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Poets, American --- Psychotherapy patients --- Psychology. --- Biography. --- H. D. --- H. D. --- H. D. --- Freud, Sigmund, --- Psychology. --- Friends and associates. --- Diaries.

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Ethnology --- Anthropologie sociale et culturelle --- Skinner, H. D.

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En 1912, sous l'impulsion d'Ezra Pound, Hilda Doolittle devient « H.D. Imagiste », et son nom, l'éternelle pierre de touche d'un des mouvements fondateurs du premier modernisme. Pourtant, Hilda Doolittle est, dans la durée, l'auteur d'une œuvre riche et diversifiée (poésie, essais, fiction, traduction, écrits autobiographiques), qui traverse un demi-siècle chaotique, de son entrée sur la scène littéraire dans les pages de la revue Poetry en janvier 1913 à sa mort en 1961. Comment cerner les rapports ambivalents qui s'établissent entre la fascination qu'entretient H.D. pour les cultures antiques et sa confrontation quotidienne avec une modernité déroutante, quand elle n'est pas radicalement déstabilisante ? Helléniste accomplie, traductrice d'Euripide, passionnée de religion et de mythologie, H.D. situe l'ensemble de son œuvre sous l'égide d'Hermès, le dieu messager cryptique. De « Hermes of the Ways » (1913) à Hermetic Definition et à Helen in Egypt (1961), H.D. compose des textes complexes où la modernité se donne à comprendre entre les lignes (entre les signes) de l'atavisme archaïque, livrant une nouvelle lecture du monde, à la fois révélatoire et médusante. In 1912, at Ezra Pound's instigation, Hilda Doolittle became “H.D. Imagiste”, her name forever tied to one of the crucial, albeit short-lived aesthetic movements adumbrating High Modernism. Yet H.D. subsequently produced a rich and varied body of work comprising poetry, essays, translations, fiction and autobiographical writings, spanning an exceptionally chaotic half-century, from her first poems published in the January 1913 issue of Poetryuntil her death in 1961. How should one appraise the ambivalence lying in H.D.'s fascination for ancient cultures and her daily struggle with a baffling, at times even deeply unsettling modernity? A gifted classicist and translator of Euripides with a passion for religions and mythologies, H.D. places her whole literary production under the sign of Hermes, the cryptic god messenger. From “Hermes of the Ways” (1913) to Hermetic Definition and Helen in Egypt (1961), H.D. produces a whole range of complex writings, where modernity emerges between the lines (between the signs) of her atavistic archaism, thereby offering a new hermeneutics, both revelatory and mesmerizing.

H. D. --- Criticism and interpretation. --- Helforth, John, --- Doolittle, Hilda, --- D., H. --- HD --- Alton, Delia,

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Research --- Science --- Recherche --- Sciences --- History --- Philosophy --- Histoire --- Philosophie --- Huygens, Christiaan, --- -Science --- -Natural science --- Science of science --- Science research --- Scientific research --- Information services --- Learning and scholarship --- Methodology --- Research teams --- Huygens, Christiaan --- Huyghens, Christian, --- Gi︠u︡ens, Khristian, --- Gi︠u︡ĭgens, Khristian, --- Zuylichem, Christian Huygens van, --- Hugenius, Christianus, --- Huygens, Christian, --- Huygens, Christianus, --- Zuilichemius, Christianus Hugenius, --- Hughens, --- Hugens, Christian, --- C. H. D. Z., --- H. D. Z., C., --- History. --- Philosophy. --- -History --- Hugenius, Christianus --- Normal science --- Philosophy of science

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In this book Albert Gelpi traces the emergence of American Modernist poetry as a reaction to, and outgrowth of, the Romantic ideology of the nineteenth century. He focuses on the remarkable generation of poets who came to maturity in the years of the First World War and whose works constitute the principal body of poetic Modernism in English. Gelpi argues that the essential dialectic in Modernism extends and reconstitutes issues central to Romanticism. This is expressed in the interaction between two important strains in Modernism: the Symbolist exemplified in Wallace Stevens, T. S. Eliot, Allan Tate, and Hart Crane; and the Imagist, exemplified in Ezra Pound, H. D. and William Carlos Williams.

American poetry --- Romanticism --- Modernism (Literature) --- American poetry. --- Modernism (Literature). --- Romanticism. --- History and criticism --- History --- 1900-1999. --- United States. --- Poésie américaine --- Romantisme --- Modernisme (Littérature) --- Histoire et critique --- Histoire --- 20th century --- United States --- Eliot, Thomas Stearns --- H.D. --- Crane, Harold Hart --- Pound, Ezra Loomis --- Poe, Edgar Allan --- Arts and Humanities --- Literature --- History and criticism. --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements