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"Initiation à l'esthétique et à l'histoire du cinéma, à travers l'analyse systématique des procédés d'expression du langage filmique. Nouvelle édition : un classique qui résiste à l'usure du temps. Nouvelle édition, revue et augmentée en 1985, d’un ouvrage de référence depuis sa publication en 1955. Bilan de trente années de fréquentation des salles obscures, il fournit une initiation à l’esthétique du cinéma par l’analyse systématique de ses procédés d’expression."--

Motion pictures --- Cinéma --- Study and teaching --- Etude et enseignement --- Cinéma --- 798.3 --- film --- filmgeschiedenis --- filmtheorie --- filmkritiek --- cinema --- filmtaal --- Philosophy --- film, esthetiek en kritiek

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Documentary films --- Digital video. --- Documentaires --- Vidéo numérique --- History and criticism. --- Histoire et critique --- 798.3 --- 799.5 --- documentaires --- film --- non-fictie --- film, esthetiek en kritiek --- filmgenres en -motieven, documentaire films --- Vidéo numérique --- Digital video --- Digital motion video --- PC video --- Video, Digital --- Computer graphics --- Digital media --- Image processing --- Multimedia systems --- History and criticism --- Digital techniques

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This book revises our notions of film genre and connects the roles played by industry critics and audiences in making and re-making genre. Altman reveals the conflicting stakes for which the genre game has been played and recognises that the term genre has different meanings for different groups.

Film --- Rick Altman --- genre --- genres --- filmgenres --- genretheorie --- literatuurtheorie --- musicals --- westerns --- biopics --- Silver Joel --- Hollywood --- 791.41 --- Film genres --- Film genres. --- Genres cinématographiques --- Genres cinématographiques --- Altman, Rick --- filmgenre --- filmtechnieken --- #SBIB:309H1326 --- Genre films --- Genres, Film --- Motion picture genres --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Motion pictures --- Plots, themes, etc. --- #SBIB:033.AANKOOP --- Philosophie et cinéma --- Théorie du cinéma --- Films de série B --- Histoire et critique --- Genres cinématographiques. --- Philosophie et cinéma. --- Théorie du cinéma. --- Histoire et critique. --- 798.3 --- fifties --- film --- filmanalyse --- film, esthetiek en kritiek --- filmtheorie --- CDL

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"Proposing a radical vision of cinema's queer globalism, Karl Schoonover and Rosalind Galt explore how queer filmmaking intersects with international sexual cultures, geopolitics, and aesthetics to disrupt dominant modes of world making. Whether in its exploration of queer cinematic temporality, the paradox of the queer popular, or the deviant ecologies of the queer pastoral, Schoonover and Galt reimagine the scope of queer film studies. The authors move beyond the gay art cinema canon to consider a broad range of films from Chinese lesbian drama and Swedish genderqueer documentary to Bangladeshi melodrama and Bolivian activist video. Schoonover and Galt make a case for the centrality of queerness in cinema and trace how queer cinema circulates around the globe--institutionally via film festivals, online consumption, and human rights campaigns, but also affectively in the production of a queer sensorium. In this account, cinema creates a uniquely potent mode of queer worldliness, one that disrupts normative ways of being in the world and forges revised modes of belonging."--

Sociology of the family. Sociology of sexuality --- Film --- Homosexuality in motion pictures --- Homosexuality and motion pictures --- Motion pictures --- Mass media and gays --- Political aspects --- 798.3 --- film --- cinema --- LGBTQ+ (lesbian, gay, bisexual, transgender, queer and others) --- gender --- filmgeschiedenis --- filmtheorie --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Gays and mass media --- Gays --- Motion pictures and homosexuality --- film, esthetiek en kritiek --- History and criticism --- Homosexuality in motion pictures. --- Homosexuality and motion pictures. --- Political aspects. --- Transgender people in motion pictures. --- Motion pictures - Political aspects --- Mass media and gays - Political aspects --- Mass media and gay people

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Aimed at students and educators across all levels of Higher Education, this agenda-setting book defines what screen production research is and looks like--and by doing so celebrates creative practice as an important pursuit in the contemporary academic landscape. Drawing on the work of international experts as well as case studies from a range of forms and genres--including screenwriting, fiction filmmaking, documentary production and mobile media practice--the book is an essential guide for those interested in the rich relationship between theory and practice. It provides theories, models, tools and best practice examples that students and researchers can follow and expand upon in their own screen production projects--back cover.

Motion pictures --- Motion picture authorship. --- Creation (Literary, artistic, etc.) --- Authorship --- Production and direction. --- Research. --- Collaboration. --- Production and direction --- Study and teaching (Higher) --- Cinéma --- Production et réalisation. --- Motion picture authorship --- 798.3 --- film --- onderzoek --- geschiedenis --- cultuurgeschiedenis --- filmproductie --- scenario --- scenarioschrijven --- media --- etnografie --- cinematografie --- documentaires --- fotografie --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Collaboration in literature --- Collaborative authorship --- Joint authors --- Literary collaboration --- Artistic collaboration --- Copyright --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Film authorship --- Film scriptwriting --- Motion picture scriptwriting --- Motion picture writing --- Moving-picture authorship --- Screen writing --- Screenplay writing --- Screenwriting --- Scriptwriting, Film --- Scriptwriting, Motion picture --- Screenwriters --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Research --- Collaboration --- film, esthetiek en kritiek --- History and criticism --- Direction --- Play-writing --- Sociology—Research. --- Digital media. --- Documentary films. --- Film and TV Production. --- Research Methodology. --- Digital/New Media. --- Screenwriting. --- Documentary. --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- Electronic media --- New media (Digital media) --- Digital communications --- Online journalism --- Collective writing --- Cinéma --- Production et réalisation.