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Stone-carving --- -Stone sculpture --- Carving (Decorative arts) --- Stonework, Decorative --- Technique --- Stone sculpture --- Decoration and ornament, Architectural --- Sculpture --- Technique. --- Stone carving --- Sculpture en pierre --- Handbooks, manuals, etc. --- Guides, manuels, etc --- Stone-carving - Technique.
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The Circular Archetype in Microcosm is the culmination of seven years research into the Carved Stone Balls of Late Neolithic Scotland. It is the first study of these enigmatic artefacts since that undertaken by Dorothy Marshall in 1977 and includes all currently known examples in both museums and private hands, described and analysed in considerable detail. For the first time, visual geological characterisation has been undertaken on approximately a third of carved stone balls, which has enabled a more detailed analysis of their potential origin and the landscapes in which they were found. The book offers a revised classification/typology of these artefacts which, following careful analysis, suggests that it is possible to determine individual craftspeople with a wide range of skills. It suggests that carved stone balls were used as unique and distinctive gestalts that represented the ideology of the core area of Aberdeenshire and enabled disparate groups to recognise one another.
Stone carving --- Neolithic period --- History. --- Scotland --- Antiquities. --- Stone sculpture --- Stonework, Decorative --- Carving (Decorative arts) --- Decoration and ornament, Architectural --- Sculpture
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In this book, Julia Guernsey examines the relationship between human figuration, fragmentation, bodily divisibility, personhood, and community in ancient Mesoamerica. Contending that representation of the human body in the pre-classic period gradually became a privileged act, she argues that human figuration as well as the fragmentation of both human representations and human bodies reveals ancient conceptualizations of personhood and the relationship of individual to the community. Considering ceramic figurines and stone sculpture together with archaeological data, Guernsey weaves together evidence and ideas drawn from art history, archaeology, and anthropology to construct a rich, cultural history of Mesoamerican practices of figuration and fragmentation. A methodologically innovative study, her book has ramifications for scholars working in Mesoamerica and, more generally, those interested in the significance of human representation.
Human beings in art. --- Humans in art --- Figure sculpture --- Indian sculpture --- Indians of Central America --- Human figure in art --- Sculpture --- Indians of Mexico --- Stone-sculpture
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Architecture --- Church architecture --- Decoration and ornament, Architectural --- Limestone --- Relief (Sculpture), Ancient --- Architecture chrétienne --- Décoration et ornement architecturaux --- Calcaire --- Relief (Sculpture) antique --- Details --- Détails --- -Architecture, Ancient --- -Decoration and ornament, Architectural --- -Stone carving --- -Stone sculpture --- Stonework, Decorative --- Carving (Decorative arts) --- Sculpture --- Architectural decoration and ornament --- Architectural design --- Exterior walls --- Archaeology --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Themes, motives --- Decoration and ornament --- Design and construction --- -Themes, motives --- Architecture chrétienne --- Décoration et ornement architecturaux --- Détails --- Architecture, Ancient --- Stone carving --- Stone sculpture --- Architecture, Primitive
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The use of stone in vast quantities is a ubiquitous and defining feature of the material culture of the Roman world. In this volume, Russell provides a new and wide-ranging examination of the production, distribution, and use of carved stone objects throughout the Roman world, including how enormous quantities of high-quality white and polychrome marbles were moved all around the Mediterranean to meet the demand for exotic material.The long-distance supply of materials for artistic and architectural production, not to mention the trade in finished objects like statues and sarcophagi, is one of the most remarkable features of the Roman world. Despite this, it has never received much attention in mainstream economic studies. Focusing on the market for stone and its supply, the administration, distribution, and chronology of quarrying, and the practicalities of stone transport, Russell offers a detailed assessment of the Roman stone trade and how the relationship between producer and customer functioned even over considerable distances.
Stone industry and trade --- Stone --- Stone carving --- Pierre --- Sculpture en pierre --- History --- Transportation --- Industrie --- Histoire --- Transport --- Rome --- Economic conditions. --- Conditions économiques --- History. --- Conditions économiques --- Stone sculpture --- Stonework, Decorative --- Carving (Decorative arts) --- Decoration and ornament, Architectural --- Sculpture --- E-books --- Building materials industry
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Stone carving. --- Inscriptions, Latin. --- Lettering. --- Sculpture en pierre --- Inscriptions latines --- Lettrage --- Lettering --- Stone carving --- Inscriptions, Latin --- Stone sculpture --- Stonework, Decorative --- Carving (Decorative arts) --- Decoration and ornament, Architectural --- Sculpture --- Ornamental alphabets --- Decoration and ornament --- Mechanical drawing --- Painting, Industrial --- Alphabets --- Initials --- Sign painting --- Latin inscriptions --- Latin language --- Latin philology --- Manuscripts. Epigraphy. Paleography --- typografie
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The art history of South Asia covers a time span of roughly four and a half thousand years. During this period, a vast number of animal stone sculptures has been produced, ranging from the pre-historic period till today and covering a great variety of motifs and imagery in different regions and religious traditions. Even so, the number of studies devoted to these animal sculptures has remained extremely limited. The present book aims at filling this knowledge gap. With this richly illustrated book, the first of its kind, Van der Geer offers a comparative study of the ways in which various animals have been depicted and a lucid analysis of the sculptors’ treatment of their “models”: living animals. The art history of sculptured animals is contextualized with a description of the use of animals as can be read from ancient texts, archaeological evidence and contemporaneous culture. In doing so, parallels as well as differences in style or iconography are highlighted, elucidating the variety of animal depictions across regions, religious contexts and through time. The corpus of discussed material ranges from Indus seals, stupa panels and railings, monumental temples from North and South India, non-religious palace and fort architecture to loose sculptures in museum collections.
Animal sculpture --- Animals --- Stone carving --- Animal kingdom --- Beasts --- Fauna --- Native animals --- Native fauna --- Wild animals --- Wildlife --- Organisms --- Human-animal relationships --- Zoology --- Stone sculpture --- Stonework, Decorative --- Carving (Decorative arts) --- Decoration and ornament, Architectural --- Sculpture --- Animals in art --- Mythology --- Animal sculpture - India --- Stone carving - India --- Animals - India --- Animals - Mythology - India
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Erotic sculpture --- Sculpture, Romanesque --- Stone carving --- Church decoration and ornament --- Sculpture érotique --- Sculpture romane --- Sculpture en pierre --- Eglises --- Themes, motives --- Thèmes, motifs --- Décoration et ornement --- -Erotic sculpture, European --- -Sculpture, Romanesque --- -Stone carving --- -Christian art and symbolism --- -Sculpture, Medieval --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Stone sculpture --- Stonework, Decorative --- Carving (Decorative arts) --- Decoration and ornament, Architectural --- Sculpture --- Romanesque sculpture --- Sculpture, Medieval --- European erotic sculpture --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Christian art and symbolism --- -Themes, motives --- Sculpture érotique --- Thèmes, motifs --- Décoration et ornement --- -Stone sculpture --- Art, Christian --- Erotic sculpture, European
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Stone statues, indigenous to the early Turks, appeared in the vast territory of the Asian steppes, from Southern Siberia to Central Asia and across the foothills of the Ural Mountains. The custom originated among Cumans in Eastern Europe. The skill of erecting anthropomorphic stelae required proficiency in processing different kinds of stone and wood, and was characterized by artistic value of representations, as well as by the timeless aesthetics of the canon. The author presents the results of her formative studies into the collection of the Cuman sculptures of the Veliko-Anadol Forest Museum, Ukraine. The book delves into the history of research on Cuman stone stelae, resulting in great reading for all archeologists and historians alike.
Stele (Archaeology) --- Stone carving --- Kipchak (Turkic people) --- Visual Arts --- Art, Architecture & Applied Arts --- Sculpture --- Conservation and restoration --- Antiquities --- Coman (Turkic people) --- Cuman (Turkic people) --- Kipchak --- Kuman (Turkic people) --- Polovtsi (Turkic people) --- Polovtsy (Turkic people) --- Ethnology --- Turkic peoples --- Stone sculpture --- Stonework, Decorative --- Carving (Decorative arts) --- Decoration and ornament, Architectural --- Stela (Archaeology) --- Stelae (Archaeology) --- Stelai (Archaeology) --- Steles (Archaeology) --- Archaeology --- Menhirs --- Antiquities. --- Archeology. --- Cumans. --- Monumental Sculpture. --- Qipchak (Turkic people) --- Qipchaq (Turkic people)
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Catalogues d'expositions --- Kunstnijverheid --- Métiers d'art --- Tentoonstellingscatalogi --- Marble industry and trade --- Quarries and quarrying --- Quarries and quarrying, Prehistoric --- Sculpture --- Marbre --- Carrières (Exploitations minières) --- Carrières préhistoriques --- History --- Exhibitions --- Technique --- Industrie --- Histoire --- Expositions --- Stone implements --- Stone carving --- Antiquities --- Civilization, Ancient --- Stereotomie --- Archéologie --- Carrières (Exploitations minières) --- Carrières préhistoriques --- Flint implements --- Lithic implements --- Implements, utensils, etc. --- Debitage --- Stone sculpture --- Stonework, Decorative --- Carving (Decorative arts) --- Decoration and ornament, Architectural --- Ancient civilization --- Archaeological specimens --- Artefacts (Antiquities) --- Artifacts (Antiquities) --- Specimens, Archaeological --- Material culture --- Archaeology --- Stéréotomie --- Stone implements - Exhibitions --- Stone carving - Exhibitions --- Antiquities - Exhibitions --- Civilization, Ancient - Exhibitions --- CARRIERES (EXPLOITATIONS MINIERES) --- HISTOIRE --- EXPOSITIONS --- PIERRE --- TAILLE
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