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Iconography --- Art --- Communicatie --- Communication --- Kunst --- #SBIB:309H500 --- #SBIB:309H520 --- #gsdbA --- Arts --- -Creation (Literary, artistic, etc.) --- Creative ability in art --- Creative ability in literature --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- De theoretische benadering van code en boodschap: algemene werken --- Audiovisuele communicatie: algemene werken --- Themes, motives --- Creation (Literary, artistic, etc.) --- Themes, motives. --- Creation (Literary, artistic, etc.). --- 7.01 --- CDL
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Psychological study of literature --- Psychology --- Creation (Literary, artistic, etc) --- Psychology and literature --- Psycholinguistics --- 159.954 --- 82:159.9 --- Creation (Literary, artistic, etc.) --- Literature and psychology --- Literature --- Language, Psychology of --- Language and languages --- Psychology of language --- Speech --- Linguistics --- Thought and thinking --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Creative ability --- Originality --- Verbeelding. Fantasie. Creativiteit --- Literatuur en psychologie. Literatuur en psychoanalyse --- Psychological aspects --- Lerarenopleiding --- algemeen --- Creation (Literary, artistic, etc.). --- Psycholinguistics. --- Psychology and literature. --- algemeen. --- 82:159.9 Literatuur en psychologie. Literatuur en psychoanalyse --- 159.954 Verbeelding. Fantasie. Creativiteit --- Psychologie. --- Psychologische literatuurstudie.
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Virtual reality --- Shared virtual environments --- Three-dimensional imaging --- Creation (Literary, artistic, etc.) --- Shared virtual environments. --- Three-dimensional imaging. --- Virtual reality. --- Art and design --- Environments, Virtual --- Virtual environments --- Virtual worlds --- 3-D imaging --- 3D imaging --- Three-dimensional imaging systems --- Three-dimensional imaging techniques --- Three-dimensional visualization --- Visualization, Three-dimensional --- Immersive virtual environments --- IVEs (Immersive virtual environments) --- Multi-user distributed virtual environments --- Multi-user virtual environments --- MUVEs (Multi-user virtual environments) --- Shared VEs (Shared virtual environments) --- SVEs (Shared virtual environments) --- Creative ability in art --- Creative ability in literature --- Computer simulation --- Reality --- Imaging systems --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Computer. Automation --- creativiteit --- Arts & Entertainment (General) --- Réalité virtuelle --- Environnements virtuels partagés --- Imagerie tridimensionnelle
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Virtual reality --- Shared virtual environments --- Three-dimensional imaging --- Creation (Literary, artistic, etc.) --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- 3-D imaging --- 3D imaging --- Three-dimensional imaging systems --- Three-dimensional imaging techniques --- Three-dimensional visualization --- Visualization, Three-dimensional --- Imaging systems --- Immersive virtual environments --- IVEs (Immersive virtual environments) --- Multi-user distributed virtual environments --- Multi-user virtual environments --- MUVEs (Multi-user virtual environments) --- Shared VEs (Shared virtual environments) --- SVEs (Shared virtual environments) --- Environments, Virtual --- Virtual environments --- Virtual worlds --- Computer simulation --- Reality --- Shared virtual environments. --- Three-dimensional imaging. --- Virtual reality. --- Computer. Automation --- creativiteit
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Buildings, although inanimate, are often assumed to have "life." And the architect, through the act of design, is assumed to be their conceiver and creator. But what of the "death" of buildings? What of the decay, deterioration, and destruction to which they are inevitably subject? And what might such endings mean for architecture's sense of itself? In Buildings Must Die, Stephen Cairns and Jane Jacobs look awry at core architectural concerns. They examine spalling concrete and creeping rust, contemplate ruins old and new, and pick through the rubble of earthquake-shattered churches, imploded housing projects, and demolished Brutalist office buildings. Their investigation of the death of buildings reorders architectural notions of creativity, reshapes architecture's preoccupation with good form, loosens its vanities of durability, and expands its sense of value. It does so not to kill off architecture as we know it, but to rethink its agency and its capacity to make worlds differently. Cairns and Jacobs offer an original contemplation of architecture that draws on theories of waste and value. Their richly illustrated case studies of building "deaths" include the planned and the unintended, the lamented and the celebrated. They take us from Moline to Christchurch, from London to Bangkok, from Tokyo to Paris. And they feature the work of such architects as Eero Saarinen, Carlo Scarpa, Cedric Price, Arata Isozaki, Rem Koolhaas and François Roche. Buildings Must Die is both a memento mori for architecture and a call to to reimagine the design values that lay at the heart of its creative purpose.
architectuur --- architecture [discipline] --- Architecture --- Building materials --- Creation (Literary, artistic, etc.) --- Construction --- Création (Arts) --- Philosophy --- Deterioration --- Social aspects. --- Philosophie --- Matériaux --- Détérioration --- Aspect social --- Architecture. --- 72.01 --- Verval --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Architectural materials --- Building --- Building supplies --- Buildings --- Construction materials --- Structural materials --- Materials --- Architecture, Western (Western countries) --- Building design --- Western architecture (Western countries) --- Deterioration. --- Architectuur (theorie) --- Architectuurtheorie --- Design and construction --- Création (Arts) --- Matériaux --- Détérioration --- Constructions --- Création (esthétique) --- Effets des agents atmosphériques --- Social aspects --- Aspect social. --- Détérioration. --- Philosophie. --- Effets des agents atmosphériques. --- Architecture, Primitive --- Building materials - Deterioration --- Creation (Literary, artistic, etc.) - Social aspects --- Ruine --- Destruction de site --- Création --- Bouwmaterialen; afbraakmaterialen ; recyclagematerialen ; hergebruik --- Architectonisch erfgoed ; Europa ; conservatie ; geschiedenis --- Architectuur ; Europa ; oude gebouwen ; hergebruik --- Destructie - constructie --- Vervallen gebouwen en sites --- Levensduur van bouwwerken --- 72.025.4 --- Architectuur ; renovatie, restauratie, vernieuwing --- Architectuur ; theorie, filosofie, esthetica --- Création (esthétique) --- Effets des agents atmosphériques --- Détérioration.
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Making creates knowledge, builds environments and transforms lives. Anthropology, archaeology, art and architecture are all ways of making, and all are dedicated to exploring the conditions and potentials of human life. In this exciting book, Tim Ingold ties the four disciplines together in a way that has never been attempted before. In a radical departure from conventional studies that treat art and architecture as compendia of objects for analysis, Ingold proposes an anthropology and archaeology not of but with art and architecture. He advocates a way of thinking through making in which sentient practitioners and active materials continually answer to, or ‘correspond’, with one another in the generation of form. Making offers a series of profound reflections on what it means to create things, on materials and form, the meaning of design, landscape perception, animate life, personal knowledge and the work of the hand. It draws on examples and experiments ranging from prehistoric stone tool-making to the building of medieval cathedrals, from round mounds to monuments, from flying kites to winding string, from drawing to writing. The book will appeal to students and practitioners alike, with interests in social and cultural anthropology, archaeology, architecture, art and design, visual studies and material culture.
Architecture --- Ethnology. Cultural anthropology --- Aesthetics of art --- Art --- Philosophical anthropology --- Aesthetics --- Philosophy and psychology of culture --- Ethnology --- Ethnoarchaeology --- Social archaeology --- Art and anthropology --- Architecture and anthropology --- Philosophy --- Methodology --- 572 --- 902 --- 3 --- 7 --- 72 --- Vakmanschap --- 1 --- 001.8 --- 001 --- #SBIB:39A5 --- Anthropology --- Creative ability. --- Ethnoarchaeology. --- Social archaeology. --- Art and anthropology. --- Architecture and anthropology. --- SOCIAL SCIENCE / Anthropology / General. --- Anthropology and architecture --- Anthropology and art --- Archaeology --- Ethnic archaeology --- Ethnicity in archaeology --- Ethnology in archaeology --- Creativeness --- Creativity --- Ability --- Creation (Literary, artistic, etc.) --- Antropologie --- Archeologie --- Maatschappijwetenschappen --- Kunst --- Architectuur --- Filosofie --- Onderzoeksmethodologie --- Wetenschappelijk onderzoek --- Kunst, habitat, materiële cultuur en ontspanning --- Philosophy. --- Methodology. --- Anthropologie sociale et culturelle --- Ethnoarchéologie --- Archéologie sociale --- Art et anthropologie --- Architecture et anthropologie --- Philosophie --- Méthodologie --- Ethnoarchéologie --- Archéologie sociale --- Méthodologie --- Creative ability --- SOCIAL SCIENCE / Anthropology / General --- 7.01 --- Kunsttheorie ; over het creëren ; het creatiesproces --- Kunst ; theorie, filosofie, esthetica --- Material culture. --- Creative ability in art --- Creative ability in literature --- Imagination --- Inspiration --- Literature --- Originality --- Culture --- Folklore --- Technology --- art [fine art] --- anthropology --- archaeology --- architecture [object genre] --- Ethnology - Philosophy --- Ethnology - Methodology --- art [discipline]
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