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"Direct Cinema is the first comprehensive study of the seminal 'reactive observationalist ' movement of 1960s America. During a pivotal epoch in the history of American cultural expression, pioneers such as Robert Drew, D. A. Pennebaker and Frederick Wiseman used mobile cameras and synchronized sound to reveal the hidden side of their turbulent times - from behind-the-scenes footage of John F. Kennedy's presidential campaign in Primary (1960), through epic coverage of the legendary Woodstock festival (Woodstock, 1970), to the downtrodden and dispossessed subjects of Wiseman's 'reality fictions'. Outlining the methods and achievements of these filmmakers, who together created the notion of the 'fly on the wall' documentary, this volume suggests that direct cinema was not only closely attuned to the artistic and political revolutions of the 1960s, but also representative of a resurgence of the United States homegrown philosophical ideals."--BOOK JACKET.

History of civilization --- Film --- United States --- Cinéma vérité --- Documentary films --- Cinéma direct --- Documentaires --- Etats-Unis --- Social conditions --- Conditions sociales --- Motion pictures --- History. --- Political aspects. --- États-Unis --- film --- documentaires --- Verenigde Staten --- direct cinema --- politiek --- film en politiek --- sixties --- Wiseman Frederick --- Drew Robert --- Pennebaker Donn A. --- 791.43 --- Cinéma vérité --- Cinéma direct --- Pennebaker Donn A --- Political aspects --- United States of America --- Années 1960 --- Au cinéma --- Années 1960 --- États-Unis --- Au cinéma

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"In this collection, contributors employ diverse critical methods and perspectives to explore the role of music in American film and television of the 1950s and 1960s, as well as in films from more recent years that allude to, reflect back upon, or recreate those decades. Particular attention is given to uncovering how motion picture culture and its music treated anxieties about suburbanization, conformity, the family, and gender"--Provided by publisher. The most familiar entertainment icons and storylines from the 1950s and 60s remain potent signs that continue to resonate within contemporary American society and culture. Both the political Left and Right invoke the events and memories of those decades, celebrating or condemning the competing social forces embodied in and unleashed during those years. In recent decades, the entertainment industry has capitalized on this trend with films such as Pleasantville (1998), Far from Heaven (2002), The Hours (2002), Revolutionary Road (2008), and Julie & Julia (2009), and television shows such as Mad Men and Pan Am, all of which have looked back on the 1950s and 1960s with a mixture of nostalgia and criticism. Anxiety Muted: American Film Music in a Suburban Age explores the role of music in American film and television of the 1950s and 1960s, as well as in films from more recent years that reflect upon this period. Throughout the collection, authors use music as a means to interrogate film and television in order to explore how anxieties about issues of community, social codes, gender, family and suburbanization - all central concerns of the Fifties and Sixties - have been treated in motion picture media relating to those decades. These references function as signs of the social and political assumptions about the American past that foil contemporary self-understanding. By studying these musical materials through the lens of relevant writings of the 1950s, it demonstrates that specific television shows such as Leave It to Beaver - often seen as the epitome of Fifties naivety - offers a more nuanced vision of community and conformity than is usually recognized, revealing much about our own current social anxieties. By focusing on a common set of themes relevant to the time period, Anxiety Muted binds several strands of film studies into a cohesive and engaging introduction to the Fifties and Sixties, its visual media and its music. The book will be of interest to students and scholars of both film music and American music studies.

High Noon (Motion picture) --- Leave It to Beaver (Television program) --- Quo Vadis (Cinéma) --- Quo Vadis (Film) --- Quo Vadis (Motion picture) --- Sunset Boulevard (Motion picture) --- The Man Who Knew Too Much (Motion picture) --- The Prisoner (Television program) --- The Twilight Zone (TV-serie) --- The Twilight Zone (Television program) --- The twilight Zone (Série télévisée) --- Suburban life in popular culture --- Television music --- Motion picture music --- Vie de la banlieue dans la culture populaire --- Télévision, Musique de --- Film, Musique de --- History and criticism --- History and criticism. --- Histoire et critique --- Musique de film --- Musique de télévision --- Années 1950 --- Années 1960 --- Au cinéma --- À la télévision --- Télévision, Musique de --- United States --- Histoire et critique. --- Au cinéma. --- Musique de télévision --- Années 1950 --- Années 1960 --- Au cinéma. --- À la télévision