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Charlotte Turner Smith was born on 4th May 1749 in London. Her early years were dominated by her mother's early death and her father's reckless spending. At age 15 she married Benjamin Smith in order to rid her father of his gambling debts. Charlotte was later to write that she now become a "legal prostitute". Benjamin was violent, unfaithful, more reckless with monies than her father and completely unsupportive with her writing that she had begun to spend more time on. In 1766, Charlotte and Benjamin had the first of their twelve children. She helped with her Father in law's business and upon his death he left much to Charlotte and her children but this inheritance was tied up in legal wranglings that lasted for 40 years and became the inspiration for Dickens' central case in Bleak House. Her husband's spending landed him in prison and as was allowed at the time, Charlotte moved in to join him. It was here in 1784, that she wrote and published her first work, Elegiac Sonnets. It was an instant success, allowing Charlotte to pay for their release from prison and contributing to a revival of the sonnet. Charlotte moved to Chichester where she began to write novels believing she could earn more from their sale and rather unusually publishing all her work under her own name. Her first novel, Emmeline in 1788, was a success and in the next decade she wrote nine more. However, despite their initial success, her finances were a constant source of concern and she was often in debt being forced to move home frequently and impacting on declining health. By 1803, Smith was again poverty-stricken with severe gout which made writing painful and later almost paralysed her. On 23rd February 1806, Charlotte finally received some of the inheritance, but was too ill to do anything with it and died on October 28th 1806. William Wordsworth described her as a poet "to whom English verse is under greater obligations than are likely to be either acknowledged or remembered".

Diary fiction. --- Dagboksromans --- Diary novels --- Epistolary journals (Fiction) --- Fictional journals --- Journal novels --- Journals, Fictional --- Novel as diary --- Novel as journal --- Diaries --- Fiction

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Anthropology is one of the most challenging and rapidly expanding areas of human knowledge today. This Dictionary aims to be a useful guide to the subject for the student and interested layman as well as for the academic anthropologist. It is unique in the existing literature in providing in a single volume coverage of basic concepts, key theoretical issues and the work of some 250 British, American and European anthropologists. It covers the subject from the early ethnographers to the most recent research, offering clear definitions of such formidable topics as the work of Levi-Strauss or the influence of semiology. The 2000 entries are fully cross-referenced and are supplemented by an extensive bibliography. Aimed primarily at students, it should provide useful reference not only for anthropologists, but for students of related disciplines at a time when the academic reputation of the subject, and the need for historians, sociologists, political scientists among others to be familiar with its central concepts and thinkers has never been so great.

#SBIB:39A1 --- Antropologie: algemeen --- Anthropology --- Anthropologie --- Dictionaries. --- Dictionnaires --- Anthropologie culturelle. (Encyclopédie) --- Culturele antropologie. (Encyclopedie)

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Glauber Rocha is known as the visionary Brazilian director of landmark films, Black God, White Devil, Entranced Earth and Antonio das Mortes. Hitherto virtually unknown outside Brazil is that he was also a brilliant film critic and innovative thinker on world cinema. On Cinema brings together for the first time in the English language a comprehensive selection of Rocha's film writings, revealing for the first time to English-speaking readers the full critical power, inventiveness and vision of a great filmmaker. Rocha's writings, endowed with critical verve and humour, give insights into key moments of film history, as well as the politics of world cinema. Here he fearlessly confronts the film establishment and debates with a host of sacred filmmakers of the world pantheon. Included is Rocha's early criticism of Brazilian films, landmark manifestoes such as 'An Aesthetics of Hunger' and 'An Aesthetics of Dreams', articles about the development of Cinema Novo, and his international film criticism, including pieces on Charlie Chaplin, Orson Welles, James Dean, David Lean, John Huston, Stanley Kubrick, John Ford, Jean-Luc Godard, Pier Paolo Pasolini, Federico Fellini, Luis Bunuel, Luchino Visconti and Roberto Rossellini. The publication of On Cinema, edited by film scholar Ismail Xavier and in expert translation, is an international publishing event.

Motion pictures, Brazilian --- Motion pictures --- History and criticism. --- History. --- Rocha, Glauber. --- Cinéma brésilien --- Histoire et critique --- Rocha, Glauber --- History --- Histoire et critique. --- Cinéma brésilien