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Poetry --- Medieval & Renaissance Studies --- poésie --- John Donne --- Renaissance --- Angleterre
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Cet ouvrage est une traduction française de trente-deux poèmes majeurs extraits du Temple de George Herbert, poète anglais essentiel du xviie siècle. La mise en regard des textes français et anglais permet de s’étendre sur la poésie proprement dite, ses effets et ses subtilités. Écrite dans un style concis, émaillée de formules frappantes et éclairantes, l’introduction relève le défi consistant à donner à comprendre en quelques pages la signification, la nature et la portée de la poésie de Herbert. Le poète est en effet bien plus qu’un témoin des soubresauts religieux de son temps : il est celui dont « le coeur pérégrinant » exprime l’errance et l’obstination spirituelles de l’homme.
Religion --- Literature --- Literature, British Isles --- Poetry --- métaphysique --- John Donne --- spiritualité --- errance --- religion --- anglicanisme --- parabole --- rédemption
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For centuries readers have struggled to fuse the seemingly scattered pieces of Donne's works into a complete image of the poet and priest. In John Donne, Body and Soul, Ramie Targoff offers a way to read Donne as a writer who returned again and again to a single great subject, one that connected to his deepest intellectual and emotional concerns. Reappraising Donne's oeuvre in pursuit of the struggles and commitments that connect his most disparate works, Targoff convincingly shows that Donne believed throughout his life in the mutual necessity of body an
Body and soul in literature. --- Christianity and literature --- History --- Donne, John, --- Donn, John, --- Done, John, --- Donn, Dzhon, --- Dann, Dzhon, --- Донн, Джон, --- Criticism and interpretation. --- Religion. --- Philosophy. --- john donne, poetry, poet, literature, classic, canon, priest, religion, spirituality, christianity, soul, theology, nonfiction, devotions upon emergent occasions, epistles, death, resurrection, corpse, afterlife, corporeality, deaths duell, sermon, verse, philosophy, criticism, separation, god, heaven, conversion, faith, eternal, eternity.
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This is a comparative reading of Donne's poetry and prose, which eschews questions of personal or religious sincerity in order to recreate an image of John Donne as a man of many performances.
Poets, English --- Sermons, English --- English poets --- History and criticism. --- Donne, John, --- Donn, John, --- Done, John, --- Donn, Dzhon, --- Dann, Dzhon, --- Донн, Джон, --- Criticism and interpretation. --- Church of England. --- Clergy. --- Literature --- Literary Studies: Poetry & Poets --- LITERARY CRITICISM / Poetry --- Literary studies: poetry & poets --- Devotions. --- J. L. Austin. --- John Donne. --- early modern period. --- erotic poetry. --- linguistic performativity. --- patronage seeking. --- performance. --- sermon. --- speech act theory.
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This book considers the professional contribution of John Donne to an emerging homiletic public sphere in the last years of the Jacobean English Church (1621-25), arguing that his sermons embody the conflicts, tensions, and pressures on public religious discourse in this period; while they are in no way 'typical' of any particular preaching agenda or style, they articulate these crises in their most complex forms and expose fault lines in the late Jacobean Church. The study is framed by Donne's two most pointed contributions to the public sphere: his sermon defending James I's Directions to Preachers and his first sermon preached before Charles I in 1625. These two sermons emerge from the crises of controversy, censorship, and identity that converged in the late Jacobean period, and mark Donne's clearest professional interventions in the public debate about the nature and direction of the Church of England. In them, Donne interrogates the boundaries of the public sphere and of his conformity to the institutions, authorities, and traditions governing public debate in that sphere, modelling for his audience an actively engaged conformist identity. Professor JEANNE SHAMI teaches in the Department of English at the University of Regina.
Christian literature, English --- Dissenters, Religious --- Clergy --- Sermons, English --- Clergy members --- Clergymen --- Diocesan clergy --- Ecclesiastics --- Indigenous clergy --- Major orders --- Members of the clergy --- Ministers (Clergy) --- Ministers of the gospel --- Native clergy --- Ordained clergy --- Ordained ministers --- Orders, Major --- Pastors --- Rectors --- Secular clergy --- Religious leaders --- History and criticism. --- History --- Donne, John, --- Donn, John, --- Done, John, --- Donn, Dzhon, --- Dann, Dzhon, --- Донн, Джон, --- Religion. --- England --- Church history --- Prose. --- Censorship. --- Charles I. --- Conformist Identity. --- Controversy. --- Ecclesiastical History. --- Identity. --- Jacobean English Church. --- James I. --- John Donne. --- Public Religious Discourse.
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Green Thoughts, Green Shades is a strikingly original book, the first and only of its kind. Edited and introduced by noted seventeenth-century scholar Jonathan Post, it enlists the analytic and verbal power of some of today's most celebrated poets to illuminate from the inside out a number of the greatest lyric poets writing in English during the sixteenth and seventeenth century. Written by people who spend much of their time thinking in verse and about verse, these original essays herald the return of the early modern lyric as crucial to understanding the present moment of poetry in the United States. This work provides fascinating insights into what today's poets find of special interest in their forebears. In addition, these discussions shed light on the contributors' own poetry and offer compelling clues to how the poetry of the past continues to inform that of the present.
Early modern, 1500-1700. --- English poetry. --- English poetry-- Early modern, 1500-1700-- History and criticism. --- History and criticism. --- English poetry --- English --- Languages & Literatures --- English Literature --- History and criticism --- English literature. --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- academic. --- anne bradstreet. --- ben jonson. --- contemporary poetry. --- contemporary poets. --- creative writers. --- creative writing. --- early modern lyric. --- early modern poetry. --- essay anthology. --- essay collection. --- john donne. --- literary history. --- literary. --- lyric poems. --- lyric poetry. --- margaret cavendish. --- mfa. --- milton. --- philip sidney. --- poetic form. --- poetics. --- poetry studies. --- scholarly. --- sestina. --- sonnet.
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"Francoise Massardier-Kenney's translation of Antoine Berman's Toward a Translation Criticism makes available for the first time in the English-speaking world one of the twentieth century's foundational texts in translation studies. Berman's book, published posthumously in France, develops an original concept of "criticism of translation" and a methodology to anchor the practice of this criticism. He demonstrates how the work of translation is a critical process as well as a creative one." "The translation of Berman's text is accompanied by an introduction placing Berman's thought in its intellectual context and by supplementary notes that complete the bibliographic material presented in the French-language version. This study is essential reading for translation studies scholars and for readers interested in the creative literary process, in the nature of literary criticism, and in the philosophy of language. It will also be of interest to John Donne specialists."--BOOK JACKET.
Engelse taal --- Vertaalkritiek. --- Vertaalkritiek van Antoine Berman. --- Vertalen en tolken --- John Donne. --- Vertaling naar het Frans --- Geschiedenis. --- geschiedenis --- vertalingen in het Frans. --- Donne, John, --- Geschiedenis en kritiek. --- English language --- Translating and interpreting --- 820 "16" DONNE, JOHN --- 82.03 --- Germanic languages --- 820 "16" DONNE, JOHN Engelse literatuur--17e eeuw. Periode 1600-1699--DONNE, JOHN --- Engelse literatuur--17e eeuw. Periode 1600-1699--DONNE, JOHN --- Interpretation and translation --- Interpreting and translating --- Language and languages --- Literature --- Translation and interpretation --- Translators --- Translating into French&delete& --- History --- Vertalen. Literaire vertaling. Tolken --- Translating --- Donn, John, --- Done, John, --- Donn, Dzhon, --- Dann, Dzhon, --- Донн, Джон, --- Appreciation --- Translations into French --- History and criticism. --- Translating into French
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In Last Looks, Last Books, the eminent critic Helen Vendler examines the ways in which five great modern American poets, writing their final books, try to find a style that does justice to life and death alike. With traditional religious consolations no longer available to them, these poets must invent new ways to express the crisis of death, as well as the paradoxical coexistence of a declining body and an undiminished consciousness. In The Rock, Wallace Stevens writes simultaneous narratives of winter and spring; in Ariel, Sylvia Plath sustains melodrama in cool formality; and in Day by Day, Robert Lowell subtracts from plenitude. In Geography III, Elizabeth Bishop is both caught and freed, while James Merrill, in A Scattering of Salts, creates a series of self-portraits as he dies, representing himself by such things as a Christmas tree, human tissue on a laboratory slide, and the evening/morning star. The solution for one poet will not serve for another; each must invent a bridge from an old style to a new one. Casting a last look at life as they contemplate death, these modern writers enrich the resources of lyric poetry.
Death in literature. --- American poetry --- History and criticism. --- Stevens, Wallace --- Criticism and interpretation --- Plath, Sylvia --- Lowell, Robert Traill Spence, Jr. --- Bishop, Elizabeth --- Merrill, James Ingram --- 20th century --- History and criticism --- Death in literature --- Adjective. --- After Apple-Picking. --- Allusion. --- Amputation. --- Ars Poetica (Horace). --- Asymmetry. --- Because I could not stop for Death. --- Bevel. --- Binocular vision. --- Bluebeard's Castle. --- Burial. --- Calcium carbonate. --- Carbon monoxide. --- Caspar David Friedrich. --- Coffin. --- Couplet. --- Death and Life. --- Death drive. --- Death. --- Deathbed. --- Desiccation. --- Diction. --- Disjecta membra. --- Dramatis Personae. --- Elizabeth Bishop. --- Emblem. --- Emily Dickinson. --- Emptiness. --- Executive director. --- Ezra Pound. --- Fairy tale. --- Fine art. --- Grandparent. --- Hexameter. --- Human extinction. --- Impermanence. --- In Death. --- In the Flesh (TV series). --- Incineration. --- Irony. --- James Merrill. --- John Donne. --- John Keats. --- Lady Lazarus. --- Lament. --- Last Poems. --- Lecture. --- Life Studies. --- Lycidas. --- Macabre. --- Melodrama. --- Metaphor. --- Microtome. --- Misery (novel). --- Mourning. --- Narcissism. --- Narrative. --- National Gallery of Art. --- National Humanities Center. --- Ottava rima. --- Otto Plath. --- Pentameter. --- Phone sex. --- Pity. --- Plath. --- Platitude. --- Poetry. --- Princeton University Press. --- Psychotherapy. --- Rhyme scheme. --- Rhyme. --- Rigor mortis. --- Robert Lowell. --- Sadness. --- Sestet. --- She Died. --- Skirt. --- Slowness (novel). --- Soliloquy. --- Sonnet. --- Stanza. --- Subtraction. --- Suffering. --- Suicide attempt. --- Sylvia Plath. --- Ted Hughes. --- Tercet. --- Terza rima. --- The Other Hand. --- The Snapper (novel). --- Trepanning. --- Tyvek. --- Villanelle. --- Vocation (poem). --- W. B. Yeats. --- W. H. Auden. --- Wallace Stevens. --- Wasting. --- William Shakespeare. --- Writing.
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