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Ladino literature --- Ladino philology --- Sephardim --- ספרדים (יהודים יוצאי ספרד) --- السفاراديم --- פילולוגיה לדינו --- ספרות לדינו
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Cabala --- Judaism --- Rabbinical literature --- ספרות רבנית --- أدب الحاخامات --- כתבי עת רבניים --- יהדות --- اليهوديّة --- קבלה --- القبلاة --- اليهودية
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Latin American literature --- Latin America --- Civilization --- ספרות אמריקנית לטינית --- אמריקה הלטינית --- أمريكا اللاتينيّة --- ציביליזציה --- الحضارة --- Arts and Humanities --- Literature --- أمريكا اللاتينية
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russian-israeli literature --- russian-jewish literature --- jewish culture --- "russian" israel --- russian jews --- russian aliyah --- Jewish literature --- Jews --- Hebrews --- Israelites --- Jewish people --- Jewry --- Judaic people --- Judaists --- Ethnology --- Religious adherents --- Semites --- Judaism --- Judaica --- Hebrew literature --- History and criticism --- Literature --- Jews. --- Jewish literature. --- Russia. --- Jewish question --- 1917 --- Rosja --- Rossīi͡ --- Rossīĭskai͡a Imperīi͡ --- Ṛusastan --- Russian Empire --- Russie --- Russland --- Rossīi︠a︡ --- Rossīĭskai︠a︡ Imperīi︠a︡ --- Russia --- Israeli literature (Russian) --- ספרות יהודית --- יהודים --- اليهود --- ספרות ישראלית (רוסית) --- Russian literature --- Israeli literature --- היסטוריה וביקורת
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The beginning of the 20th century saw literary scholars from Russia positing a new definition for the nature of literature. Within the framework of Russian formalism, the term "literariness" was coined. The driving force behind this theoretical inquiry was the desire to identify literature--and art in general--as ways of revitalizing human perception, which had been numbed by the automatization of everyday life. The transformative power of "literariness" is made manifest in many media artworks by renowned artists such as Chantal Akerman, Mona Hatoum, Gary Hill, Jenny Holzer, William Kentridge, Nalini Malani, Bruce Nauman, Martha Rosler, and Lawrence Weiner. The authors use literariness as a tool to analyze the aesthetics of spoken or written language within experimental film, video performance, moving image installations and other media-based art forms. This volume uses as its foundation the Russian formalist school of literary theory, with the goal of extending these theories to include contemporary concepts in film and media studies, such as neoformalism, intermediality, remediation, and post-drama.
Formalism (Literary analysis) --- Russian literature --- History and criticism. --- Formalism (Russian literature) --- Russian formalism (Literary analysis) --- Criticism --- LITERARY CRITICISM --- Language. --- Literature & literary studies. --- Media studies. --- SOCIAL SCIENCE / Media Studies --- Russian & Former Soviet Union. --- Media Art. --- literary approach. --- language. --- History and criticism --- פורמליזם (ניתוח ספרותי) --- ספרות רוסית --- היסטוריה וביקורת
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"Ancient Greek Myth in World Fiction since 1989 explores the diverse ways that contemporary world fiction has engaged with ancient Greek myth. Whether as a framing device, or a filter, or via resonances and parallels, Greek myth has proven fruitful for many writers of fiction since the end of the Cold War. This volume examines the varied ways that writers from around the world have turned to classical antiquity to articulate their own contemporary concerns. Featuring contributions by an international group of scholars from a number of disciplines, the volume offers a cutting-edge, interdisciplinary approach to contemporary literature from around the world. Analysing a range of significant authors and works, not usually brought together in one place, the book introduces readers to some less-familiar fiction, while demonstrating the central place that classical literature can claim in the global literary curriculum of the third millennium. The modern fiction covered is as varied as the acclaimed North American television series The Wire, contemporary Arab fiction, the Japanese novels of Haruki Murakami and the works of New Zealand's foremost Maori writer, Witi Ihimaera. This book explores the diverse ways that ancient Greek myth has been used in fiction internationally since 1989. Whether as a framing device, or a filter, or via resonances and parallels, Greek myth has proven fruitful for many writers of fiction since the end of the Cold War. Yet their engagement with it has been by no means homogeneous, and this volume examines the varied ways that writers from around the world have turned to classical antiquity to articulate their own contemporary concerns. While Greek myth and literature were key constituents in nineteenth-century realist and early twentieth-century modernist fiction, they faded in significance mid-century, at a time when V.S. Pritchett warned that the novel as a form would be inadequate to the cultural 'processing' of recent atrocities. However, the creative energies released by the end of the Cold War, the rise of the postcolonial novel, and the terrible recent conflicts in the Balkans, Iraq, Afghanistan, and Africa, which the collapse of the Soviet Union helped to engender, contributed to a remarkable renaissance of significant fiction which engaged once more with the Greeks. By drawing out this dimension, the volume challenges the conventional categorisation of works of fiction according to national tradition, even while the geographical range of the book includes works by Brazilian, French, German, Japanese, Indian, North American, Maori, African, Russian, Greek, Irish, and Arabic writers."--Bloomsbury Publishing Ancient Greek Myth in World Fiction since 1989 explores the diverse ways that contemporary world fiction has engaged with ancient Greek myth. Whether as a framing device, or a filter, or via resonances and parallels, Greek myth has proven fruitful for many writers of fiction since the end of the Cold War. This volume examines the varied ways that writers from around the world have turned to classical antiquity to articulate their own contemporary concerns. Featuring contributions by an international group of scholars from a number of disciplines, the volume offers a cutting-edge, interdisciplinary approach to contemporary literature from around the world. Analysing a range of significant authors and works, not usually brought together in one place, the book introduces readers to some less-familiar fiction, while demonstrating the central place that classical literature can claim in the global literary curriculum of the third millennium. The modern fiction covered is as varied as the acclaimed North American television series The Wire, contemporary Arab fiction, the Japanese novels of Haruki Murakami and the works of New Zealand's foremost Maori writer, Witi Ihimaera
Mythology, Greek, in literature. --- Literature, Modern --- Classical influences. --- Modern literature --- Arts, Modern --- Literature --- Mythology, Classical, in literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- ספרות מודרנית --- الأدب، الحديث --- השפעות קלסיות --- Classics --- Literary Studies --- Ancient Greek Myth --- Classical Literature --- Fiction
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Scattered throughout the Talmud, the founding document of rabbinic Judaism in late antiquity, can be found quite a few references to Jesus--and they're not flattering. In this lucid, richly detailed, and accessible book, Peter Schäfer examines how the rabbis of the Talmud read, understood, and used the New Testament Jesus narrative to assert, ultimately, Judaism's superiority over Christianity. The Talmudic stories make fun of Jesus' birth from a virgin, fervently contest his claim to be the Messiah and Son of God, and maintain that he was rightfully executed as a blasphemer and idolater. They subvert the Christian idea of Jesus' resurrection and insist he got the punishment he deserved in hell--and that a similar fate awaits his followers. Schäfer contends that these stories betray a remarkable familiarity with the Gospels--especially Matthew and John--and represent a deliberate and sophisticated anti-Christian polemic that parodies the New Testament narratives. He carefully distinguishes between Babylonian and Palestinian sources, arguing that the rabbis' proud and self-confident countermessage to that of the evangelists was possible only in the unique historical setting of Persian Babylonia, in a Jewish community that lived in relative freedom. The same could not be said of Roman and Byzantine Palestine, where the Christians aggressively consolidated their political power and the Jews therefore suffered. A departure from past scholarship, which has played down the stories as unreliable distortions of the historical Jesus, Jesus in the Talmud posits a much more deliberate agenda behind these narratives.
Jewish religion --- Jesus Christ --- Talmud --- Rabbinical literature --- Littérature rabbinique --- History and criticism. --- Histoire et critique --- Jewish interpretations. --- Bible. --- Criticism, interpretation, etc. --- Controversial literature --- 225*1 --- -Hebrew literature --- Jewish literature --- Leven van Jezus Christus in het Nieuwe Testament. Historische Jezus Christus --- -Christ --- Cristo --- Jezus Chrystus --- Jesus Cristo --- Jesus, --- Jezus --- Christ, Jesus --- Yeh-su --- Masīḥ --- Khristos --- Gesù --- Christo --- Yeshua --- Chrystus --- Gesú Cristo --- Ježíš --- Isa, --- Nabi Isa --- Isa Al-Masih --- Al-Masih, Isa --- Masih, Isa Al --- -Jesus, --- Jesucristo --- Yesu --- Yeh-su Chi-tu --- Iēsous --- Iēsous Christos --- Iēsous, --- Kʻristos --- Hisus Kʻristos --- Christos --- Jesuo --- Yeshuʻa ben Yosef --- Yeshua ben Yoseph --- Iisus --- Iisus Khristos --- Jeschua ben Joseph --- Ieso Kriʻste --- Yesus --- Kristus --- ישו --- ישו הנוצרי --- ישו הנצרי --- ישוע --- ישוע בן יוסף --- المسيح --- مسيح --- يسوع المسيح --- 耶稣 --- 耶稣基督 --- 예수그리스도 --- Jíizis --- Yéshoua --- Iėsu̇s --- Khrist Iėsu̇s --- عيسىٰ --- -Bible. --- Talmud Bavli --- Babylonian Talmud --- Talmud, Babylonian --- Talmud Vavilonskiĭ --- Talmoed, Babylonische --- Babylonische Talmoed --- Shas --- Shishah sedarim --- Talmud of Babylonia --- Talmud de Babilonia --- Talmud Babli --- Talmouth --- Talmod --- Ba-yon Tipan --- Bagong Tipan --- Jaji ma Hungi --- Kainē Diathēkē --- New Testament --- Nouveau Testament --- Novo Testamento --- Novum Testamentum --- Novyĭ Zavet --- Novyĭ Zavi︠e︡t Gospoda nashego Īisusa Khrista --- Novyĭ Zavit --- Nuevo Testamento --- Nuovo Testamento --- Nye Testamente --- Perjanjian Baru --- Dhamma sacʻ kyamʻʺ --- Injīl --- -History and criticism. --- -Leven van Jezus Christus in het Nieuwe Testament. Historische Jezus Christus --- -Jewish interpretations. --- 225*1 Leven van Jezus Christus in het Nieuwe Testament. Historische Jezus Christus --- -225*1 Leven van Jezus Christus in het Nieuwe Testament. Historische Jezus Christus --- Hebrew literature --- Littérature rabbinique --- Christ --- History and criticism --- عيسىٰ --- Jesus --- ספרות רבנית --- أدب الحاخامات --- היסטוריה וביקורת --- تاريخ ونقد --- ישו, --- פירושים יהודיים --- Interpretations, Jewish --- תלמוד בבלי --- التلمود البابلى --- Shas (Talmud) --- הברית החדשה --- ספרות פולמוסית
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