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Architecture --- architectural theory --- Eyck, van, Aldo E. --- Foster, Norman --- Alexander, Christopher --- Stirling, James --- Smithson, Alison & Peter --- Erskine, Ralph --- Cullinan, Edward --- Martin, Leslie --- Evans, Eldred --- Shalev, David --- Utzon, Jørn --- Smithson, Alison --- De Carlo, Giancarlo --- Eyck, van, Aldo

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Schenking Moniek Bucquoye

Manufacturing technologies --- Thonet, Michael --- anno 1900-1909 --- toegepaste kunsten --- meubilair --- Thonet --- With a New Introduction by Christopher Wilk --- meubelkunst --- negentiende eeuw --- Thonet Michael --- 749.071 THONET --- Applied arts. Arts and crafts --- meubilair (objectnaam) --- Bentwood furniture --- Furniture --- Catalogs --- Gebrüder Thonet. --- Thonet Brothers --- Casa Thonet --- Fratelli Thonet --- Bratʹi︠a︡ Tonet --- Thonet-Mundus-J. & J. Kohn GmbH --- Gebrüder Thonet

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In 1909 ontstond het futurisme. Het was een van de belangrijkste avant-gardebewegingen uit het begin van de twintigste eeuw. In dit boek wordt het werk van onder meer Giacomo Balla, Umberto Boccioni, Carlo Carrà, Gino Severini, Wundham Lewis en Kasimir Malevitsj besproken.

Art --- fine arts --- Futurist --- anno 1900-1999 --- futurisme --- 7.037 --- 705.8 --- Balla, Giacomo --- Boccioni, Umberto --- Bragaglia, Anton Giulio --- Braque, Georges --- Carra, Carlo --- Chiattone, Mario --- Crali, Tullio --- Delaunay, Sonia --- Epstein, Jacob --- Futurisme --- Gaudier-Brzeska, Henri --- Ginna, Arnaldo --- Gontsjarova, Natalia --- Larionov, Michail --- Lewis, Wyndham --- Malevitsj, Kasimir --- Marinetti, F.T. --- Muybridge, Eadweard --- Nevinson, Christopher --- Pelizza da Volpedo, Giuseppe --- Prampolini, Enrico --- Rosso, Medardo --- Russolo, Luigi --- Sant'Elia, Antonio --- Severini, Gino --- Wadsworth, Edward --- kunstgeschiedenis - constructivisme, dadaïsme, fauvisme, futurisme, kubisme, surrealisme, moderne kunst (overgang expres. naar abstr. kunst) --- Art styles --- Marinetti, F.T --- futurisme.

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Er zijn maar weinig woorden die de afgelopen periode zo vaak en zo verkeerd zijn gebruikt als postmodernisme. In dit boek wordt aan de hand van een levendige, uitvoerige en heldere beschrijving uitgelegd wat het postmodernisme precies voor de hedendaagse kunst heeft betekend. De postmodernisten verruilden het modernistische geloof in universaliteit, oorspronkelijkheid en artistieke vooruitgang door een ander wereldbeeld : kunstwerken veranderden in teksten, geschiedenis werd een mythe, de kunstenaar een fictief personage, en werkelijkheid was een gedateerd concept. In dit boek worden de belangrijkste ontwikkelingen in de postmoderne kunst besproken, zoals het neo-expressionisme, de anti-esthetische beweging, commodity critics, postmodern feminisme en postmodern multiculturalisme. En passant komen boeiende vragen aan de orde als : wat is kunst zonder de kunstenaar? Waarom is de fotografie hét postmoderne medium bij uitstek? Hoe kon een beweging die niet wilde dat kunst een handelsartikel zou worden zelf zo'n invloed op de dolgedraaide kunstmarkt hebben?

Postmodern --- Art --- Architecture --- anno 1900-1999 --- anno 2000-2099 --- 7.038 --- kunst 20e eeuw --- postmodernisme --- 705.8 --- Anti-estheten --- Artschwager, Richard --- Baldessari, John --- Baselitz, Georg --- Basquiat, Jean-Michel --- Bickerton, Ashley --- Burgin, Victor --- Campbell, Steven --- Charlesworth, Sarah --- Chia, Sandro --- Clemente, Francesco --- Colescott, Robert --- De Chirico, Giorgio --- Feminimse --- Fischl, Eric --- Gilbert and George --- Girls, Guerrilla --- Guangyi, Wang --- Haacke, Hans --- Halley, Peter --- Heap of birds, Edgar --- Holzer, Jenny --- Immendorff, Jörg --- Jaar, Alfredo --- Johnson, Philip --- Kelly, Mary --- Kiefer, Anselm --- Koons, Jeff --- Kosuth, Joseph --- Kruger, Barbara --- Lawler, Louise --- Le Brun, Christopher --- Levine, Sherrie --- Longo, Robert --- Mapplethorpe, Robert --- Mariani, Carlo Maria --- McCollum, Allan --- Morimura, Yasumasa --- Multiculturalisme --- Neo-expressionisme --- Piper, Adrian --- Polke, Sigmar --- Pope, Carl --- Postmodernisme --- Prince, Richard --- Richter, Gerhard --- Rosenquist, James --- Salle, David --- Schilderkunst --- Schnabel, Julian --- Sherman, Cindy --- Simmons, Laurie --- Simpson, Loma --- Steinbach, Haim --- Tansey, Mark --- Weiner, Lawrence --- Wilson, Fred --- Wodiczko, Krzysztof --- 20e eeuw --- kunstgeschiedenis --- neo-expressionisme --- kunstgeschiedenis - kunst na 1945 --- kunstgeschiedenis, 20e eeuw --- hedendaagse kunst --- postmodernisme (kunst) --- Contemporary [style of art] --- ruimtelijke kunst --- Art styles

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The problem of trust in social relationships was central to the emergence of the modern form of civil society and much discussed by social and political philosophers of the early modern period. Over the past few years, in response to the profound changes associated with postmodernity, trust has returned to the attention of political scientists, sociologists, economists, and public policy analysts. In this sequel to his widely admired book, The Idea of Civil Society, Adam Seligman analyzes trust as a fundamental issue of our present social relationships. Setting his discussion in historical and intellectual context, Seligman asks whether trust--which many contemporary critics, from Robert Putnam through Francis Fukuyama, identify as essential in creating a cohesive society--can continue to serve this vital role.Seligman traverses a wide range of examples, from the minutiae of everyday manners to central problems of political and economic life, showing throughout how civility and trust are being displaced in contemporary life by new "external' system constraints inimical to the development of trust. Disturbingly, Seligman shows that trust is losing its unifying power precisely because the individual, long assumed to be the ultimate repository of rights and values, is being reduced to a sum of group identities and an abstract matrix of rules. The irony for Seligman is that, in becoming postmodern, we seem to be moving backward to a premodern condition in which group sanctions rather than trust are the basis of group life.

Political sociology --- Political systems --- Social psychology --- #SBIB:35H501 --- 316.47.052 --- Bestuur en samenleving: netwerken, inspraak, participatie, interactief beleid --- Vertrouwen in sociale relaties --- 316.47.052 Vertrouwen in sociale relaties --- Social role --- Role, Social --- Social interaction. --- Trust. --- Social role. --- Social interaction --- Trust --- Human interaction --- Interaction, Social --- Symbolic interaction --- Trust (Psychology) --- Social status --- Exchange theory (Sociology) --- Psychology --- Attitude (Psychology) --- Emotions --- Agape. --- Appadurai, Arjun, "ed. --- Arendt, Hannah. --- Axial chasm. --- Banfield, Edward. --- Benhabib, Seyla. --- Bernstein, Basil. --- Boden, Deirdre. --- Bynum, Caroline. --- Calvinism. --- Cambridge Platonists. --- Catholicism. --- Christianity. --- Constant, Benjamin. --- Diderot, Denis, "ed. --- Douglas, Mary. --- Durkheim, Emile. --- Elias, Norbert. --- Frankfurt, Harry. --- Ghana, Frafas people of. --- Grief, Avner. --- Harrison, Bernard, "ed. --- Herman, Gabriel. --- Kahneman, Daniel. --- Lasch, Christopher. --- Macfarlane, Alan. --- Maza, Sarah. --- Merton, Robert. --- Otto, Rudolf. --- Protestantism. --- Puritanism. --- asceticism. --- associational life. --- baptism, private. --- capitalism. --- citizenship. --- civility. --- communitarianism. --- confidence. --- contract law. --- credit, symbolic. --- divorce. --- expectation, trust as. --- externality. --- familiarity. --- friendship. --- game theory. --- honor. --- incivisme. --- marriage. --- networks, of trust. --- postmodernity. --- Rol social. --- Interacción social. --- Interaction sociale --- Role (Sociology) --- Confiance --- Rôle social