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Since Hesiod and throughout the history of Greek literature, idyllic places have often furnished the setting to poetical investitures and, more in general, to self-reflective moments in which authors question, correct, refound and even create literary genres. This is above all true for poetic genres, since several poets challenge the Hesiodic episode of Mount Helicon in order to define their own creations and produce their own manifestos, but it also applies to prose genres, starting at least with Plato’s Phaedrus, whose setting in the locus amoenus of the Ilissos River resonates in the works of several later writers. Joining the recent debate on the representation of space in ancient literature, this volume offers seven essays on the specific connection between the description of places and the renewal/foundation of Greek literary genres.
Greek literature --- Literary form --- Narration (Rhetoric) --- Littérature grecque --- Genres littéraires --- Narration --- History and criticism --- History --- Histoire et critique --- Congrès --- Histoire
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Neoplatonism --- Néo-platonisme --- Cicero, Marcus Tullius.
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The significance of Plato’s literary style to the content of his ideas is perhaps one of the central problems in the study of Plato and Ancient Philosophy as a whole. As Samuel Scolnicov points out in this collection, many other philosophers have employed literary techniques to express their ideas, just as many literary authors have exemplified philosophical ideas in their narratives, but for no other philosopher does the mode of expression play such a vital role in their thought as it does for Plato. And yet, even after two thousand years there is still no consensus about why Plato expresses his ideas in this distinctive style. Selected from the first Latin American Area meeting of the International Plato Society (www.platosociety.org) in Brazil in 2012, the following collection of essays presents some of the most recent scholarship from around the world on the wide range of issues related to Plato’s dialogue form. The essays can be divided into three categories. The first addresses general questions concerning Plato’s literary style. The second concerns the relation of his style to other genres and traditions in Ancient Greece. And the third examines Plato’s characters and his purpose in using them.
Plato --- Language, style. --- Dialog. --- Dialogue. --- Literarischer Stil. --- Plato. --- Platon. --- PHILOSOPHY / History & Surveys / Ancient & Classical. --- Platon --- Aflāṭūn --- Aplaton --- Bolatu --- Platonas --- Platone --- Po-la-tʻu --- Pʻŭllatʻo --- Pʻŭllatʻon --- Pʻuratʻon --- Πλάτων --- אפלטון --- פלאטא --- פלאטאן --- פלאטו --- أفلاطون --- 柏拉圖 --- 플라톤 --- Платон --- プラトン --- Characters.
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