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Handel, George Frideric, --- Handel, George Frideric --- Haendel, Georges-Frédéric, --- Gendelʹ, Georg Fridrikh, --- Khendel, G. F. --- Khendel, Georg Fridrikh, --- Händel, Georg Friedrich, --- Handel, G. F. --- Haendel, G. F. --- Haendel, Georg Friedrich, --- Gendelʹ, G. F. --- Handel, Geʼorg-Fridrikh, --- Hendelis, G. F., --- Henderu, Georuku Furīdorihhi, --- Haendel, George Frideric, --- Handel, George Frederick, --- Hendel, George Frideric, --- Handel, George Fredrick, --- הנדל, --- Handel, F. G., --- Criticism and interpretation. --- Criticism and interpretation --- Critique et interprétation --- 78.21.1 Handel --- Händel, G. F. --- Haendel, Georg Friedrich --- Händel, Georg Frideric --- Handel, George Frideric, - 1685-1759 - Criticism and interpretation --- Händel --- Handel, George Frideric, - 1685-1759
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Handel is one of the most remarkable figures in the history of western music. His compositions form one of the peaks of creative achievement in the Baroque period, and cover a remarkable range: full-scale Italian operas and English oratorios (including Messiah), but also shorter works such as the Water Music and the Coronation Anthem Zadok the Priest. His compositional processes were often complex, but could result in accessible and memorable 'hit tunes', such as the aria that subsequently became famous as 'Handel's Largo'.His life and career were as remarkable as his music. Born in Germany to
Composers --- Compositeurs --- Biography. --- Biographies --- Handel, George Frideric, --- Händel, G. F. --- Haendel, Georg Friedrich --- Händel, Georg Frideric --- Haendel, Georges-Frédéric, --- Gendelʹ, Georg Fridrikh, --- Khendel, G. F. --- Khendel, Georg Fridrikh, --- Händel, Georg Friedrich, --- Handel, G. F. --- Haendel, G. F. --- Haendel, Georg Friedrich, --- Gendelʹ, G. F. --- Handel, Geʼorg-Fridrikh, --- Hendelis, G. F., --- Henderu, Georuku Furīdorihhi, --- Haendel, George Frideric, --- Handel, George Frederick, --- Hendel, George Frideric, --- Handel, George Fredrick, --- הנדל, --- Handel, F. G., --- Händel
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Church music --- Musique d'église --- Handel, George Frideric, --- Relations with kings and rulers. --- England and Wales.
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The life and career of George Frideric Handel, one of the most frequently performed composers from the Baroque period, are copiously and intricately documented through a huge variety of contemporary sources. This major multi-volume publication is the most up-to-date and comprehensive collection of these documents. Presented chronologically in their original languages with English translations and with commentaries incorporating the results of recent research, the documents provide an essential and accessible resource for anyone interested in Handel and his music. In charting his activities in Germany, Italy and Britain, the documents also offer a valuable insight into broader eighteenth-century topics, such as court life, theatrical history, public concerts and competition between music publishers. This volume covers the period of Handel's London opera career during which he achieved gradual independence from the Royal Academy opera company, but also introduced English theatre oratorios and wrote the music for the 1727 coronation.
Handel, George Frideric, --- Composers --- Music --- Opera --- Compositeurs --- Musique --- Opéra --- History --- Sources --- History and criticism --- Sources. --- Histoire --- Histoire et critique --- Criticism and interpretation. --- Händel, G. F. --- Haendel, Georg Friedrich --- Händel, Georg Frideric --- Haendel, Georges-Frédéric, --- Gendelʹ, Georg Fridrikh, --- Khendel, G. F. --- Khendel, Georg Fridrikh, --- Händel, Georg Friedrich, --- Handel, G. F. --- Haendel, G. F. --- Haendel, Georg Friedrich, --- Gendelʹ, G. F. --- Handel, Geʼorg-Fridrikh, --- Hendelis, G. F., --- Henderu, Georuku Furīdorihhi, --- Haendel, George Frideric, --- Handel, George Frederick, --- Hendel, George Frideric, --- Handel, George Fredrick, --- הנדל, --- Handel, F. G., --- Appreciation. --- Public opinion. --- Händel
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Caroline of Ansbach (1683?1737), Augusta of Saxe-Gotha (1719?1772), and Charlotte of Mecklenberg-Strelitz (1744?1818) were three German princesses who became Queens Consort?or, in the case of Augusta, Queen in Waiting, Regent, and Princess Dowager?of Great Britain, and were linked by their early years at European princely courts, their curiosity, aspirations, and an investment in Enlightenment thought. This sumptuously illustrated book considers the ways these powerful, intelligent women left enduring marks on British culture through a wide range of activities: the promotion of the court as a dynamic forum of the Hanoverian regime; the enrichment of the royal collection of art; the advancement of science and industry; and the creation of gardens and menageries. Objects included range from spectacular state portraits to pedagogical toys to plant and animal specimens, and reveal how the new and novel intermingled with the traditional.
Arts, British --- Science --- Arts britanniques --- Sciences --- History --- Histoire --- Caroline, --- Augusta, --- Charlotte, --- Art patronage. --- Art patronage --- Great Britain --- Grande-Bretagne --- Intellectual life --- Vie intellectuelle --- princesses --- Art --- patronage --- British [modern] --- Caroline [Queen] --- Augusta [Princess of Wales] --- Charlotte of Mecklenburg-Strelitz [Queen of Great-Britain and Ireland] --- anno 1700-1799 --- Caroline [Queen of Great Britain] --- Charlotte of Mecklenburg-Strelitz [Queen of the United Kingdom of Great Britain and Ireland]
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