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Museum Studies offers readers in-depth explorations of the Art Institute's rich collections, history, and special exhibitions. In Museum Studies, we aim to create a publication that is both visually elegant and intellectually accessible through high production values, inventive topics, and an intelligent, readable style, succeeds at meeting the needs of Art Institute members, scholars, and the wider public alike.
Art --- Kunstmusea. --- Study and teaching --- Societies, etc. --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art. --- Art, Daghestan --- Art, Primitive
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The Harvard University Art Museums Bulletin began in 1992. Included were articles about activities, exhibitions, acquisitions, programs, finances, and staff. Some issues were devoted to one or two exhibitions and included research, checklists, and bibliographies. It was published 2-3 times a year through the spring of 2000. The 1992-1998 issues included HUAM annual reports. The Harvard University Art Museums Bulletin continued the Director's Report, itself an expansion of the Fogg Art Museum Annual Report. The annual Director's Report (1987-1991) included articles concerning the Busch-Reisinger and Arthur M. Sackler Museums. The Fogg Art Museum annual report included summaries of acquisitions, activities, finances and visitor statistics (later, loans, exhibitions and staff). Absorbed by the Annual Report of the Fogg Art Museum in 1972, Fogg Art Museum Acquisitions (1959-1970) included articles about acquisitions and donor/acquisitions lists. The Fogg annual report ceased publication in 1980. The HUAM annual report began publication in 1997.
Art --- Art. --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Harvard University. --- Art, Primitive
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At the forefront of contemporary arts criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today's artistic, intellectual, and critical vanguard.
Art --- Art. --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Kunsttheorie. --- Kunstkritiek. --- Kunstbeleid. --- Art, Primitive --- Periodicals --- Serials --- Arts visuals.
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Art --- Art. --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- contemporary art --- artistic creation --- art and science --- Arts --- Aesthetics --- Art, Primitive
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Art --- Art. --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Primitive
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Art --- Art. --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Primitive
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Simiolus is an English-language journal devoted to the history of Dutch and Flemish art of the fifteenth to seventeenth centuries, with occasional forays into more recent periods and other schools. Founded in 1966 as an outlet for art history students at the University of Utrecht, it has grown to become an internationally recognized journal of record in its field, publishing contributions by many renowned scholars and promising young art historians. Simiolus has a broad range, featuring articles on iconography and iconology, art theory and historiography, the history of the art market and the history of collecting. Many of them have become classics of their kind.
Art --- Kunst. --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Geschichte --- Niederlande. --- Art, Primitive
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Art --- Art. --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Primitive
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A platform for academics, artists, curators, art historians and theorists whose working practices are broadly concerned with contemporary art's relation to the public sphere. The journal presents an examination of contemporary art's link to the public realm, offering forum in which to debate the newly emerging series of developments within contemporary thinking, society and international art practice.
Public art --- Art --- Visual Arts. --- Public art. --- Art. --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Civic art --- Art, Primitive
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RES is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by art historians, archaeologists, philosophers, critics, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. In addition, RES seeks to make available textual and iconographic documents of importance for the history and theory of the arts.
Art, Primitive --- Ethnology --- Industries, Primitive --- Art primitif --- Anthropologie sociale et culturelle --- Industries primitives --- Periodicals --- Périodiques --- Art --- Aesthetics, Comparative --- Aesthetics, Comparative. --- Art. --- Art, Primitive. --- Ethnology. --- Industries, Primitive. --- Arts and Humanities --- Performing Arts, Travel and Leisure --- Ethnology. Cultural anthropology --- Aesthetics --- Primitive technology --- Technology, Primitive --- Archaeology --- Industrial arts --- Material culture --- Cultural anthropology --- Ethnography --- Races of man --- Social anthropology --- Anthropology --- Human beings --- Primitive art --- Art, Prehistoric --- Folk art --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Comparative aesthetics --- Périodiques --- EJANTHR EPUB-ALPHA-R EPUB-PER-FT UNICHIPRE-E --- Periodicals. --- Industries --- Industries. --- Industrial production --- Industry --- Economics --- Industries, Prehistoric
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