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1789 a doré le citoyen d’un nouveau corps juridique, politique et social. Dans la littérature postrévolutionnaire, écrire le corps, c’est scruter les marques inscrites dans les chairs par la loi, les signes tracés par la société, les cicatrices laissées par l’Histoire. Les études réunies dans ce volume interrogent ces nouveaux paradigmes de la représentation littéraire du corps dans quatre perspectives : en premier lieu est explorée la signification politique qu’il prend chez Sade, Balzac ou dans le théâtre révolutionnaire ; est développée ensuite une analyse du difficile transfert du corps du roi, dégradé chez Michelet, au corps du peuple chez Dumas ou à celui d’un nouveau Christ chez les saint-simoniens ; en troisième lieu, l’interrogation porte sur les modalités de l’incarnation de l’Histoire chez les personnages de Chateaubriand, de Balzac ou de Barbey d’Aurevilly ; enfin est étudiée la relation entre corps et création, dans la poésie de Baudelaire ou dans l’écriture autobiographique de George Sand. Du théâtre comme espace où l’acteur incarne les rôles sociaux au roman où la corporéité ancre le personnage dans l’Histoire, ce volume montre comment la littérature du XIXe siècle a recouru au corps pour figurer les rapports, souvent conflictuels, de l’individu à la société, au politique et à l’Histoire.

Thematology --- French literature --- anno 1800-1899 --- Body, Human, in literature --- French literature - 19th century --- Body, Human, in literature - Congresses --- Literature, Romance --- histoire --- littérature --- littérature XIXe siècle --- société --- XIXe siècle --- french literature --- history --- nineteenth century --- literature --- society

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Human body --- Ethnology --- Mind and body --- Corps humain --- Anthropologie sociale et culturelle --- Esprit et corps --- Social aspects --- Aspect social --- Body, Human --- Body, Human (Philosophy) --- Body, Human, in literature. --- Social aspects. --- Human body in literature --- Human body (Philosophy) --- Body, Human, in literature --- Human figure in literature --- Philosophy --- Body [Human ] (Philosophy) --- History --- Sociologie du corps --- Corps (philosophie) --- Dans l'art --- Body, Human - Social aspects.

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Body [Human ] (Philosophy) --- Body [Human ] in literature --- Body [Human ]--Philosophy --- Corps humain dans la littérature --- Corps humain--Philosophie --- Lichaam [Menselijk ] (Filosofie) --- Lichaam [Menselijk ] in de literatuur --- Lichaam [Menselijk ]--Filosofie --- Menselijk lichaam (Filosofie) --- Menselijk lichaam in de literatuur --- Seksualiteit in de literatuur --- Sex in literature --- Sexe dans la littérature --- Body, Human, in literature. --- -Body, Human, in literature --- Body, Human, in literature --- Human figure in literature --- Marivaux, Pierre Carlet de Chamblain de --- Laclos, Choderlos de --- Human body in literature. --- Marivaux, Pierre Carlet de Chamblain de, --- French fiction --- Human body in literature --- History and criticism --- Diderot, Denis, --- Laclos, Choderlos de, --- Rousseau, Jean-Jacques, --- Hampton, Christopher, --- Thematology --- History and criticism. --- Human body (Philosophy) --- Corps humain dans la littérature --- Corps humain (Philosophie) --- Descartes, René --- 18th century --- French fiction - 18th century - History and criticism. --- Descartes, René, --- Laclos (pierre choderlos de), ecrivain francais, 1741-1803 --- LINGUISTIQUE --- PEIRCE (CHARLES SANDERS), PHILOSOPHE AMERICAIN, 1839-1914 --- SEMIOTIQUE --- CRITIQUE ET INTERPRETATION

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Human body in literature --- Human body --- Performing arts --- Corps humain dans la littérature --- Corps humain --- Arts du spectacle --- Symbolic aspects --- Psychological aspects --- Aspect symbolique --- Aspect psychologique --- 82.04 --- Body, Human --- -Body, Human, in literature --- -Show business --- Arts --- Performance art --- Body, Human, in literature --- Human figure in literature --- Human beings --- Body image --- Human anatomy --- Human physiology --- Mind and body --- Literaire thema's --- -Literaire thema's --- 82.04 Literaire thema's --- Show business --- Corps humain dans la littérature --- Symbolic aspects of the human body --- Symbolism

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The First World War ravaged the male body on an unprecedented scale, yet fostered moments of physical intimacy and tenderness among the soldiers in the trenches. Touch, the most elusive and private of the senses, became central to war experience. War writing is haunted by experiences of physical contact: from the muddy realities of the front to the emotional intensity of trench life, to the traumatic obsession with the wounded body in nurses' memoirs. Through extensive archival and historical research, analysing previously unknown letters and diaries alongside literary writings by figures such as Owen and Brittain, Santanu Das recovers the sensuous world of the First World War trenches and hospitals. This original and evocative study alters our understanding of the period as well as of the body at war, and illuminates the perilous intimacy between sense experience, emotion and language as we try to make meaning in times of crisis.

English literature --- World War, 1914-1918 --- Touch in literature. --- Intimacy (Psychology) in literature. --- Human body in literature --- Littérature anglaise --- Première guerre mondiale --- Toucher dans la littérature --- Intimité dans la littérature --- Corps humain dans la littérature --- History and criticism. --- Literature and the war. --- Histoire et critique --- Littérature et guerre --- Body, Human in literature. --- Human body in literature. --- English literature -- 20th century -- History and criticism. --- English literature. --- World War, 1914-1918 -- Literature and the war. --- World War, 1914-1918. --- Touch in literature --- Intimacy (Psychology) in literature --- English --- Languages & Literatures --- English Literature --- Body, Human, in literature --- Human figure in literature --- History and criticism --- Literature and the war