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Beeldhouwkunst [Gotische ] --- Sculpture [Gothic ] --- Sculpture gothique --- Sculptors --- Sculpture, Gothic --- Sculpteurs --- Biography --- Biographie --- Gothic sculpture --- Sculpture, Medieval --- Bronze sculptors --- Artists --- Biography&delete& --- History and criticism --- Europe

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Sculpture, Gothic --- Doorways, Gothic --- Portails gothiques --- Doorways --- Architecture, Gothic --- Gothic sculpture --- Sculpture, Medieval --- Portals --- Architecture --- Doors --- Porches --- Details --- Gothic architecture --- Christian antiquities --- Church architecture

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In this beautifully illustrated study, Paul Binski offers a new account of sculpture in England and northwestern Europe between c. 1000 and 1500, examining Romanesque and Gothic art as a form of persuasion. Binski applies rhetorical analysis to a wide variety of stone and wood sculpture from such places as Wells, Westminster, Compostela, Reims, Chartres, and Naumberg. He argues that medieval sculpture not only conveyed information but also created experiences for the subjects who formed its audience. Without rejecting the intellectual ambitions of Gothic art, Binski suggests that surface effects, ornament, color, variety, and discord served a variety of purposes. In a critique of recent affective and materialist accounts of sculpture and allied arts, he proposes that all materials are shaped by human intentionality and artifice, and have a "poetic." Exploring the imagery of growth, change, and decay, as well as the powers of fear and pleasure, Binski allows us to use the language and ideas of the Middle Ages in the close reading of artifacts

Sculpture, Gothic --- Sculpture, Medieval --- Church architecture --- Sculpture gothique. --- Architecture gothique --- Christian art and symbolism --- Church doorways --- Themes, motives. --- Gothic sculpture --- Sculpture, Gothic - England --- Church architecture - England --- Church architecture - Europe

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History --- Sculpture --- altarpieces --- polyptychs --- retables [altar appendages] --- Art --- congres / 1990 --- anno 500-1499 --- anno 1400-1499 --- anno 1500-1599 --- Altarpieces, Medieval --- Retables médiévaux --- Congresses --- Congrès --- retables [altar appendage] --- Retables médiévaux --- Congrès --- Altarpieces, Gothic --- Sculpture, Gothic --- Triptychs --- Triptichs --- Gothic sculpture --- Sculpture, Medieval --- Medieval altarpieces --- Gothic altarpieces --- Expertising&delete& --- Expertising

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Im Zentrum von Buch und Ausstellung stehen die weltberühmten Stifterfiguren und die ausdrucksstark gestalteten Darstellungen der Leidensgeschichte Christi am Westlettner. Um diesen Werkkomplex gruppiert sind ca. 300 bedeutende Leihgaben aus zahlreichen europäischen Ländern und den USA: Skulpturen und Architekturfragmente im Original und Gipsabguss, Glasmalerei, illuminierte Handschriften, Werke der Goldschmiede- und Elfenbeinschnitzkunst, Beispiele aus dem Bereich der Ritterkultur etc. Die Naumburger Landesausstellung vermag erstmals, den Grossteil der mit dem Naumburger Meister in Verbindung gebrachten Oeuvres in Naumburg in Form von Originalen und Abformungen zu versammeln. Exhibition: Landesausstellung Sachsen-Anhalt, Naumburg (29.6-2.11.2011).

Sculpture, French --- Architecture, Medieval --- Sculpture, German --- Sculpture française --- Architecture médiévale --- Sculpture allemande --- Naumburger Meister, --- Sculpture, Gothic --- Architecture, Gothic --- Exhibitions --- Sculpture française --- Architecture médiévale --- Gothic sculpture --- Gothic architecture --- Master of Naumburg, --- Meister von Naumburg, --- Naumburg Master, --- Sculpture, Medieval --- Christian antiquities --- Church architecture --- Sculpture, Gothic - Exhibitions --- Architecture, Gothic - Exhibitions --- Naumburger Meister, - active 13th century - Exhibitions --- Naumburger Meister, - active 13th century