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"The Second Sound is an imaginary conversation between musicians and sound artists on the role of gender and sex within their field. It gathers testimonies from a variety of artists from different backgrounds into a single stream of (often contrary) opinions. Together, they address questions like: How do life circumstances find their way into music and sound art? How does music reflect historical and social structures? What does discrimination do, and how can we navigate around it? How to unlock networks? Is the under-representaiton of women and LGBTQ people in the field a symptom or a cause? Is art itself gendered? And can it reflect the gender of its maker? Is a different way of listening needed to more accurately understand those voices from outside the historical canon?"
541 --- Compositie --- 781.1 --- Kunsttheorie ; 20ste eeuw ; feminisme en genderstudies --- Experimentele kunst ; met muziek ; geluiden --- Geluidskunst --- Sex in music. --- Gay musicians. --- Gender identity in music. --- Masculinity in music.
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Schafer contends that we suffer from an overabundance of acoustic information and explores ways to restore our ability to hear the nuances of sounds around us. This book is a pioneering exploration of our acoustic environment, past and present, and an attempt to imagine what it might become.
Geluiden --- lawaai --- 539.3 --- Geluidspollutie --- Geluidsleer --- Music --- Sound. --- Acoustics and physics. --- Philosophy and aesthetics. --- geluiden --- akoestiek --- muziekesthetica --- muziekfilosofie --- Sound --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Musical acoustics --- Monochord --- Acoustics and physics --- Philosophy and aesthetics --- Philosophy --- 798.3 --- 781.5 --- 665 --- geluid --- muziek --- perceptie --- waarneming --- psychologie --- 781.1 --- Geluid ; geluiden ; klanken --- Sociale ecologie ; geluid ; geluidshinder --- Akoestiek --- film, esthetiek en kritiek --- muziekwetenschap, psychologie der muziek --- audio-video --- Geluidskunst --- 78
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From Edison's invention of the phonograph through contemporary field recording and sound installation, artists have become attracted to those domains against which music has always defined itself: noise, silence, and environmental sound. Christoph Cox argues that these developments in the sonic arts are not only aesthetically but also philosophically significant, revealing sound to be a continuous material flow to which human expressions contribute but which precedes and exceeds those expressions. Cox shows how, over the course of the twentieth and twenty-first centuries, philosophers and sonic artists have explored this "sonic flux." Through the philosophical analysis of works by John Cage, Maryanne Amacher, Max Neuhaus, Christian Marclay, and many others, Sonic Flux contributes to the development of a materialist metaphysics and poses a challenge to the prevailing positions in cultural theory, proposing a realist and materialist aesthetics able to account not only for sonic art but for artistic production in general.
Music --- Soundscapes (Music) --- Sound (Philosophy) --- Sound installations (Art) --- Metaphysics --- Environmental sound installations (Art) --- Sound environments (Art) --- Sound sculpture (Art installations) --- Installations (Art) --- Philosophy --- God --- Ontology --- Philosophy of mind --- Environmental sound compositions --- Sounds --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy and aesthetics --- Metaphysics. --- Sound (Philosophy). --- Sound installations (Art). --- Philosophy and aesthetics. --- History and criticism. --- kunst --- muziek --- film --- installaties --- geluidsinstallaties --- geluidskunst --- twintigste eeuw --- eenentwintigste eeuw --- kunstfilosofie --- kunsttheorie --- 7.01
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How we experience space by listening: the concepts of aural architecture, with examples ranging from Gothic cathedrals to surround sound home theater.
Space perception. --- Auditory perception. --- Architectural acoustics. --- Psychoacoustics. --- Sound --- Recording and reproducing --- Digital techniques. --- Acoustics, Architectural --- Buildings --- Sound perception --- Spatial perception --- Digital audio --- Digital sound recording --- Acoustics --- Absorption of sound --- Acoustical engineering --- Hearing --- Perception --- Word deafness --- Spatial behavior --- Figure-ground perception --- Geographical perception --- Psychophysics --- Digital electronics --- Environmental engineering --- Electronic books. --- ARTS/Music & Sound Studies --- ARCHITECTURE/General --- Architectural acoustics --- Auditory perception --- Psychoacoustics --- Space perception --- 699.84 --- 781.1 --- 699.844 --- 72.01 --- Akoestiek --- Architectuurtheorie ; over ruimte en geluid --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Recording and reproducing&delete& --- Digital techniques --- Akoestiek (architectuur) --- Geluidskunst --- Geluidsisolatie. Lawaaibestrijding --- Architectuur ; theorie, filosofie, esthetica
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Since the beginning of the new millennium, numerous historical and critical works have established Sound Art as an artistic genre in its own right, with an accepted genealogy that begins with Futurism, Dada, and Fluxus, as well as disciplinary classifications that effectively restrict artistic practice to particular tools and venues. This book, companion volume to a massive 2012-2013 exhibition at ZKM Center for Art and Media, Karlsruhe, goes beyond these established disciplinary divides to chart the evolution and the full potential of sound as a medium of art.The book begins with an extensive overview by volume editor and ZKM CEO Peter Weibel that considers the history of sound as media art, examining work by visual artists, composers, musicians, and architects alike. Subsequent essays examine sound experiments in antiquity, sonification of art and science, and Internet-based sound art. Experts then survey the global field of sound art research and practice, in essays that describe the past, present, and future of sound art in Germany, Japan, China, the United States, the United Kingdom, Russia, Canada, and Scandinavia. The texts are accompanied by hundreds of color images drawn from the ZKM exhibition.
Art --- sound art --- Sound in art. --- Music in art. --- Musical instruments in art. --- Musical notation in art. --- Son dans l'art --- Sound in art --- Sound --- Equipment and supplies. --- Recording and reproducing --- Digital techniques. --- Recording and reproducing. --- Sound art --- 781.1 --- Audio equipment --- Audio equipment industry --- Digital audio --- Digital sound recording --- Digital electronics --- Disk recording --- Recording of sound --- Reproducing of sound --- Sound recording and reproducing --- Sounds --- Ars acustica --- Audio art --- Music --- Digital techniques --- Equipment and supplies --- Geluidskunst --- Apparatus --- Time-based art --- Art et musique --- Installations sonores (art) --- Musique --- Catalogues d'exposition --- Société numérique --- Fluxus --- Dada --- Futurisme
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An examination of the role of sound in twentieth-century arts.This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it--to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries. Focusing on Europe in the first half of the century and the United States in the postwar years, Douglas Kahn explores aural activities in literature, music, visual arts, theater, and film. Placing aurality at the center of the history of the arts, he revisits key artistic questions, listening to the sounds that drown out the politics and poetics that generated them. Artists discussed include Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Fluxus, Allan Kaprow, Michael McClure, Yoko Ono, Jackson Pollock, Luigi Russolo, and Dziga Vertov.
Geluid in de kunst --- Son dans l'art --- Sound in art --- Douglas Kahn --- kunst --- twintigste eeuw --- muziek --- klank --- geluid --- kunst en muziek --- kunst en geluid --- stilte --- literatuur --- theater --- Artaud Antonin --- Brecht George --- Burroughs William --- Cage John --- Eisenstein Sergei --- Fluxus --- Kaprow Allan --- McClure Michael --- Ono Yoko --- Pollock Jackson --- Russolo Luigi --- Vertov Dziga --- bruitisme --- 7.036 --- Arts, Modern --- Sound in art. --- Arts [Modern ] --- 20th century --- Vibrations --- Art --- Music --- art [fine art] --- music [performing arts] --- noise --- sound [acoustics] --- sound art --- Cage, John --- anno 1900-1999 --- Son --- Son dans l'art - Expositions --- Son dans les arts du spectacle --- Arts visuels --- Histoire de la musique --- Art et musique --- Rapport image son --- Artaud, Antonin --- Brecht, George --- Burroughs, William Seward --- Cage, John, 1912-1992 --- Eisenstein, Sergueï --- Kaprow, Allan --- MacClure, Michael --- Ono, Yōko, 1933 --- Pollock, Jackson --- Russolo, Luigi --- Vertov, Dziga --- 82:7 --- 781.1 --- Geluid ; geluiden ; klanken --- Kunst en muziek ; 20ste eeuw ; klankkunst ; geluidskunst --- Sound Art --- 82:7 Literatuur en kunst --- Literatuur en kunst --- Geluidskunst --- ARTS/General --- art [discipline] --- music [performing arts genre]
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"The Sound Studies Reader is a groundbreaking anthology blending recent work that self-consciously describes itself as 'sound studies' with earlier and lesser known scholarship on sound. The collection begins with an introduction to welcome novice readers to the field and acquaint them with key themes and concepts in sound studies. Individual section introductions give readers further background on the essays and an extensive up to date bibliography for further reading in 'sound studies' make this an original and accessible guide to the field"--
Sound --- Hearing. --- Listening. --- Son --- Ouïe --- Ecoute (Psychologie) --- Recording and reproducing --- History. --- Social aspects --- Enregistrement et reproduction --- Histoire --- Aspect social --- Hearing --- Listening --- History --- 7.01 --- Kunsttheorie ; kunstfilosofie ; over geluidskunst --- Sound Art --- Sound studies ; handboeken --- Geluid ; geluiden ; klanken --- Cultuurfilosofie ; over het luisteren ; het horen --- Audio Art --- Akoestiek --- muziek --- kunst en muziek --- geluid --- klank --- akoestiek --- gehoor --- omgevingsgeluiden --- achtergrondgeluiden --- stilte --- 78 --- Kunst ; theorie, filosofie, esthetica --- Music --- Social science --- Social aspects. --- Recording & Reproduction. --- Media Studies. --- Ouïe --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Auding --- Attention --- Comprehension --- Educational psychology --- Audition (Physiology) --- Physiological acoustics --- Bioacoustics --- Senses and sensation --- Audiology --- Auditory pathways --- Deafness --- Ear --- Recording and reproducing&delete& --- Sound - Recording and reproducing - History --- Sound - Recording and reproducing - Social aspects
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Aesthetics, Modern --- Art and music. --- Arts, Modern --- Music and art. --- Music --- Popular culture. --- Sound in art. --- Sounds. --- Philosophy and aesthetics. --- Sound in art --- 7.01 --- 7.038 --- 78 --- Attali jacques --- Bourriaud Nicolas --- Brecht George --- Cage John --- Cardiff Janet --- concept art --- conceptuele kunst --- Derrida Jacques --- Dylan Bob --- eenentwintigste eeuw --- Ferrari Luc --- Fowler Jarrod --- Fried Michael --- geluidskunst --- Greenberg Clement --- Kahn Douglas --- Kirkegaard Jacob --- Kittler Friedrich --- Krauss Rosalind --- Kubisch Christina --- kunst --- kunst en muziek --- kunstfilosofie --- kunstkritiek --- kunsttheorie --- Lopez Francisco --- Lucier Alvin --- Lyotard Jean-François --- McLuhan Marshall --- Merleau-Ponty Maurice --- Michelson Annette --- Morris Robert --- muziek --- Nauman Bruce --- Phillips Sam --- Rauschenberg Robert --- Rosenfeld Marina --- Sanders Peirce Charles --- Schaeffer Pierre --- Snead James --- sound art --- twintigste eeuw --- Valie Export --- Vitiello Stephen --- Waters Muddy --- Younf La Monte --- Aesthetics --- History
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