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Fuge --- fuga's --- Music --- compositieleer
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Music --- muziekgeschiedenis --- compositieleer --- anno 1900-1999 --- Composition (Music) --- -Muziek ; compositieleer ; 20ste eeuw --- 78.02 --- Muziek ; compositieleer ; 20ste eeuw ; partituurvoorbeelden --- 520 --- Project kunstvakken --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Composing (Music) --- Music composing --- Music composition --- Musical composition --- Concertante style --- History and criticism --- Muziek ; compositietechnieken --- Theorie: compositie --- Composition --- History and criticism. --- Composition (Music). --- Muziek ; compositieleer ; 20ste eeuw --- 541 --- Compositie --- Composition (Musique) --- Musique --- Histoire et critique --- Muziekgeschiedenis --- Muziekanalyses --- Dodecafonie --- Serialisme --- Aleatoriek --- Citaatmuziek --- Minimalisme --- Neoromantiek --- Neomodaliteit --- 20e eeuw --- Elektronische muziek
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compositieleer --- basso continuo --- muziekgeschiedenis --- improvisatie --- anno 1700-1799 --- Naples --- 547 --- Praktische harmonie - basso continuo --- Partimenti --- Continuo --- History --- Partimenti. --- History. --- Italy --- Naples (Italy) --- Improvisation (musique) --- Instruments à clavier --- Muziektheorie --- Muziekpedagogie --- Italië
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"The practices and perception of music creation have evolved with the cultural, social and technological contexts of music and musicians. But musical authorship, in its many technical and aesthetic modes, remains an important component of music culture. Musicians are increasingly called on to share their experience in writing. However, cultural imperatives to account for composition as knowledge production and to make claims for its uniqueness inhibit the development of discourse in both expert and public spheres. Internet pioneer Philip Agre observed a discourse deficit in artificial intelligence research and proposed a critical technical practice, a single disciplinary field with 'one foot planted in the craft work of design and the other foot planted in the reflexive work of critique. A critical technical practice rethinks its own premises, re-evaluates its own methods, and reconsiders its own concepts as a routine part of its daily work.' This volume considers the potential for critical technical practice in the evolving situation of composition across a wide range of current practices. In seeking to tell more honest, useful stories of composition, it hopes to contribute to a new discourse around the creation of music."--Page 4 of cover.
Composition (Music). --- 592 --- Publicaties onderzoeksinstellingen --- Composition (Music) --- 78 <09> --- 78 <09> Muziekgeschiedenis --- Muziekgeschiedenis --- Composing (Music) --- Music --- Music composing --- Music composition --- Musical composition --- Concertante style --- Composition --- Electronic books --- Books in machine-readable form --- Digital books --- E-books --- Ebooks --- Online books --- Books --- Electronic publications --- Traktaten --- Methodes --- Compositie --- Compositieleer --- Compositietechnieken --- Composition (Musique) --- Philosophy. --- History and criticism. --- Philosophie. --- Histoire et critique.
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