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This is a systematic study of the conceptual framework used by critics and scholars in their discussions of influence in art and literature. Göran Hermerén explores the key questions raised in scholarly debate on the topic: What is meant by "influence"? What methods can be used to settle disagreements about influence? What reasons could be used to support or reject statements about artistic and literary influence? The book is based on descriptive analyses in which the author has tried to make explicit what is said or implied in a number of "ations from scholarly writings on art and literature. Throughout, the emphasis is on clarifying the assumptions on which the use of the concept of influence is based, thus describing the limitations and merits of this kind of comparative research for critics and scholars.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Judgment (Aesthetics) --- Influence littéraire, artistique, etc. --- Jugement (Esthétique) --- Influence (Literary, artistic, etc) --- -Themes, motives. --- Judgment (Aesthetics). --- Influence littéraire, artistique, etc. --- Jugement (Esthétique) --- Art --- Influence (Literary, artistic, etc.) --- Literature --- -Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Belles-lettres --- Western literature (Western countries) --- World literature --- Themes, motives. --- Philosophy --- Subjects --- Comparative literature --- Littérature --- Themes, motives --- Thèmes, motifs --- Philosophie --- Aesthetics --- Artistic impact --- Influence (Psychology) --- Intermediality --- Intertextuality --- Originality in literature --- Literature and philosophy --- Philosophy and literature --- Theory --- Influence (Literary, artistic, etc.). --- Philosophy. --- Art - Themes, motives --- Literature - Philosophy --- Adjective. --- Aesthetic Theory. --- Aesthetics. --- Allegory. --- Allusion. --- Anachronism. --- Ancient art. --- Anecdote. --- Antithesis. --- Art criticism. --- Art history. --- Artistic merit. --- Baroque painting. --- Caravaggio. --- Carolingian art. --- Causality. --- Cliché. --- Clinamen. --- Close reading. --- Comparative literature. --- Comparative method (linguistics). --- Contemporary art. --- Contemporary philosophy. --- Counterfactual conditional. --- Criticism. --- Cubism. --- D. H. Lawrence. --- Deed. --- Digression. --- Drapery. --- Engraving. --- Epic poetry. --- Explanation. --- Ezra Pound. --- Fine art. --- Florentine painting. --- Forgery. --- French literature. --- Genre. --- Human Action. --- Humanities. --- Iconography. --- Ideogrammic method. --- Ideology. --- Illocutionary act. --- Illusionism (art). --- Illustration. --- Illustrator. --- Imagery. --- Indian aesthetics. --- Individualism. --- Invention. --- Japanese art. --- Journalism. --- Languages of Art. --- Las Meninas. --- Literary genre. --- Literature. --- Marcel Duchamp. --- Metaphor. --- Monograph. --- Mural. --- Mutatis mutandis. --- Narrative. --- Oil sketch. --- Ontology. --- Originality. --- Overreaction. --- Pablo Picasso. --- Paul Gauguin. --- Perlocutionary act. --- Philosopher. --- Philosophy of history. --- Philosophy of language. --- Plagiarism. --- Poetry. --- Publication. --- Publishing. --- Rapprochement. --- Requirement. --- Result. --- Romanticism. --- Secondary source. --- Speech act. --- Still life. --- Stipulation. --- Stipulative definition. --- Suggestion. --- Symbolism (arts). --- The Conceptual Framework. --- Theory of art. --- Theory. --- Thought. --- Titian. --- Treatise. --- Value judgment. --- Visual arts. --- Work of art. --- Writer. --- Writing.

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This text presents the results of two European/American preparatory workshops for the First World Conference on Ethics Codes in Medicine and Biotechnology. Its aim is to stimulate research about codes and the effects of codification and other forms of implementing ethics. It emphasizes the need for a complete collection of codes for systematic research and evaluation. The topics covered in the text include ethics in transplantation medicine, ethics teaching in medical education, euthanasia, codes of ethics, moral values and legal norms in different contexts, ethical codes and guidelines in psychiatry, predictive genetics, use of the Hippocratic oath, cloning, medical experiments in Nazi concentration camps, the Nuremburg Code and the Genome Project.

Medical ethics. --- Medicine --- Medicine, Experimental --- Ethique médicale --- Médecine --- Médecine expérimentale --- Research --- Moral and ethical aspects. --- Moral and ethical aspects --- Recherche --- Aspect moral --- #GBIB:CBMER --- bio-ethiek (medische, biomedische ethiek, bio-ethische aspecten) --- bioéthique (éthique médicale, biomédicale, aspects bioéthiques) --- Ethique médicale --- Médecine --- Médecine expérimentale --- Medical ethics --- Clinical sciences --- Medical profession --- Human biology --- Life sciences --- Medical sciences --- Pathology --- Physicians --- Biomedical ethics --- Clinical ethics --- Ethics, Medical --- Health care ethics --- Medical care --- Bioethics --- Professional ethics --- Nursing ethics --- Social medicine --- Research&delete& --- Health Workforce