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Religion --- Social sciences --- #FHUS: Bücher Allgemein --- Philosophy.
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1887 --- -Agriculture --- Bucher, Floyd Steinmetz, --- Lancaster County --- Pennsylvania
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Art --- drawings [visual works] --- video art --- fiber art --- latex [organic material] --- polyvinyl acetate --- Bucher, Heidi --- Sculpture, Swiss --- Video art --- Bucher, Heidi,
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Les répliques de biens de consommation que les artistes zurichois Peter Fischli et David Weiss se sont mis à exécuter dès 1991 oscillent entre une superficialité, dont Fredric Jameson a fait un trait définitoire du postmodernisme, et un épaississement matériel propre aux choses. Ces images d’artefacts, dont on ne peut attendre aucun des services que rendent leurs modèles, nous ramènent pourtant constamment à la lente fréquentation d’objets dans l’usage quotidien qui informe notre vie. S’attachant à examiner la place qu’elles occupent dans l’histoire de l’art contemporain et à décrire notamment la relation qu’elles entretiennent avec les productions artistiques, littéraires, théoriques des années 1960, ce livre est aussi bien une réflexion sur le temps, tel que les œuvres le construisent.
Art --- Peter Fischli --- David Weiss --- superficialité --- chose --- Postmodernisme --- intérieur --- image --- valeur d’usage --- simulacre --- Surrogate --- polyuréthane --- Fredric Jameson --- Roland Barthes --- Guy Debord --- Jean Baudrillard --- Jean Bazin --- Paul Thek --- Robert Watts --- Gabriel Orozco --- Rachel Whiteread --- Heidi Bucher --- Peter Fischli David Weiss --- superficiality --- thing --- Postmodernism --- interior --- value of use --- simulacrum --- polyurethane --- Peter Fischli David Weiss --- Objet --- Choses --- Superficialité --- Image --- Intérieur --- Jean Baudrillard --- Guy Debord --- Fredric Jameson
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History --- Art --- art history --- Benquet --- Tonny, Christians --- Lapicque, Charles --- Hugnet, Georges --- Léger, Fernand --- Brignoni, Serge --- Picabia, Francis --- Domela, César --- Déchelette, Louis --- Hekimi, Marthe --- Gischia, Léon --- Peterdi, Gabor --- Bazaine, Jean --- Baumeister, Willi --- Taeuber-Arp, Sophie Henriette Gertrud --- Vieira da Silva, Maria E. --- Dufy, Raoul --- Cossio, Francisco G. --- Hajdu, Etienne --- Vezelay, Paule --- Pignon, Henri --- Laurens, Henri --- Picasso, Pablo --- Gromaire, Marcel --- Vieillard, Roger --- Marcoussis, Louis --- Campigli, Massimo --- Tanguy, Yves --- Chareau, Pierre --- Freundlich, Otto --- Lurçat, Jean --- Braque, Georges --- Pagava, Vera --- Hugo, Jean --- Duchamp, Marcel --- Kandinsky, Vasili Vassileevich --- Storrs, John --- Wols --- Laglenne, Jean-Francis --- Gimel, Georges --- Man Ray --- Tschumi, Otto --- Gris, Juan --- Arp, Hans --- Varda --- Power, John W. --- Chareau, Dollie P. --- Chauvin, Jean --- Papazoff, G. --- Fontana, Lucio --- Langton, Ivy --- Lanskoy, André --- Hayter, Stanley W. --- Garcin, Laure --- Miró, Joan --- Schiess, Hans Rudolf --- Bucher, Jeanne --- Maar, Dora --- Vulliamy, Gerard --- Charchoune, Serge --- Kertész, André --- Vitullo, Sésostrice --- Torres Garcia, Joaquin --- Reichel, Hans --- Tobey, Mark --- Coutaud, Lucien --- Boumeester, Christine --- Chirico, de, Giorgio --- Giacometti, Alberto --- Rogi-André --- Ernst, Max --- Prinner, Anton --- Bellmer, Hans --- Mondriaan, Piet --- Szenes, Arpád --- Bauchant, André --- Lurçat, Rossane --- Staël, de, Nicolas --- Klee, Paul --- Masson, André --- Seligmann, Kurt --- Lipchitz, Jacques --- Eekman, Nico --- Pascin, Jules --- Galerie Jeanne Bucher [Paris] --- anno 1900-1999 --- anno 1940-1949 --- anno 1920-1929 --- anno 1930-1939 --- France --- Bucher, Jeanne, 1925-1946 --- Galerie Jeanne Bucher --- Expositions --- Histoire --- Bucher, Jeanne, --- Exhibitions --- Art dealers --- Art publishing --- Art, European --- Biography --- Exhibitions. --- Hayter, Stanley William --- Torres García, Joaquín --- Power, John Wardell --- Cossío Gutiérrez, Francesco --- Art dealers - France - Biography --- Art dealers - France - Paris --- Art publishing - France - Paris - History - 20th century --- Art, European - 20th century --- Benquet, Alphonse --- Kandinsky, Wassily
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Book history --- 094 <05> --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Tijdschriften --- Periodicals --- 094 <05> Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Tijdschriften --- Library and Information Sciences --- General and Others --- Books --- Printing --- Livres --- Édition --- Books. --- Printing. --- Boekwezen. --- Geschichte --- Buch --- Buch. --- History --- Histoire --- Buchwesen --- Bücher --- Druckwerk --- Literatur --- Landesgeschichte --- Regionalgeschichte --- Ortsgeschichte --- Zeitgeschichte --- Geschichtsphilosophie --- Vergangenheit --- Printing, Practical --- Typography --- Graphic arts --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Geschichte.
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"Metrics at Work examines how digital metrics and analytics are transforming work practices, professional cultures, and organizational structures in today's economy. The author focuses on journalism, a field that is undergoing massive transformations because of digital technologies. The book follows two news websites with high editorial ambitions, the Paris-based LaPlace and New York City-based TheNotebook, revealing many similarities within each company-their editorial goals, technological tools, and even office furniture among them-as they face growing pressure to attract more traffic and increase their clicks. But beyond these similarities, Metrics at Work uncovers a striking difference between these French and American news sites: the ways in which journalists understand and respond to the analytics. The author draws on four years of ethnographic fieldwork, including over one hundred interviews with American and French journalists, to examine this divergence. While the American journalists routinely disregarded traffic numbers and rely more on the opinion of their peers to define journalistic quality, the French journalists fixated on internet traffic and viewed the numbers as a signal of involvement in the public sphere. Christin offers a cultural explanation, arguing that the historical differences between the two journalistic traditions continue to structure the very different ways that journalists today make sense of audience measurements"--
Web usage mining in journalism --- Journalism --- Technological innovations --- Literature --- Publicity --- Fake news --- Writing (Authorship) --- #SBIB:309H1010 --- #SBIB:309H1720 --- #SBIB:303H14 --- Organisatorische aspecten van de media: algemene werken (incl. journalistiek) --- Informatiekunde, informatie management --- Methoden en technieken van de communicatiewetenschap --- Web usage mining in journalism - United States --- Web usage mining in journalism - France --- Journalism - Technological innovations - United States --- Journalism - Technological innovations - France --- Algorithmic Power and Politics. --- Automating the News. --- Caitlin Petre. --- Cathy O’Neil. --- Clayton Childress. --- Desperate Measures. --- Eugenia Mitchelstein. --- LaPlace. --- Nancy Baym. --- Nicholas Diakopoulos. --- Pablo Boczkowski. --- Playing to the Crowd. --- Taina Bucher. --- The News Gap. --- TheNotebook. --- Under the Cover. --- Weapons of Math Destruction. --- algorithmic publics. --- big data. --- circulation numbers. --- communications. --- critical algorithmic studies. --- critical data studies. --- divergence within convergence. --- economic sociology. --- media studies. --- online news. --- organizational studies. --- quantification. --- science and technology studies. --- sociology of work. --- traffic factories. --- web journalism.
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