany to


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George Frideric Handel : collected documents
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ISBN: 9781107019539 9781107019546 9781107019553 9781107080218 1107019532 Year: 2013 Publisher: Cambridge [etc.] Cambridge University Press

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The life and career of George Frideric Handel, one of the most frequently performed composers from the Baroque period, are copiously and intricately documented through a huge variety of contemporary sources. This major multi-volume publication is the most up-to-date and comprehensive collection of these documents. Presented chronologically in their original languages with English translations and with commentaries incorporating the results of recent research, the documents provide an essential and accessible resource for anyone interested in Handel and his music. In charting his activities in Germany, Italy and Britain, the documents also offer a valuable insight into broader eighteenth-century topics, such as court life, theatrical history, public concerts and competition between music publishers. This volume covers the period of Handel's London opera career during which he achieved gradual independence from the Royal Academy opera company, but also introduced English theatre oratorios and wrote the music for the 1727 coronation.


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The rival sirens
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ISBN: 9781107033375 9781139519663 9781107058194 1107058198 9781107055971 1107055970 1139519662 1107033373 1139889702 1107065615 1107057043 1107054907 1107059534 1108829244 9781108829243 9781139889704 9781107065611 9781107057043 9781107054905 9781107059535 Year: 2013 Publisher: Cambridge New York Cambridge University Press

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The tale of the onstage fight between prima donnas Francesca Cuzzoni and Faustina Bordoni is notorious, appearing in music histories to this day, but it is a fiction. Starting from this misunderstanding, The Rival Sirens suggests that the rivalry fostered between the singers in 1720s London was in large part a social construction, one conditioned by local theatrical context and audience expectations, and heightened by manipulations of plot and music. This book offers readings of operas by Handel and Bononcini as performance events, inflected by the audience's perceptions of singer persona and contemporary theatrical and cultural contexts. Through examining the case of these two women, Suzanne Aspden demonstrates that the personae of star performers, as well as their voices, were of crucial importance in determining the shape of an opera during the early part of the eighteenth century.

Handel's oratorios and eighteenth-century thought
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ISBN: 0521402654 052102370X 051147024X 0511832818 9780521402651 9780511470240 9780521023702 Year: 1995 Publisher: Cambridge Cambridge University Press

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In this wide-ranging and challenging book, Ruth Smith shows that the words to Handel's oratorios reflect the events and ideas of their time and have far greater meaning than has hitherto been realized. She explores literature, music, aesthetics, politics and religion to reveal Handel's works as conduits for eighteenth-century thought and sensibility. She provides a full picure of Handel's librettists and shows how their oratorio texts express key moral-political preoccupations and engage with contemporary ideological debate. British identity, the need for national unity, the conduct of war, the role of government, the authority of the Bible, the purpose of literature, the effect of art - these and many more concerns are addressed in the librettos. The book thus enriches our understanding of Handel, his times, and the relationships between music and its intellectual contexts.

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