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Global Animation Theory offers detailed and diverse insights into the methodologies of contemporary animation studies, as well as the topics relevant for today's study of animation. The contact between practical and theoretical approaches to animation at Animafest Scanner, is closely connected to host of this event, the World Festival of Animated Film Animafest Zagreb. It has given way to academic writing that is very open to practical aspects of animation, with several contributors being established not only as animation scholars, but also as artists. This anthology presents, alongside an introduction by the editors and a preface by well known animation scholar Giannalberto Bendazzi, 15 selected essays from the first three Animafest Scanner editions. They explore various significant aspects of animation studies, some of them still unknown to the English speaking communities.

Animated films --- Animation (Cinematography) --- Animated films . --- Films d'animation. --- Animation (cinéma) --- Cinematography --- Animated television programs --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation cels --- Technique --- #SBIB:309H1326 --- #SBIB:309H1300 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Filmwezen: algemene werken --- Animation (cinéma)

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Cette étude approfondie vous dévoilera tout ce que vous avez toujours voulu savoir sur les grands spécialistes en animation du moment.Elle rassemble par ordre alphabétique environ 80 des artistes/studios du monde, en les assortissant d'exemples et de descriptions de leur travail, mais aussi de biographies, de filmographies, de listes de récompenses et d'informations de contact (liens internet, adresses mails et postales, contacts téléphoniques...etc).Vous trouverez également une présentation des meilleures écoles d'animation et, en prime, un DVD regroupant des extraits d'oeuvres, des "making of", des spots publicitaires, des bandes annonces et une sélection de courts métrages !

Animation 3d --- Animation artistique --- Film d'animation --- Animation (Cinematography) --- Animated films --- Animators --- Animated films. --- Animation (Cinéma) --- Dessins animés --- Animateurs --- Biography --- Biographie --- 799.91 --- adressen --- animatiefilm --- animators --- geschiedenis --- studio's --- 791.46 --- animatie --- eenentwintigste eeuw --- film --- naslagwerk --- twintigste eeuw --- Cartoon makers --- Cinematography --- Animated television programs --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation cels --- animatiefilm, geschiedenis --- Technique --- Animatietechnieken --- kortfilms --- reclamespots --- trailers --- Animatietechniek

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Drawing --- Film --- Animated films --- Dessins animés --- History and criticism. --- Histoire et critique --- 791.43-1 --- 791.43-252 --- -#SBIB:309H1326 --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation (Cinematography) --- Animation cels --- Filmkunst. Films. Cinema--?-1 --- Tekenfilms --- History and criticism --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- 791.43-252 Tekenfilms --- 791.43-1 Filmkunst. Films. Cinema--?-1 --- Dessins animés --- #SBIB:309H1326 --- FILMS D'ANIMATION --- HISTOIRE --- 1895-1945

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"Adaptation littéraire et courts métrages d'animation souhaite évoquer le flux, la perte, l'équilibre et le déséquilibre, en un mot une complexité, celle des rapports, des affinités électives, entre l'image mobile et le texte figé, sur un terrain mouvant où se rejoignent cinéma et littérature, et dont les méandres semblent avoir été bien traversés. Cet ouvrage, fruit d'une journée d'études (2017) et d'un colloque international (2018) tenus sous l'impulsion du CELEC de l'Université Jean Monnet Saint-Etienne et en collaboration avec le Festival Ciné Court Animé de Roanne, propose, à travers des approches à la fois divergentes et convergentes, d'explorer, de réexplorer les différents aspects des liens entre image et texte en se penchant spécifiquement sur le formidable espace ouvert par le court métrage d'animation."--Page 4 of cover.

Film adaptations --- Animated films --- Motion pictures and literature --- Short films --- History and criticism --- Short feature films --- Shorts (Motion pictures) --- Motion pictures --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Literature --- Motion picture adaptations --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Abstract films --- Animation (Cinematography) --- Animation cels --- Adaptations --- Films d'animation. --- Courts métrages. --- Cinéma et littérature. --- Animated films - History and criticism --- Film adaptations - History and criticism --- Short films - History and criticism --- Courts métrages. --- Cinéma et littérature.

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"Grave of the Fireflies (1988) is a Studio Ghibli masterpiece. Isao Takahata's portrait of two doomed orphans struggling under the firebombing of Japan is a deeply moving drama, which deftly weaves an intimate tragedy into the intricate moral tapestry of World War Two. The film's pioneering use of animation and nuanced treatment of its subject has earned it 'classic' status. Drawing on accounts by Ghibli staff members and untranslated Japanese sources, Alex Dudok de Wit describes the genesis of Grave of the Fireflies and profiles the key players involved in its making - including animation directors, background artists, colourists, voice actors and producers. He explains the influence of Akiyuki Nosaka's source novella and provides close readings of key scenes, spotlighting the film's sophisticated development of motifs, subtle evocation of ancient Japanese culture, and deployment of animation's language to tell a story that would have been ill-suited to live action. While Grave of the Fireflies has been widely interpreted as a anti-war film, Dudok de Wit argues that Takahata was more concerned about creating a complex portrayal of responsibility within Japanese society. His message to modern audiences was: communitarian values are still under pressure, even in peacetime, and must be upheld"--

#SBIB:309H1321 --- #SBIB:309H1327 --- #SBIB:309H520 --- Animated films --- J6848 --- 799.92 --- animatie --- animatiefilm --- Takahata, Isao --- oorlog --- oorlogsfilms --- regisseurs --- Filmregisseurs --- cineasten --- cinema --- Studio Ghibli --- Japan --- 799.97 --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation (Cinematography) --- Animation cels --- Films met een amusementsfunctie en/of esthetische functie: algemeen --- Films met een amusementsfunctie en/of esthetische functie: script --- Audiovisuele communicatie: algemene werken --- History and criticism --- Japan: Media arts and entertainment -- anime --- animatiefilm, productie (op naam) --- animatiefilm, productie (animators) --- Hotaru no haka (Motion picture) --- 火垂るの墓 (Motion picture) --- Grave of the fireflies (Motion picture) --- History and criticism.