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Drama --- Choral recitations --- Théâtre (Genre littéraire) --- Récitations en choeur --- Chorus (Greek drama) --- Choeur de théâtre grec --- Euripides --- Aeschylus --- Greek drama --- Greek drama (Tragedy) --- Greek language --- Presentation, Modern --- Translations into German --- Pronunciation --- Spoken Greek --- Agamemnon, --- Agamemnon (Greek mythology) --- Bacchantes --- Choral recitations. --- Translations into German. --- Presentation, Modern. --- Pronunciation. --- Spoken Greek. --- Chorus (Greek drama). --- Théâtre (Genre littéraire) --- Récitations en choeur --- Choeur de théâtre grec --- Euripides. --- Aeschylus. --- Greek drama - Presentation, Modern --- Greek drama (Tragedy) - Translations into German --- Greek language - Pronunciation --- Greek language - Spoken Greek --- Drama - Chorus (Greek drama) --- Agamemnon, - King of Mycenae (Mythological character) - Drama --- Aeschylus - Agamemnon --- Agamemnon, - King of Mycenae (Mythological character)

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This collection attempts to recover the voices of women in antiquity from a variety of perspectives: how they spoke, where they could be heard, and how their speech was adopted in literature and public discourse. Rather than confirming the old model of binary oppositions in which women's speech was viewed as insignificant and subordinate to male discourse, these essays reveal a dynamic and potentially explosive interrelation between women's speech and the realm of literary production, religion, and oratory. The contributors use a variety of methodologies to mine a diverse array of sources, from Homeric epic to fictional letters of the second sophistic period and from actual letters written by women in Hellenistic Egypt to the poetry of Sappho. Throughout, the term "voice" is used in its broadest definition. It includes not only the few remaining genuine women's voices but also the ways in which male authors render women's speech and the social assumptions such representations reflect and reinforce. These essays therefore explore how fictional female voices can serve to negotiate complex social, epistemological, and aesthetic issues. The contributors include Josine Blok, Raffaella Cribiore, Michael Gagarin, Mark Griffith, André Lardinois, Richard Martin, Lisa Maurizio, Laura McClure, D. M. O'Higgins, Patricia Rosenmeyer, Marilyn Skinner, Eva Stehle, and Nancy Worman.

Greek literature --- Women and literature --- Women --- Greek language --- Speech in literature. --- Women in literature. --- Littérature grecque --- Femmes et littérature --- Femmes --- Grec --- Parole dans la littérature --- Femmes dans la littérature --- History and criticism. --- Women authors --- History and criticism --- Social conditions. --- Spoken Greek. --- Histoire et critique --- Femmes écrivains --- Conditions sociales --- Grec parlé --- Intellectual life. --- Littérature grecque --- Femmes et littérature --- Parole dans la littérature --- Femmes dans la littérature --- Femmes écrivains --- Grec parlé --- Poetry --- Fiction --- Thematology --- Sociology of the family. Sociology of sexuality --- Antiquity --- Speech in literature --- Women in literature --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Balkan literature --- Byzantine literature --- Classical literature --- Classical philology --- Greek philology --- Classical languages --- Indo-European languages --- Spoken Greek --- Women authors&delete& --- Intellectual life --- Social conditions --- Sappho of Lesbos --- Greek literature - History and criticism. --- Women and literature - Greece. --- Greek literature - Women authors - History and criticism. --- Women - Greece - Intellectual life. --- Women - Greece - Social conditions. --- Greek language - Spoken Greek. --- Dans la littérature --- Histoire --- Grèce --- Literature --- Writers --- Images of women --- Book --- Dans la littérature --- Grèce