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Art --- American [North American] --- United States --- art [fine art] --- 17de eeuw --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- Verenigde Staten --- 7(7/8) --- 7.01 --- Amerikaanse kunst ; geschiedenis --- 701.1 --- 942 --- Ashcan school --- Benton, Thomas Hart --- Bulfinch, Charles --- Cassatt, Mary --- Church, Frederick --- Cole, Thomas --- Davis, Stuart --- De Kooning, Willem (1904-1997) --- Demuth, Charles --- Dove, Arthur --- Eakins, Thomas --- Hartley, Marsden --- Hassam, Childe --- Homer, Winslow --- Hopper, Dennis --- Hughes, Robert --- Latrobe, Benjamin --- Lawrence, Jacob --- O'Keeffe, Georgia --- Peale, Charles --- Pollock, Jackson --- Rivera, Diego --- Rothko, Mark --- Saint-Gaudens, Augustus --- Sheeler, Charles --- Singer Sargent, John --- Singleton Copley, John --- Stella, Joseph --- Sullivan, Louis Henri --- West, Benjamin --- White, Stanford --- Wright, Frank Lloyd --- amerikaanse luministen --- amish --- kunstgeschiedenis ; Amerika --- minimalisme --- pop art --- quakers --- shakers --- sociale geschiedenis ; Amerika --- Kunst ; Amerika --- Kunst ; theorie, filosofie, esthetica --- algemene kunstgeschiedenis, inleidingen - hand- en leerboeken --- geschiedenis van overige landen en werelddelen; afzonderlijk, economische en sociale geschied. --- geschiedenis van overige landen en werelddelen; afzonderlijk, economische en sociale geschied --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw. --- Verenigde Staten. --- United States of America

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When architects draw even brick walls to six decimal places with software designed to cut lenses, it is clear that the logic that once organized relations between precision and material error in construction has unraveled. Precision, already a promiscuous term, seems now to have been uncoupled from its contract with truthfulness. Meanwhile error, and the always-political space of its dissent, has reconfigured itself. In The Architecture of Error Francesca Hughes argues that behind the architect’s acute fetishization of redundant precision lies a special fear of physical error. What if we were to consider the pivotal cultural and technological transformations of modernism to have been driven not so much by the causes its narratives declare, she asks, as by an unspoken horror of loss of control over error, material life, and everything that matter stands for? Hughes traces the rising intolerance of material vagaries—from the removal of ornament to digitalized fabrication—that produced the blind rejection of organic materials, the proliferation of material testing, and the rhetorical obstacles that blighted cybernetics. Why is it, she asks, that the more we cornered physical error, the more we feared it?

Architecture --- architectural theory --- Architectural design. --- Measurement. --- Architects --- Design architectural --- Mesure --- Architectes --- Psychology. --- Psychologie --- 72.01 --- Architectuur (theorie) --- Architectuurtheorie --- Architectuur (esthetica) --- Architectuuresthetica --- Architectural design --- Measurement --- Professional employees --- Design --- Structural design --- Measuring --- Mensuration --- Mathematics --- Technology --- Metrology --- Physical measurements --- Psychology --- architectuurfilosofie

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Nuclear chemistry --- fysicochemie

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Experimental atomic and molecular physics --- Nuclear physics --- Cosmology --- Nuclear astrophysics --- Particles (Nuclear physics) --- Cosmologie --- Astrophysique nucléaire --- Particules (Physique nucléaire) --- Nuclear astrophysics. --- 539.12 --- Elementary and simple particles (charge less than 3 including alpha-rays, beta-rays, gamma-rays as individual particles or as radiation) --- 539.12 Elementary and simple particles (charge less than 3 including alpha-rays, beta-rays, gamma-rays as individual particles or as radiation) --- Astrophysique nucléaire --- Particules (Physique nucléaire) --- Elementary particles (Physics) --- High energy physics --- Nuclear particles --- Nucleons --- Astrophysics --- Astronomy --- Deism --- Metaphysics

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Chemical laboratory practice --- Laboratories --- Design and construction. --- Safety measures.