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As a courtier, figure of fashion, and object of erotic fascination, Anthony van Dyck (1599-1641) transformed the professional identities available to English artists. By making his portrait sittings into a form of courtly spectacle, Van Dyck inspired poets and playwrights at the same time that he offended guardians of traditional hierarchies. A self-consciously Van Dyckian lineage of artists, many of them women, extends from his lifetime to the end of the eighteenth century and beyond.0 Recovering the often surprising responses of both writers and painters to Van Dyck's portraits, this book provides an alternative perspective on English art's historical self-consciousness. Built around a series of close readings of artworks and texts ranging from poems and plays to early biographies and studio gossip, it traces the reception of Van Dyck's art on the part of artists like Mary Beale, William Hogarth, and Richard and Maria Cosway to bestow a historical specificity on the frequent claim that Van Dyck founded an English school of portraiture

Painting --- influence --- portraits --- Dyck, van, Anthony --- England --- Portrait painting, English --- Van Dyck, Anthony, --- van Dyck, Anthony --- Dyck, Anthony van --- Van Dyck, Anthonie, --- Van Dyck, Antoon --- Van-Deĭk, Antoni --- Deĭk, Antoni van --- Dyck, Antoine van --- Van Dyck, Anton --- Van Dyck, Antoine --- Van Dijck, Anthonie --- Van Dijck, Anton --- Van Dijck, Antonie --- Van Dijck, Antoon --- Vandyke, Anthony --- Dyck, Anthonie van --- Dyck, Antoon van --- Dyck, Anton van --- Van Dyck, Anthonis --- Van Daĭk, Antonis --- Daĭk, Antonis van --- Ṿan Daiḳ, Anṭon --- Vandeik, Antoine --- Van Dyck, Antonio --- Vandyck, Anthony --- Influence. --- English portrait painting --- Engelse school --- receptiegeschiedenis --- Van Dyck, Anthony , --- Portrait painting, English. --- Flemish influences. --- Portraits (peinture)

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Ce livre est publié à l’occasion de l’exposition Van Dyck au Koninklijk Muséum voor Schone Kunsten à Anvers et à la Royal Academy of Arts à Londres - la plus grande rétrospective consacrée à l’artiste jusqu’à présent. Il comprend de superbes reproductions en couleurs de plus de cent chefs-d’œuvre, parmi lesquels un grand nombre de tableaux rarement montrés, provenant de musées, collections particulières et églises du monde entier. Outre les notices détaillées relatives à toutes les œuvres exposées et les nombreuses illustrations qui les accompagnent (la plupart également en couleurs), l’outrage offre un aperçu chronologique et cinq études consacrées par d’éminents spécialistes de Van Dyck à l’évolution de son œuvre. Tout concourt ainsi à faire de cet outrage non seulement le plus beau des litres jamais parus sur Van Dyck, mais aussi celui qui, plus qu’aucun autre, fera autorité en la matière.

Salomon, Charlotte 1917-1943 (°Berlijn, Duitsland) --- Schilderkunst 1935-1943 Charlotte Salomon --- Gouaches --- Autobiografieën Charlotte Salomon --- Beeld en woord beeld en tekst --- 75.07 --- Schilderkunst schilders --- Dyck, van, Anthony --- Van Dyck, Anton, --- Van Dyck, Anthony, --- Dessins (genres) --- Grafische kunst --- Van Dyck, Antoine --- Van Dyck, Antoon --- Aquarellen --- Aquarelles --- Dessin artistique --- Tekenkunst --- Etsen --- Gravures --- Landscape drawing, Dutch --- -Pen drawing, Dutch --- -Dutch pen drawing --- Dutch landscape drawing --- Van Dyck, Anthony Sir --- Artist's preparatory studies --- -Van Dyck, Anthony Sir --- -Appreciation --- Van Dyck, Anthony --- Pen drawing, Dutch --- Thematology --- Literature --- Art --- Schilderkunst ; 1935-1943 ; Charlotte Salomon --- Autobiografieën ; Charlotte Salomon --- Beeld en woord ; beeld en tekst --- Schilderkunst ; schilders --- Exhibitions --- Catalogs --- Painting --- Belgium --- Antwerp (Belgium) --- History --- 17th century --- Painters --- Artists' preparatory studies --- Van Dyck, Anton --- Gravure --- Histoire de la gravure --- Estampe --- 17e siècle --- CDL --- 75.071 VAN DYCK --- van Dyck, Anthony --- Dyck, Anthony van, --- Van Dyck, Anthonie, --- Van Dyck, Antoon, --- Van-Deĭk, Antoni, --- Deĭk, Antoni van, --- Dyck, Antoine van, --- Van Dyck, Antoine, --- Van Dijck, Anthonie --- Van Dijck, Anton --- Van Dijck, Antonie --- Van Dijck, Antoon --- Vandyke, Anthony, --- Dyck, Anthonie van, --- Dyck, Antoon van, --- Dyck, Anton van, --- Van Dyck, Anthonis, --- Van Daĭk, Antonis, --- Daĭk, Antonis van, --- Ṿan Daiḳ, Anṭon, --- Vandeik, Antoine, --- Van Dyck, Antonio, --- Vandyck, Anthony, --- History and criticism. --- Dyck, Anthony van --- Van-Deĭk, Antoni --- Deĭk, Antoni van --- Dyck, Antoine van --- Vandyke, Anthony --- Dyck, Anthonie van --- Dyck, Antoon van --- Dyck, Anton van --- Van Dyck, Anthonis --- Van Daĭk, Antonis --- Daĭk, Antonis van --- Ṿan Daiḳ, Anṭon --- Vandeik, Antoine --- Van Dyck, Antonio --- Vandyck, Anthony --- Landscape drawing, Dutch - 17th century - Exhibitions --- Pen drawing, Dutch - 17th century - Exhibitions --- Van Dyck, Anthony, - Sir, - 1599-1641 - Exhibitions --- Peinture --- Belgique --- Van Dyck, Anthony, - Sir, - 1599-1641 --- Schilderkunst --- Tentoonstellingscatalogi --- Tekenen