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Video art --- Art vidéo --- Exhibitions. --- Expositions --- Hall, Doug, --- Exhibitions --- Hall, Doug --- Art vidéo
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Photography, Artistic --- Installations (Art) --- Photographie artistique --- Exhibitions. --- Expositions --- sculpting --- Postmodern --- hedendaagse kunst --- postmodernisme (kunst) --- photography [process] --- fotografie --- Contemporary [style of art] --- beeldhouwkunst --- Art
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Photography, Artistic --- Photographie artistique --- Exhibitions --- Expositions --- Boston (Mass.) --- Boston (Mass.) --- Description and travel --- Exhibitions. --- Descriptions et voyages --- Expositions
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Art, American --- Avant-garde (Aesthetics) --- Art américain --- Avant-garde (Esthétique) --- Themes, motives. --- History --- Themes, motives --- Thèmes, motifs --- Histoire --- Art américain --- Avant-garde (Esthétique) --- Thèmes, motifs
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Minimal sculpture --- Plaster sculpture --- Sculpture minimale --- Plâtres (Art) --- Exhibitions --- Exhibitions --- Expositions --- Expositions --- Whiteread, Rachel, --- Exhibitions.
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Video art --- Art vidéo --- Exhibitions --- Expositions --- Viola, Bill, --- Exhibitions.
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The development of photomontage technique during the early 1920s and 1930s in Germany, the Soviet Union, and the United States had a profound influence on contemporary art and mass media. Montage and Modern Life uncovers the roots of this complex relationship. Trought some of the most sophisticated and least cultivated examples of the art from, Montage and Modern Life demonstrates how a common set of social and cultural themes was broadly articulated, culminating in a new way of seeing that is the hallmark of our time.
fotomontages --- massacultuur --- Photomontage --- Années 1930 --- Ed. by Matthew Teitelbaum --- reclamefotografie --- Fotografie ; fotomontages ; 1919-1942 --- Steichen Edward --- Rodchenko Alexander --- Cunningham Imogen --- Graef Werner --- Sheeler Charles --- Heartfield John --- Brandt Marianne --- 77.05 --- 77.037 --- Fotografie ; technieken --- montage --- politiek --- propaganda --- geschiedenis --- Exhibitions --- Exhibitions. --- Abbott Berenice --- documentaire fotografie --- Duitsland --- Evans Walker --- fotografie --- fotomontage --- Höch Hannah --- Lissitzky El --- Schwitters Kurt --- Sovjet-Unie --- Stieglitz Alfred --- Verenigde Staten --- (069) --- 77.02 --- (Musea. Collecties) --- Photomontage - Exhibitions --- montage. --- fotomontages. --- politiek. --- propaganda. --- geschiedenis. --- massacultuur. --- Photographie --- Politique
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Bleckner, Ross ; Cemin, Saint Clair ; Ebner, Tim ; Finley, Karen ; Gober, Robert ; Halley, Peter ; Hatch, Connie ; Hsu, Tishan ; De Jong, Constance ; Kelley, Mike ; Koons, Jeff ; Labat, Tony ; Lemieux, Annette ; Oursler, Tony ; Prina, Stephen ; Prince, Richard ; Rollins, Tim & K.O.S. ; Simpson, Lorna ; Starn, Doug & Mike ; Steinbach, Haim ; Taaffe, Philip ; Vaisman, Meyer ; Webster, Meg ; Welling, James ; Wool, Christopher
History --- Art --- art history --- art [fine art] --- Starn Twins --- Halley, Peter --- Gober, Robert --- Cemin, Saint Clair --- Kelley, Mike --- Bleckner, Ross --- Steinbach, Haim --- Hsu, Tishan --- Simpson, Lorna --- Taaffe, Philip --- Prina, Stephen --- Prince, Richard --- Finley, Karen --- De Jong, Constance --- Webster, Meg --- Vaisman, Meyer --- Hatch, Connie --- Lemieux, Annette --- Wool, Christopher --- Oursler, Tony --- Labat, Tony --- Ebner, Tim --- Welling, James --- McGough, Peter --- Rollins, Tim --- Koons, Jeff --- McDermott, David --- anno 1900-1999 --- anno 1980-1989 --- United States --- Art, American --- Art américain --- Exhibitions. --- Expositions --- jaren 80 --- Amerika --- Duitsland --- Art, Modern --- Kunst --- twintigste eeuw --- Verenigde Staten --- Bleckner Ross --- Cemin Saint Clair --- DeJong Constance --- Ebner Tim --- Finley Karen --- Gober Robert --- Halley Peter --- Hatch Connie --- Hsu Tishan --- Kelley Mike --- Koons Jeff --- Labat Tony --- Lemieux Annette --- McDermott David --- McGough Peter --- Oursler Tony --- Prina Stephen --- Prince Richard --- Tollins Tim --- Simpson Lorna --- Starn Doug --- Starn Mike --- Steinbach Haim --- Taaffe Philip --- Vaisman Meyer --- Webster Meg --- Welling James --- Wool Christopher --- 7.038 --- Art américain --- Jong, de, Constance --- art [discipline] --- United States of America
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Balkenhol, Stephan ; Bauch, Michael ; Blum, Heiner ; Büttner, Werner ; Emigholz, Heinz ; Ettl, Georg ; Fritsch, Katharina ; Gerdes, Ludger ; Herold, Georg ; Horndash, Ulrich ; Huber, Felix Stephan ; Huber, Thomas ; Hütte, Axel ; Immendorff, Jörg ; K., Bruno ; Kasseböhmer, Axel ; Klingelhöller, Harald ; Knoebel, Imi ; Merkel, Klaus ; Merz, Gerhard ; Mucha, Reinhard ; Oehlen, Albert ; van Ofen, Michael ; Ruff, Thomas ; Slominski, Andreas ; Stumpf, Manfred ; Trockel, Rosemarie
Art --- art [fine art] --- Merkel, Klaus --- Huber, Thomas --- Herold, Georg --- Slominski, Andreas --- Stumpf, Manfred --- Gerdes, Ludger --- Ruff, Thomas --- Knoebel, Imi --- Hütte, Axel --- Kasseböhmer, Axel --- Blum, Heiner --- Bruno K. --- Mucha, Reinhard --- Horndash, Ulrich --- Emigholz, Heinz --- Oehlen, Andreas --- Balkenhol, Stephan --- von Ofen, Michael --- Bauch, Michael --- Ettl, Georg --- Huber, Stephan --- Klingelhöller, Harold --- Merz, Gerhard --- Fritsch, Katharina --- Trockel, Rosemarie --- Büttner, Werner --- anno 1900-1999 --- Germany --- Art, German --- Art allemand --- Exhibitions. --- Expositions --- Amerika --- Duitsland --- -German art --- Fels (Group of artists) --- Gruppe 1950 (Group of artists) --- HobbypopMUSEUM (Group of artists) --- Kooperative Kunst (Group of artists) --- Kugel (Group of artists) --- Lücke (Group of artists) --- -Art, German --- kunstgeschiedenis --- art history --- United States --- 7.038(430) --- Kunstgeschiedenis ; 1950 - 2000 ; Duitsland --- Exhibitions --- Beeldende kunst ; Duitsland ; 2de helft 20ste eeuw --- Ofen, von, Michael --- Oehlen, Albert --- anno 1980-1989 --- Art, German - Germany (West) - 20th century - Exhibitions --- art [discipline]
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"The first major monograph on Simone Leigh's multimedia explorations of community, Black feminism and the traditions and material cultures of the African diaspora. Over the past two decades, Simone Leigh has created artwork that situates questions of Black femme-identified subjectivity at the center of contemporary art discourse. Her sculpture, video, installation and social practice explore ideas of race, beauty and community in visual and material culture. Leigh's art addresses a wide swath of historical periods, geographies and traditions, with specific references to materials across the African diaspora, as well as forms traditionally associated with African art and architecture. This publication includes substantial new scholarship addressing Leigh's work across mediums and topics. The volume, timed with a major exhibition and national tour of the artist's work, includes contributions by her longtime collaborators, new scholars who add diverse insights and perspectives, and a conversation highlighting Leigh's voice. Additionally, generous and lushly illustrated plates feature her critically acclaimed work for the 59th Venice Biennale and works made throughout her 20-year career. A special section featuring Leigh's research images gives access to Leigh's research methodologies and encourages readers to fully engage with all aspects of Leigh's work. This monograph provides a timely opportunity to gain a holistic understanding of the complex and profoundly moving work of this groundbreaking artist."
Leigh, Simone --- Criticism and interpretation. --- African American sculptors --- African American sculpture --- African American women artists --- African American artists --- Art, American --- Art, Modern --- Artists --- Sculpture, American --- Sculpture, Modern --- Sculpteurs noirs américains --- Sculpture noire américaine --- Femmes artistes noires américaines --- Artistes noirs américains --- Art américain --- Art --- Artistes --- Sculpture américaine --- Sculpture --- ART / General. --- 2000-2099 --- United States --- African American
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