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Langverwachte monografie van videokunstenaar David Claerbout. In een gesprek met Jonathan Pouthier, filmcurator van het Musée National d’Art Moderne, Centre Pompidou (Parijs, Frankrijk), reflecteert videokunstenaar David Claerbout voor het eerst in de diepte over zijn werk van de afgelopen tien jaar in relatie tot actuele discussies over fotografie, film en het virtuele. The Silence of the Lens biedt een unieke inkijk in het maakproces van recente videowerken als The Close, Aircraft (F.A.L.), Wildfire (meditation on fire), The Confetti Piece en The Pure Necessity.

778.5.07 --- Claerbout, David °1969 (°Kortrijk, België) --- Belgische kunstenaars --- Videokunst ; video-installaties ; geanimeerde fotobeelden --- Digitale kunsten ; vrije --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- #SBIB:39A5 --- #SBIB:316.7C212 --- Kunst, habitat, materiële cultuur en ontspanning --- Cultuursociologie: film --- Art vidéo --- Art, Modern --- Video art. --- Art --- Art vidéo. --- video art. --- Video art --- Claerbout, David --- 1900-1999

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Michel Buylen (Ghent, °1953) is a multi-faceted and headstrong painter, who never ceases to astonish with both his amazing virtuosity and his new take on centuries-old subjects; such as the nude, the child, the landscape, the sea as an obligate abstraction and the portrait as compromise and confrontation. Michel Buylen is anything but a conventional artist. Aided by acrylic, he succeeds in re-translating life, in all its diversity and nuances, enriching it with his own vision. Each new work forms a window to a sublimated reality, sometimes poetic and moving, often distant and surprising. It is this combination of vulnerable beauty and mysterious estrangement that gives Buylen a unique place within Belgium's contemporary art scene. Since 1992 Michel Buylen has been represented by Galerie De Zwarte Panter, Antwerp, and is a Member of the Royal Flemish Academy of Belgium for Arts and Sciences, Class of the Arts.

Buylen, Michel --- Painting, Belgian --- Buylen, Michel, --- Painting [Belgian ] --- Realism in art --- Painting --- acrylic paintings [visual works] --- nudes [representations] --- vrouwenportretten --- landscapes [representations]

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A magnificent introduction to the Cobra art movement With French as its working language, Cobra was pretty much the last truly European movement within Modernism. The group’s anarchic story is not just an important strand in art history — it remains as lively as ever and has inspired all sorts of artists who were never directly involved with Cobra. The work bequeathed to us by Karel Appel, Pierre Alechinsky, Constant, Corneille and other kindred spirits is as fascinating as ever, both raw and confronting, poetic and moving. It is with the same spirit of artistic joyfulness and freedom that this book showcases the masterpieces of Cobra art belonging to The Phoebus Foundation.

Aesthetics of art --- Art --- collections [object groupings] --- art history --- CoBra --- Phoebus Foundation [Antwerp] --- Avant-garde (esthétique) --- Cobra (groupe d'artistes) --- Phoebus Foundation. --- Critique et interprétation. --- Collections d'art. --- Avant-garde (Aesthetics) --- Art, Modern --- Art, European --- Art, European. --- Art, Modern. --- Cobra (Association) --- 1900-1999