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digital humanities --- Digital humanities

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On Making in the Digital Humanities fills a gap in our understanding of digital humanities projects and craft by exploring the processes of making as much as the products that arise from it. The volume draws focus to the interwoven layers of human and technological textures that constitute digital humanities scholarship. To do this, it assembles a group of well-known, experienced and emerging scholars in the digital humanities to reflect on various forms of making (we privilege here the creative and applied side of the digital humanities). The volume honours the work of John Bradley, as it is totemic of a practice of making that is deeply informed by critical perspectives. A special chapter also honours the profound contributions that this volume's co-editor, Stéfan Sinclair, made to the creative, applied and intellectual praxis of making and the digital humanities. Stéfan Sinclair passed away on 6 August 2020. The chapters gathered here are individually important, but together provide a very human view on what it is to do the digital humanities, in the past, present and future. This book will accordingly be of interest to researchers, teachers and students of the digital humanities; creative humanities, including maker spaces and culture; information studies; the history of computing and technology; and the history of science and the humanities.

Digital humanities.

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Este volumen ofrece una cartografía de las reflexiones críticas producidas en el ámbito de la prensa y el pensamiento iberoamericano sobre el impacto social, político, económico y cultural de la pandemia de coronavirus con técnicas y herramientas de análisis del Big Data. A partir de más de 15.000 artículos publicados durante el primer año de pandemia en América Latina y España, el libro propone un estudio cuantitativo y cualitativo por campos epistémicos: i. geopolítico (por países, con especial atención a los del Sur y, por tanto, al replanteamiento de las relaciones Norte-Sur, paralelo al reenfoque de las relaciones Oriente-Occidente); ii. de género (cómo afecta a la mujer, cuerpos feminizados y colectivo LGTBIQ); iii. biopolítico (las principales ideas que han generado los discursos nacionales/transnacionales sobre las regulaciones sociales de nuestras formas de vida y de muerte durante la expansión de esta enfermedad); iv. filosófico-cultural, haciendo balance de los diferentes enfoques desde los que se ha abordado la pandemia de Covid-19, considerando cómo se han modulado en ellos las ideas de humanismo, cultura, arte, sociabilidad, ficción, afectos y otros conceptos del campo de la bioética.

Digital humanities.

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On Making in the Digital Humanities fills a gap in our understanding of digital humanities projects and craft by exploring the processes of making as much as the products that arise from it. The volume draws focus to the interwoven layers of human and technological textures that constitute digital humanities scholarship. To do this, it assembles a group of well-known, experienced and emerging scholars in the digital humanities to reflect on various forms of making (we privilege here the creative and applied side of the digital humanities). The volume honours the work of John Bradley, as it is totemic of a practice of making that is deeply informed by critical perspectives. A special chapter also honours the profound contributions that this volume's co-editor, Stéfan Sinclair, made to the creative, applied and intellectual praxis of making and the digital humanities. Stéfan Sinclair passed away on 6 August 2020. The chapters gathered here are individually important, but together provide a very human view on what it is to do the digital humanities, in the past, present and future. This book will accordingly be of interest to researchers, teachers and students of the digital humanities; creative humanities, including maker spaces and culture; information studies; the history of computing and technology; and the history of science and the humanities.

Digital humanities.

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Die historische Forschung und Lehre haben sich in den letzten Jahrzehnten tiefgreifend verändert durch die Digitalisierung von Quellen, Methoden, Werkzeugen, Forschungsumgebungen und Publikationsinfrastrukturen. Massendigitalisierungsprojekte ermöglichen einen zeit- und ortsunabhängigen Zugang zu Quellen und Literatur. Kommerzielle und Open-Source-Programme stehen bereit, um mittels qualitativer und/oder quantitativer Datenanalyse verschiedene methodische Verfahren zur Erforschung und Interpretation dieser Quellen anzuwenden. Die Fachinformation, Wissenschaftskommunikation und das wissenschaftliche Publizieren haben sich ins Netz verlagert und schließen sowohl partizipative als auch kollaborative Medien ein. Zugleich hat die Bandbreite an digitalen Lehrmethoden stark zugenommen, während die Online-Präsentation von Forschungsergebnissen und Citizen-Science-Projekten den Dialog und das aktive Einbinden der breiten Öffentlichkeit in den Forschungsprozess ermöglicht. Der Band versammelt Beiträge einer Tagung, die 2021 stattfand und Bilanz zog: Welche Veränderungen in der Art, wie heute Geschichtsforschung durchgeführt und kommuniziert wird, ermöglicht die Digitalisierung? Welche neuen Objekte, Methoden und Werkzeuge der Analyse stehen den Forschenden heute zur Verfügung und zu welchen Forschungsergebnissen führen sie diese?

Digital humanities.