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Essays over kunstenaars en wetenschapsbeoefenaars, waarbij wordt aangetoond dat de kunst soms op de wetenschap vooruitloopt.
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Synesthesia. --- departement Beeldende Kunst 10 --- synesthesie --- kunst en wetenschap
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kunst --- kunstonderwijs --- academisering --- onderzoek in de kunsten --- Nederland --- globalisering --- auteursrecht --- kunst en wetenschap --- 373.67
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Kunstgeschiedenis --- Geometry. --- Geometry --- Aesthetics of art --- geometry --- art theory --- kunst en wetenschap
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This title is the result of a one-week workshop sponsored by the Swedish research agency, FRN, on the interface between complexity and art. Among others, it includes discussions on whether ""good"" art is ""complex"" art, how artists see the term ""complex"", and what poets try to convey in word about complex behavior in nature.
Differential geometry. Global analysis --- Science and the arts --- Complexity (Philosophy) in art --- Arts and science --- Arts --- 7.01 --- esthetica --- kunst --- kunst en wetenschap --- kunsttheorie
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Since the time of Aristotle, the making of knowledge and the making of objects have generally been considered separate enterprises. Yet during the late sixteenth and early seventeenth centuries, the two became linked through a “new” philosophy known as science. In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source-artists and artisans. From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans’ objects and their writings, Smith shows how artisans saw all knowledge as rooted in matter and nature. With nearly two hundred images, The Body of the Artisan provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, and recovers a forgotten episode of the Scientific Revolution-an episode that forever altered the way we see the natural world.
Art --- anno 1600-1699 --- anno 1500-1599 --- Art and science --- History --- Science and art --- Science --- 16th century --- 17th century --- cultuurgeschiedenis --- kunst en wetenschap --- Art et sciences --- Histoire
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The world shows up for us-it is present in our thought and perception. But, as Alva Noë contends in his latest exploration of the problem of consciousness, it doesn't show up for free. The world is not simply available; it is achieved rather than given. As with a painting in a gallery, the world has no meaning-no presence to be experienced-apart from our able engagement with it. We must show up, too, and bring along what knowledge and skills we've cultivated. This means that education, skills acquisition, and technology can expand the world's availability to us and transform our consciousness. Although deeply philosophical, Varieties of Presence is nurtured by collaboration with scientists and artists. Cognitive science, dance, and performance art as well as Kant and Wittgenstein inform this literary and personal work of scholarship intended no less for artists and art theorists, psychologists, cognitive scientists, and anthropologists than for philosophers. Noë rejects the traditional representational theory of mind and its companion internalism, dismissing outright the notion that conceptual knowledge is radically distinct from other forms of practical ability or know-how. For him, perceptual presence and thought presence are species of the same genus. Both are varieties of exploration through which we achieve contact with the world. Forceful reflections on the nature of understanding, as well as substantial examination of the perceptual experience of pictures and what they depict or model are included in this far-ranging discussion.
Experience. --- Philosophy, Modern. --- Modern philosophy --- Knowledge, Theory of --- Philosophy --- Psychology --- Reality --- Pragmatism --- Experience --- 7.01 --- filosofie --- kennisleer --- kunst en wetenschap --- kunsttheorie --- perceptie --- waarneming --- Developmental psychology --- Aesthetics
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Anamorphic art. --- Anamorphosis (Visual perception). --- perspective [technique] --- Art --- anamorphoses --- Iconography --- Anamorphic art --- Anamorphosis (Visual perception) --- #gsdbA --- 7.017 --- Gezichtsbedrog --- Kunst en illusie --- Kunst en wetenschap ; optische misleidingen --- Kunst ; optische effecten ; anamorfosen --- Perspectief ; perspectiefkasten ; centraalperspectief --- Optical illusions --- Perspective --- Visual perception --- Composition (Art) --- Kunst ; optische effecten, perspectief, illusie --- Anamorfosen --- Anamorfose --- kunst en wetenschap
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Art --- art [fine art] --- Science and the arts --- Technology and the arts --- Arts and technology --- Arts --- Arts and science --- Science and the arts. --- Technology and the arts. --- art [discipline] --- kunst en technologie --- kunst en wetenschap
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Philosophy and psychology of culture --- #gsdbA --- Francis A. Schaeffer --- kunst --- kunstgeschiedenis --- literatuur --- geschiedenis --- cultuurgeschiedenis --- cultuurfilosofie --- wetenschap --- kunst en wetenschap --- oudheid --- middeleeuwen --- renaissance --- barok --- reformatie --- verlichting --- filosofie --- muziek --- film --- sociologie --- politiek --- 7.03 --- 130.2 --- 930
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