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Drawing on narratological and feminist theory, Susan Sniader Lanser explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. She sheds light on the history of "voice" as a narrative strategy and as a means of attaining social power. She considers the dynamics in personal voice in authors such as Mary Shelley, Charlotte Brontë, Zora Neale Hurston, and Jamaica Kincaid. In writers who attempt a "communal voice"-including Mary Wollstonecraft, Elizabeth Gaskell, Joan Chase, and Monique Wittig-she finds innovative strategies that challenge the conventions of Western narrative.

82:396 --- American fiction --- -Authorship --- -English fiction --- -French fiction --- -Narration (Rhetoric) --- Women and literature --- Narrative (Rhetoric) --- Narrative writing --- Authoring (Authorship) --- Writing (Authorship) --- 82:396 Literatuur en feminisme --- Literatuur en feminisme --- Women authors --- -History and criticism --- Sex differences --- Tolson, M. --- Pynchon, Thomas --- Authorship --- English fiction --- French fiction --- Narration (Rhetoric) --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Literature --- French literature --- English literature --- American literature --- Women authors&delete& --- History and criticism --- History and criticism. --- Sex differences. --- Canon (Literature). --- Theory, etc. --- English fiction - Women authors - History and criticism --- American fiction - Women authors - History and criticism --- French fiction - Women authors - History and criticism --- Authorship - Sex differences --- Women and literature - English-speaking countries --- Women and literature - France --- Literature: history & criticism

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Très rapidement, Anne Hébert trouve sa voie, singulière entre toutes celles de notre littérature : le matérialisme. Entendons par là que, récusant l'enseignement religieux, c'est dans les profondeurs du moi que l'auteure cherche la vérité de l'être ; et la plongée en soi révèle essentiellement, comme le disait Freud, le jeu des pulsions. Pulsions de vie et de mort. Toute l'oeuvre est un quête du secret logé dans le coeur charnel, une quête du désir et des risques mortels qu'il fait courir à celui ou celle (François, Catherine, Elisabeth, Julie, Héloïse, Stevens...) qui s'abîme en lui. Cette

Canadian fiction -- Women authors -- History and criticism. --- French-Canadian fiction -- Women authors -- History and criticism. --- Women and literature -- Canada. --- Romance Literatures --- Languages & Literatures --- French Literature --- Pulsions dans la littérature. --- Pulsion de mort dans la littérature. --- Impulse in literature. --- Death instinct in literature. --- Hébert, Anne, --- Critique et interprétation. --- Criticism and interpretation. --- Pulsion de mort dans la litterature. --- Pulsions dans la litterature. --- Hebert, Anne, --- Critique et interpretation. --- Hébert, Anne --- vie --- matérialisme --- discours critique --- mort --- littérature --- vérité

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Fiction --- American literature --- English literature --- anno 1900-1999 --- American fiction --- English fiction --- Women and literature --- Women in literature --- Roman américain --- Roman anglais --- Femmes et littérature --- Femmes dans la littérature --- Women authors --- History and criticism --- History --- Femmes écrivains --- Histoire et critique --- Histoire --- Women in literature. --- History and criticism. --- 82:396 --- -English fiction --- -Women and literature --- -Women in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Literature --- Literatuur en feminisme --- -History and criticism --- -82:396 --- 82:396 Literatuur en feminisme --- -Fiction --- -American fiction --- Roman américain --- Femmes et littérature --- Femmes dans la littérature --- Femmes écrivains --- Women authors&delete& --- English fiction - Women authors - History and criticism. --- American fiction - Women authors - History and criticism. --- American fiction - 20th century - History and criticism. --- English fiction - 20th century - History and criticism. --- Women and literature - English-speaking countries - History - 20th century.

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Fiction --- French literature --- anno 1700-1799 --- Women novelists, French --- French fiction --- Romancières françaises --- Roman français --- Women authors --- 840-3 "17" --- -French fiction --- -French literature --- Franse literatuur: proza--18e eeuw. Periode 1700-1799 --- Women authors. --- -Franse literatuur: proza--18e eeuw. Periode 1700-1799 --- 840-3 "17" Franse literatuur: proza--18e eeuw. Periode 1700-1799 --- -840-3 "17" Franse literatuur: proza--18e eeuw. Periode 1700-1799 --- Romancières françaises --- Roman français --- French fiction - 18th century --- French fiction - Women authors --- Litterature francaise --- 18e siecle --- Femmes ecrivains --- Anthologies

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American literature --- anno 1800-1899 --- Femme (Théologie chrétienne) dans la littérature --- Femmes dans la littérature --- Femmes dans la poésie --- Femmes dans le théâtre --- Vrouw (Christelijke theologie) in de literatuur --- Vrouwen in de literatuur --- Vrouwen in de poëzie --- Vrouwen in het toneel --- Woman (Christian theology) in literature --- Women in drama --- Women in literature --- Women in poetry --- American fiction --- Women --- Women and literature --- Roman américain --- Femmes --- Femmes et littérature --- Women authors --- History and criticism --- Books and reading --- History --- Femmes écrivains --- Histoire et critique --- Livres et lecture --- Histoire --- Women in literature. --- History and criticism. --- Roman américain --- Femmes et littérature --- Femmes dans la littérature --- Femmes écrivains --- 19th century --- United States --- American fiction - 19th century - History and criticism. --- American fiction - Women authors - History and criticism. --- Women and literature - United States - History - 19th century. --- Women - United States - Books and reading - History - 19th century. --- Women - Books and reading - United States - History - 19th century.