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"At present, we are witnessing a significant transformation of established forms of spectatorship in theatre, performance art and beyond. In particular, immersive and participatory forms of theatre allow audiences and performers to interact in a shared performance space. Staging Spectators in Immersive Performances discusses forms and concepts of contemporary spectatorship and explores various modes of audience participation in theory as well as in practice. The volume also reflects on what new terms and methods must be developed in order to address the theoretical challenges of contemporary immersive performances. Split into three parts, Staging Spectators in Immersive Performances respectively focuses on various strategies for mobilising the audience; methodological questions for research on being a spectator in immersive and participatory forms of theatre; and thematising new modes of partaking and ways of spectating in contemporary art. Poignantly capturing experiences that can be viewed as manifestations of affective relationality in the strongest possible sense, this volume will appeal to students and researchers interested in fields such as Theatre and Performance Studies, Media Studies and Philosophy"--
Theatrical science --- performance art --- spectators [event observers] --- Participatory theater. --- Performance art. --- Spectators.
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Branding (Marketing) --- Consumer behavior --- Sports spectators --- Social aspects. --- Psychological aspects. --- Psychology. --- Spectators, Sports --- Sports --- Sports fans --- Audiences --- Fans (Persons) --- Behavior, Consumer --- Buyer behavior --- Decision making, Consumer --- Human behavior --- Consumer profiling --- Market surveys --- Brand name products --- Marketing --- Advertising --- Spectators
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Sports --- Social aspects. --- Sociological aspects --- Aspect social --- Aspect sociologique --- Sports spectators --- Social aspects --- Psychological aspects --- -Sports --- -Sports spectators --- #VCV monografie 1999 --- Spectators, Sports --- Sports fans --- Audiences --- Fans (Persons) --- Field sports --- Pastimes --- Recreations --- Recreation --- Athletics --- Games --- Outdoor life --- Physical education and training --- Spectators --- Motivation in sports --- Sport psychology --- Sports motivation --- Sports psychology --- Sports sciences --- Sports - Social aspects --- Sports - Psychological aspects --- Gestion. --- Société. --- Société.
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“Hautsch's book is a game-changer: her central idea of "critical closeness" ("a mode of reading and response that is deeply emotional, embodied, and communal") unites many previous strands of fan studies and, in its clear opposition to (male, white) literary-critical ideas of "critical distance," opens up new ways not only to think about fan works but about art in general. Drawing on cognitive psychology and performance studies, Mind, Body, and Emotion in the Reception and Creation Practices of Fan Communities unites two historically different theories of fanworks: one which sees them as a site of emotion and community, and one which sees them as critical responses to media culture. Hautsch undoes these facile oppositions and puts thinking back into the body, connecting fandom's emotional and analytical responses.” —Francesca Coppa, Professor of English and Film Studies, Muhlenberg College, Allentown, PA, USA This book argues that fans’ creative works form a cognitive system; fanfic, fanvids, and gifs are not simply evidence of thinking, but acts of thinking. Drawing on work in cognitive linguistics, neuroscience, cognitive philosophy, and psychology—particularly focused on 4-E cognition, which rejects Cartesian dualism–this project demonstrates that cognition is an embodied, emotional, and distributed act that emerges from fans’ interactions with media texts, technological interfaces, and fan collectives. This mode of textual engagement is deeply physical, emotional, and social and is enacted through fanworks. By developing a theory of critical closeness, this book proposes a methodology for fruitfully putting cognitive science in conversation with fan studies. Jessica Hautsch is an assistant professor in the Humanities Department at New York Institute of Technology. She earned her PhD from Stony Brook University, where she also taught as a lecturer with the Program in Writing and Rhetoric. Her work offers a phenomenological interrogation of fan communities, exploring how the cognitive humanities, performance studies, and fandom intersect. She is an avid fan of Buffy, Game of Thrones, D&D, and emo.
Audiences. --- Fan and Audience Studies. --- Audiences, Communication --- Communication audiences --- Communication --- Spectators --- Social aspects
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Violence in sports --- Sports spectators --- Sports --- Violence dans les sports --- Supporters --- Sports --- Sociological aspects --- Aspect sociologique
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Football hooliganism periodically generates widespread political and public anxiety. In spite of the efforts made and resources invested over the past decades, football hooliganism is still perceived by politicians, policymakers and media as a disturbing social problem. This highly readable book provides the first systematic and empirically grounded comparison of football hooliganism in different national and local contexts. Focused around the six Western European football clubs on which the author did his research, the book shows how different clubs experience and understand football hooliganism in different ways.
Soccer hooliganism. --- Soccer --- Soccer fans. --- Social aspects. --- Soccer spectators --- Sports spectators --- Society and soccer --- Soccer fans --- Hooliganism, Soccer --- Disorderly conduct --- Fans --- Social aspects --- Provincie West-Vlaanderen --- public administration --- bestuurskunde --- sociology --- sociologie
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In recent decades, art historians and critics have occasionally emphasized a dynamic, embodied mode of looking, accenting the role of the viewer and the complex interplay between beholders and works of art. In The Place of the Viewer , Kerr Houston shows that an attention to the position and physical experiences of beholders has in fact long informed art historical analyses – and that close study of the theme can lead to a fuller understanding of the discipline, the act of viewership and individual works of art. Simultaneously attentive to historical ideas and contemporary scholarship, this book identifies a vein of thought that has been generally overlooked, and proposes new ways of seeing familiar works and traditions.
Art --- Art criticism --- Psychology. --- History. --- Aesthetics of art --- art [fine art] --- art history --- viewpoint --- spectators [event observers] --- art [discipline]
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This book focuses on how rivalry influences fan perceptions and behaviors, the role of organizations to responsibly promote rivalries, and discusses how to decrease negative and group-member deviance surrounding sport rivalry. Rivalry is a phenomenon that helps organizations and participants increase their output while also engaging fans. The author argues that the goal of rivalry should be to increase engagement and interest in the product without stepping over a sometimes invisible line resulting in fan or group member negativity, deviance, and violence. Through the introduction of two scales that specifically measure how group members react to out-groups in the sport setting, this book offers scholars deeper insights into what rivalry means and how it can be used to responsibly promote the sport product. Cody T. Havard is Associate Professor of Sport Commerce and the Coordinator of Research in the Kemmons Wilson School of Hospitality and Resort Management at The University of Memphis, USA. He is the Director of the Bureau of Sport and Leisure Commerce and the KWS Coordinator of Research at The University of Memphis. Dr. Havard researches the rivalry phenomenon in and out of sport to better understand group member behavior.
Sports spectators --- Sports rivalries. --- Sports spectators. --- Spectators, Sports --- Sports --- Sports fans --- Audiences --- Fans (Persons) --- Rivalries, Sports --- Spectators --- Marketing. --- Management. --- Personnel management. --- Industries. --- Human Resource Management. --- Industrial production --- Industry --- Economics --- Corporations --- Employment management --- Human resource management --- Human resources management --- Manpower utilization --- Personnel administration --- Management --- Public administration --- Employees --- Employment practices liability insurance --- Supervision of employees --- Administration --- Industrial relations --- Organization --- Consumer goods --- Domestic marketing --- Retail marketing --- Retail trade --- Industrial management --- Aftermarkets --- Selling --- Personnel management --- Marketing --- Industries, Primitive
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Music appreciation --- Music --- Spectators --- Social aspects --- Social life and customs. --- Social conditions. --- Musique --- Salles de spectacle --- Représentations --- Publics --- Histoire.
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