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sculpting --- Sculpture --- stone [worked rock] --- granite [rock] --- magnesian limestone --- Rückriem, Ulrich --- Germany --- Exhibitions --- Dominique Bozo, Friedrich Heubach, Bernard Blistène [et al.] --- kunst --- twintigste eeuw --- beeldhouwkunst --- installaties --- 73.071 RUECKRIEM --- Exhibitions. --- Rückriem, Ulrich --- 73.036 --- 73.036 Moderne beeldhouwkunst. Avant-garde beeldhouwkunst --- Moderne beeldhouwkunst. Avant-garde beeldhouwkunst --- SCULPTURE ALLEMANDE --- SCULPTURE EN PLEIN AIR --- RÜCKRIEM (ULRICH), 1938 --- -20E SIECLE --- EXPOSITIONS --- 20E SIECLE
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Painting --- Design --- Bill, Max, --- granite [rock] --- Bill Max --- abstraction-création --- concrete kunst --- systematische kunst --- 7.071 BILL --- sculpting --- Sculpture --- Abstract [fine arts style] --- art [fine art] --- color [perceived attribute] --- Art styles --- Iconography --- painting [image-making] --- Art --- abstraction --- metal --- Bill, Max --- anno 1900-1999 --- anno 2000-2099 --- Switzerland --- architectuur --- Bauhaus --- beeldhouwkunst --- constructivisme --- schilderkunst --- Bill, Max, - 1908-1994 --- art [discipline] --- Abstract [modern European style] --- kunst en wetenschap
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The first time Junya Ishigami made himself known in Europe, with his proposal for the Japan Pavilion for the Venice Architecture Biennale 2008, he was a young an almost unknown architect who had worked for several years with Kazuo Sejima and had not long with his studio junya.ishigami +associates, founded in 2004. In the Venice pavilion, Ishigami filled all the interior walls of the pavilion with delicate a somehow naïf drawings of gardens and decided to build several greenhouses with real gardens in the outdoor gardens of the building. The following year, he finished the Kanagawa Institute of Technology Workshop, and with only two works he was acclaimed as one of the most innovative proposals of the recent Japanese architecture. Forcing the limits of transparency and lightness in the beginning, his latest works explore in a conceptual way the relationships between the built matter and the nature, in works such as the Botanical Farm Garden in Tochigi, a multi confessional chapel in China or the house and restaurant for a chef in Japan, where the exploration of the tectonic merges with the telluric and the nature.
72.07 --- Ishigami, Junya °1974 (°Kanagawa, Japan) --- Architecten. Stedenbouwkundigen A - Z --- Architectuur ; 21ste eeuw ; 2008-2018 ; J. Ishigami --- Ishigami, Junya --- 72.036 --- 72.037 --- Japan --- Verenigde Staten --- Rusland --- Nederland --- China --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- 21ste eeuw (architectuur) --- Eenentwintigste eeuw (architectuur) --- Art --- installations [visual works] --- embroidering --- humor --- public art --- monumental [size or dimensions] --- cloth --- knitting [needlework] --- granite [rock] --- marble [rock] --- wood [plant material] --- animal art --- mixed media works --- Dewar & Gicquel --- Dewar, Daniel & Gicquel, Grégory --- Architecture --- Ishigami, Junya, --- J6500 --- Japan: Art and antiquities -- architecture --- Architecture, Japanese --- Rapport architecture-nature --- Rapport intérieur-extérieur --- Ishigami, Jun'ya, --- Architecture, Japanese - 20th century --- Architecture, Japanese - 21st century. --- Ishigami, Jun'ya, - 1974 --- -Ishigami, Junya, 1974 --- Ishigami, Junya, 1974 --- -Dewar, Daniel & Gicquel, Grégory --- -Rapport architecture-nature --- -Art
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